Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.

A vivid, stylish, and fascinating look at internationally acclaimed architects and their work.Beginning in the 1940s, John A. Russell, dean of the School of Architecture at the University of Manitoba, nurtured a strong tradition of Modernist design with close connections to architectural giants such as Mies van der Rohe and Walter Gropius. Under Russell’s guidance, a generation of young architects, such as James Donahue and David Thordarson, adapted the principles of European Modernism to the prairie geography. Other nationally renowned architects, such as Étienne Gaboury and Gustavo da Roza, also left a lasting Modernist mark on Winnipeg’s skyline and private residences.Edited by Serena Keshavjee and designed by architect Herbert Enns, Winnipeg Modern captures the grace and beauty of the Modernist period and includes critical and historical essays on the aesthetic and social project of Modernist architecture in Winnipeg. Lavishly illustrated with 300 photographs from provincial archives, the private archives of architect Henry Kalen, and contemporary photographer Martin Tessler, this book is a testament to the Modernist principles of structural expression and purity of form.

This book is a vivid reminder of the early days of library development in Ontario. The beautiful buildings which still grace Ontario towns and villages, as illustrated, are a part of our provincial heritage. By the turn of the century, a public library was perceived as an important element in the civic fabric of almost every Ontario community. However, the introduction of the Carnegie grants for library buildings gave impetus to the Ontario government programme for library development, and provided a focus for increased support of library services. Rivalry among neighbouring communities to secure a Carngie library heightened this awareness, as did the publicity – in some instances even controversy – which surrounded each step of the grant seeking, site selection and plan approval process. As well, the hitherto unexplored story of Carnegie grant process in each community has been examined, and the role of one man, James Bertram, secretary to Andrew Carnegie, is revealed in absorbing detail. Library plans and design elements are also discussed, and the influence of a few architects on the building designs is revealed; the fascinating involvement of Frank Lloyd Wright in the Pembroke Carnegie library building is one such example.

Toronto - the largest and one of the most multicultural cities in Canada - boasts an equally interesting and diverse architectural heritage. Architecture, Design and Craft in Toronto 1900-1940 tells a story of the significant changes in domestic life in the first 40 years of the twentieth century. Adopting a multidisciplinary approach to studies of residential spaces, the author examines how questions of modernity and modern living influenced not only architectural designs but also interior furnishings, modes of transportation and ways to spend leisure time. The book discusses several case studies, some of which are known both locally and internationally (for example Casa Loma), while others such as Guild of All Arts or Sherwood have been virtually unstudied by historians of visual culture. The overall goal of the book is to put Toronto on the map of scholars of urban design and architecture and to uncover previously unknown histories of design, craft and domesticity in Toronto. This study will be of interest not only to the academic community (namely architects, designers, craftspeople and scholars of these disciplines, along with social historians), but also the general public interested in local history and/or visual culture.