Front Cover -- Half Title Page -- Series Page -- Full Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acronyms -- Acknowledgments -- Preface -- PART I -- 1 - Journalism and Mediain the Caribbean -- 2 - Practicing Journalism in Small Places: National and Regional Implications -- 3 - Caribbean Journalism's Media Economy: Advancing Democracy and the Common Good? -- PART II -- 4 - Caribbean Journalism: Comprehensive and Proportionate -- 5 - Caribbean Journalism:Relevant and Engaging -- 6 - Caribbean Journalism:Maintaining Independence -- 7 - The Future of Caribbean Journalism -- Notes -- Bibliography -- Index -- Back Cover

A brilliant look at colonialism and its effects in Antigua--by the author of Annie John "If you go to Antigua as a tourist, this is what you will see. If you come by aeroplane, you will land at the V. C. Bird International Airport. Vere Cornwall (V. C.) Bird is the Prime Minister of Antigua. You may be the sort of tourist who would wonder why a Prime Minister would want an airport named after him--why not a school, why not a hospital, why not some great public monument. You are a tourist and you have not yet seen . . ." So begins Jamaica Kincaid's expansive essay, which shows us what we have not yet seen of the ten-by-twelve-mile island in the British West Indies where she grew up. Lyrical, sardonic, and forthright by turns, in a Swiftian mode, A Small Place cannot help but amplify our vision of one small place and all that it signifies.

“An unforgettable look at the peculiar horrors and humiliations involved in solitary confinement” from the prisoners who have survived it (New York Review of Books). On any given day, the United States holds more than eighty-thousand people in solitary confinement, a punishment that—beyond fifteen days—has been denounced as a form of cruel and degrading treatment by the UN Special Rapporteur on Torture. Now, in a book that will add a startling new dimension to the debates around human rights and prison reform, former and current prisoners describe the devastating effects of isolation on their minds and bodies, the solidarity expressed between individuals who live side by side for years without ever meeting one another face to face, the ever-present specters of madness and suicide, and the struggle to maintain hope and humanity. As Chelsea Manning wrote from her own solitary confinement cell, “The personal accounts by prisoners are some of the most disturbing that I have ever read.” These firsthand accounts are supplemented by the writing of noted experts, exploring the psychological, legal, ethical, and political dimensions of solitary confinement. “Do we really think it makes sense to lock so many people alone in tiny cells for twenty-three hours a day, for months, sometimes for years at a time? That is not going to make us safer. That’s not going to make us stronger.” —President Barack Obama “Elegant but harrowing.” —San Francisco Chronicle “A potent cry of anguish from men and women buried way down in the hole.” —Kirkus Reviews

Contemporary journalism faces a crisis of trust that threatens the institution and may imperil democracy itself. Critics and experts see a renewed commitment to local journalism as one solution. But a lasting restoration of public trust requires a different kind of local journalism than is often imagined, one that engages with and shares power among all sectors of a community. Andrea Wenzel models new practices of community-centered journalism that build trust across boundaries of politics, race, and class, and prioritize solutions while engaging the full range of local stakeholders. Informed by case studies from rural, suburban, and urban settings, Wenzel's blueprint reshapes journalism norms and creates vigorous storytelling networks between all parts of a community. Envisioning a portable, rather than scalable, process, Wenzel proposes a community-centered journalism that, once implemented, will strengthen lines of local communication, reinvigorate civic participation, and forge a trusting partnership between media and the people they cover.

As cash-strapped metropolitan newspapers struggle to maintain their traditional influence and quality reporting, large national and international outlets have pivoted to serving readers who can and will choose to pay for news, skewing coverage toward a wealthy, white, and liberal audience. Amid rampant inequality and distrust, media outlets have become more out of touch with the democracy they purport to serve. How did journalism end up in such a predicament, and what are the prospects for achieving a more equitable future? In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market. She details how Google, Facebook, and the digital-advertising ecosystem have wreaked havoc on the economic model for quality journalism, leaving local news to suffer. Usher also highlights how the handful of likely survivors—well-funded media outlets such as the New York Times—increasingly appeal to a global, “placeless” reader. News for the Rich, White, and Blue concludes with a series of provocative recommendations to reimagine journalism to ensure its resiliency and its ability to speak to a diverse set of issues and readers.

The World and a Very Small Place in Africa is a fascinating look at how contacts with the wider world have affected how people have lived in Niumi, a small and little-known region at the mouth of West Africa’s Gambia River, for over a thousand years. Drawing on archives, oral traditions and published works, Donald R. Wright connects world history with real people on a local level through an exploration of how global events have affected life in Niumi. Thoroughly revised and updated throughout, this new edition rests on recent thinking in globalization theory, reflects the latest historiography and has been extended to the present day through discussion of the final years of Gambian President Yahya Jammeh’s regime, the role of global forces in the events of the 2016 presidential elections and the changes that resulted from these elections. The book is supported throughout by photographs, maps and Perspectives boxes that present detailed information on such topics as Alex Haley’s Roots (part set in Niumi), why Gambians take the risky "back way" to reach Europe, or "Wiri-Wiri," the Senegalese soap that has Gambians’ attention. Written in a clear and personal style and taking a critical yet sensitive approach, it remains an essential resource for students and scholars of African history, particularly those interested in the impact of globalization on the lives of real people.

Peeking inside the newsrooms where journalists create stories and the work settings where the public reads them, the author reveals why journalists contribute to the growing similarity of news and why consumers acquiesce to a media system they find increasingly dissatisfying.

This book is a lush and beautiful memoir of a very special house and a superb recreation of a bygone era.

A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.

At the seashore . . . High tide rushes in to fill a sandy basin with water. At first glance, it may seem like an ordinary puddle. But look again. Do you spy the ochre sea star or the tentacles of the giant green anemones? Look even closer. Now can you see the hermit crabs and turban snails, the barnacles and periwinkles? In lyrical prose, Barbara Brenner reveals the fascinating happenings in one small place. She explains the recurring formation of tide pools and the remarkable interdependence of their creatures. Tom Leonard’s brilliant illustrations take you underwater to a secret world. His detailed, lifelike depictions of sculpins and mussels, algae and seaweed, show the splendor that dwells in the most unexpected places. So stop. Observe. Explore your natural world. If you look closely enough, you will surely find . . . one small place that is home for many things.