Francis Nenik's thrilling slice of narrative non-fiction "Journey through a Tragicomic Century" is about the life of the forgotten writer Hasso Grabner, told with great joy in language and love of absurdity. The journey takes us from the Young Communists in 1920s Leipzig to wartime Corfu, with Grabner falling from steelworks director to a vilified author banned from publishing his work in the GDR. Francis Neniks "Reise durch ein tragikomisches Jahrhundert" handelt vom Leben des vergessenen Schriftstellers Hasso Grabner — erzählt mit großer Freude am Fabulieren und Liebe zur Absurdität. Die Reise führt uns nebst anderen Stationen von den Jungen Kommunisten Leipzigs in den 1920er Jahren nach Korfu, ganz nah begleiten wir Grabner auf seinem wilden Ritt vom Stahlwerksdirektor zum verunglimpften Autor, dem es verboten war, sein Werk in der DDR zu veröffentlichen.

Lucy Fricke's "Daughters" tells the story of two women either side of forty on a road trip across Europe, each of them dealing with difficult fathers along the way. A bestseller and booksellers' favourite in Germany, "Daughters" evokes laughter and tears by way of life and death, friendship and family. Lucy Frickes "Töchter" erzählt die Geschichte von zwei Frauen um die vierzig, die sich auf einem Roadtrip durch Europa mit ihren jeweils ganz unterschiedlichschwierigen Vätern auseinandersetzen. "Töchter" bringt uns zum Lachen und zum Weinen — über das Leben und den Tod, über Freundschaft und Familie. Im deutschsprachigen Raum avancierte der Roman zum Buchhandelsliebling und Bestseller.

the worldwide bestselling novel by the winner of the 2000 Nobel Prize for Literature.Soul Mountain is a picaresque novel of immense wisdom and sparse beauty, bursting with knowledge and experience and portraying a culture as vast and fascinating as the history of humankind itself.In China in the early eighties, the book's central character embarks on a cross-country journey in search of the mysterious 'Mountain'. Along the way he collects stories, lovers, spiritual wisdom and undergoes myriad experiences that are sometimes violent, sometimes frightening, sometimes funny, but always enriching. He researches the origins of humankind and Chinese culture, and explores philosophical issues such as truth, knowledge and how oneᱠchildhood affects later life. At the end of the book, he realises that all along what was important was not finding the elusive Soul Mountain, but rather the journey itself. Part love story, part fable, part philosophical treatise and part travel journal, this is one of the most challenging, rewarding and inventive works of fiction since Ulysses.

Each of us has something that feels essential to who we are. For Hans Frambach, it's the crimes of the Nazi era, which have hurt him for as long as he can remember. That's why he became an archivist at the Bureau of Past Management; now, though, he's wondering if he should make a change. For his best friend, Graziela, that past was also her focal point – until she met a man who desired her. From then on, sexual pleasure became the key to her life; a concept she's now beginning to doubt. Hans and Graziela thought the Nazi crimes were the inheritance that neither could bear, but can we really blame Nazism for everything? Iris Hanika shows how the crimes of the Nazi era hold the Germans in their clutches to this day, and the absurdities to which institutionalising commemoration leads.Can a country manage its past, or ought we to remain helpless in the face of the horrific crimes of the Holocaust?

Take a dilapidated castle in the Scottish Highlands; add a peacock gone rogue, a group of bankers on a teambuilding trip, an overwhelmed psychologist, a housekeeper with a broken arm, and an ingenious cook; get Lord and Lady McIntosh to try and keep it all together; and top it off with all sorts of animals – soon no one will know exactly what's going on. Selling 500,000 copies, Isabel Bogdan's book is a big hitter in Germany – and now it's coming home to roost.

In 1997, Saul Friedländer emphasized the need for an integrated history of the Holocaust. His suggestion to connect ‘the policies of the perpetrators, the attitudes of surrounding society, and the world of the victims’ provides the inspiration for this volume. Following in these footsteps, this innovative study approaches Holocaust history through a combination of macro analysis with micro studies. Featuring a range of contemporary research from emerging scholars in the field, this peer-reviewed volume provides detailed engagement with a variety of historical sources, such as documents, artifacts, photos, or text passages. The contributors investigate particular aspects of sound, materiality, space and social perceptions to provide a deeper understanding of the Holocaust, which have often been overlooked or generalised in previous historical research. Yet, as we approach an era of no first hand witnesses, this multidisciplinary, micro-historical approach remains a fundamental aspect of Holocaust research, and can provide a theoretical framework for future studies.

"You'll live out your lives in a foreign country," Gül is warned. But the whole world is foreign when you're far from your loved ones. The train ride to Germany ushers in the days of long-awaited letters, night-time telephone calls and blissful summers back home. The years of hard work will flow like water before her house in Turkey is built and she can return. Until then, there will be fireworks, young love, and the cassette tapes of the summer played on repeat. In these years, Gül will learn all kinds of longing: for her two daughters, for her father the blacksmith, for scents and colours and fruit. Yet imperceptibly, Factory Lane in this cold, incomprehensible country becomes a different kind of home. A novel about how home is found in many places and yet still eludes us.

Love in late capitalism: Ivana Sajko takes us into a war between kitchen and bedroom. He, an unemployed humanist, is trying to change the world and write a novel. She, a passable actress, has given up her safe job at the theatre to care for their child. He is delirious, she is on edge. With the rent overdue and violence looming on all sides, the two of them circle one another in a dizzying dance towards the abyss.

Amal shocks the whole neighbourhood by beating up her classmate Younes. Her father defends her behaviour and encourages her to assert herself. From then on everyone avoids Amal – and then her father leaves. Searching in vain for an explanation, Amal finds unexpected refuge with Younes and his mother Shahira, both outsiders like her. Years later, when the situation comes to a head and the conflict with Raffiq's gang escalates, Amal flees to Kurdistan to look for her father. Raffiq's friend Younes is the reluctant centre of attention in their neighbourhood – thanks to his free-spirited mother Shahira, who breaks all the rules. Raffiq thinks about Shahira all the time, at once fascinated and repulsed by her. Unable to bear the situation any longer, Younes plans to leave. When Raffiq's girlfriend Amal also wants to move away, Raffiq's world begins to break apart. He attempts to sabotage their plans. The question is: what does Raffiq actually want to do with his life? In her kaleidoscopic novel, Karosh Taha expands our ideas of class, race and gender as she loops two stories around an invisible lynchpin: a woman who defies all expectations, a blank canvas for projections from all those around her. Deftly translated by Grashina Gabelmann, the book can be explored from either end, creating two very different narratives.

'There are three ways to face life: put up with it, fight or flee.' After eight years in Turkey, Gül leaves her native Anatolia and returns to Germany. Reunited with her husband Fuat, she observes life there from the margins. As age gives her ever deeper insight, she sees society change rapidly, and yet her ability to connect to the people around her remains constant. Gül's life is shaped by the melancholy of separation, but with her warm-hearted and accepting outlook she has learned to endure homesickness and longing. Full of emotions and poetry but told without sentimentality, Selim Özdoğan's account of Gül's journey is a tender and moving novel about home, cultural identity and a life between two worlds.