500 entries from more than 100 contributors, profiling gay and lesbians throughout history, ranging from Sappho to Andre Gide; most entries are accompanied by a bibliography.

A History of South Australia investigates the state's history from before the arrival of the first European explorers to today.

"The conference explores past and future approaches to managing and designing for growth, development and decline. This goes beyond debates over density, frontier development and renewal. It includes new fields of historical, policy and social research which inform discussion of heritage, growth, environmental, economic and other issues of urban life and urban form."--Page iii

Historically, photographs of Indigenous Australians were produced in unequal and exploitative circumstances. Today, however, such images represent a rich cultural heritage for descendants, who see them in distinctive and positive ways. Calling the shots brings together researchers who are using this rich archive to explore Aboriginal history, to identify relatives, and to reclaim culture. It reverses the colonial gaze to focus on the interactions between photographer and Indigenous people — and the living meanings the photos have today. The result is a fresh perspective on Australia’s past, and on present-day Indigenous identities. Innovative in three ways, Calling the shots incorporates Indigenous perspectives on the photographic process and especially the meaning of the photographic archive. It also explores the history of photography in each colony, thus providing a rich and varied series of historical social landscapes. Lastly, it examines the active role played by Indigenous people in photography as a process of encounter and exchange. Contributors include Julie Gough, Jane Lydon, Sari Braithwaite, Shauna Bostock-Smith, Lawrence Bamblett, Michael Aird, Karen Hughes and Aunty Ellen Trevorrow, Donna Oxenham, Laurie Baymarrwangga and Bentley James.

Albert Augustine Edwards, usually referred to as 'Bert', was one of Adelaide's most flamboyant characters. Reputedly the illegitimate son of Charles Cameron Kingston, premier of South Australia, he was born in obscurity in the slums of Adelaide's West End in 1888. A self-made man, Bert was a city councillor, parliamentarian, and philanthropist, a friend of the poor and scourge of the establishment. He had connections and influence everywhere - in the markets, pubs, sporting clubs, churches and prisons - and soon enough he became known as the 'King of the West End'. Flash in dress and loud in manner, he brooked no opposition. Bert's future looked rosy, until 1924, when the Labor Party took office and his enemies began to stack up quickly. It all came crashing down in 1931. In a sex scandal engineered against him, Bert was imprisoned for nearly two-and-a half years for gross indecency with an underage male. And they say Adelaide was dull! Here, dark and bright, is Bert Edwards in the full biography that his colourful life deserves.

Its capital is named after German-born Queen Adelaide, its main street after her English husband, King William IV, so it is not surprising that little is known about South Australia's Irish background. However, the first European to discover Adelaide's River Torrens in 1836 was Cork-born and educated George Kingston, who was deputy surveyor to Colonel Light; the river was named in turn for Derryman Colonel Torrens, Chairman of the South Australian Colonisation Commission. Adelaide's first judge and first police commissioner were immigrants from Kerry and Limerick. Irish South Australia charts Irish settlement from as far north as Pekina, to the state's south-east and Mount Gambier. It follows the diverse fortunes of the Irish-born elite such as George Kingston and Charles Harvey Bagot, as well as doctors, farmers, lawyers, orphans, parliamentarians, pastoralists and publicans who made South Australia their home, with various shades of political and religious beliefs: Anglicans, Catholics, Dissenters, Federationalists, Freemasons, Home Rulers, nationalists, and Orangemen. Irish markers can be found in South Australian archaeology, architecture, geography and history. Some of these are visible in the hundreds of Irish place names that dot the South Australian landscape, such as Clare, Donnybrook, Dublin, Kilkenny, Navan, Rostrevor, Tipperary, and Tralee (as Tarlee). The book's editors are twentieth-century Irish immigrants from Dublin (Dymphna Lonergan), Portadown (Fidelma Breen), Trim (Susan Arthure), and by descent from eight Irish-born (Stephanie James).

In this lively, provocative collection, some of Australia's leading historians - and a Miles Franklin shortlisted historical novelist - challenge established myths, narratives and 'beautiful lies' about South Australia's past. Some are unmasked as false stories that mask brutal realities, like colonial violence - while others are revealed as simplistic versions of more complex truths. 'Each generation writes history that speaks to its own interests and concerns,' write historians Paul Ashton and Anna Clark. In Foundational Fictions in South Australian History, which grew out of a series of public lectures at the University of Adelaide, an impressive range of contributors suggest different ways in which familiar narratives of South Australia can be interpreted. These essays tap into wider debates, too, about the nature and purpose of history - and the 'history wars' first flamed by John Howard. Stuart Macintyre highlights South Australia's central role in several national events. Humphrey McQueen questions the origins and influence of the money behind South Australia's so-called progressive founding. Lucy Treloar suggests historians can learn from novelists when it comes to understanding the past. Steven Anderson argues that Don Dunstan's achievement in abolishing capital punishment owed much to a historical movement. And Carolyn Collins highlights the role of anti-conscription group Save Our Sons (SOS) in not just ending the Vietnam War, but broadening the appeal of the anti-war movement.