First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Phones have made us ignore our beautiful planet. How often do you see kids with their headphones in, hunched over, and buried in their phones? Ever wonder what song they are listening to? Or what game they are playing? What would they do without their phones? Join Legend on this messy, silly, and creative journey as he finds out what happens when he has to put his phone down.

Becoming successful in today's America is simple: graduate high school, go to a good college, and get a white-collar job. That path is going to lead you to the biggest paycheck and the best opportunities. Right?The truth is, some of the most lucrative jobs out there are blue-collar jobs-yet society pushes the perception that being an auto mechanic, plumber, electrician, or construction worker somehow indicates a lack of success. A career in the skilled trades was once regarded as a good, honest profession. Now, we discourage young people from pursuing those careers in favor of racking up massive student loan debt and pursuing professional careers that may not always play to their strengths.In Blue Is the New White, Josh Zolin shows that success doesn't have to mean a college degree. He discovered this firsthand, rising through hard work from a technician at his dad's small business to the CEO of a multimillion-dollar company. There is more than one path to a stable career and a great financial future; in this book, you'll learn just how many opportunities await you in places you never thought to look.

Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song "House of the Rising Sun" as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as "House of the Rising Sun." The rise of the song in this country and the launch of its world travels can be traced to Georgia Turner, a poor, sixteen-year-old daughter of a miner living in Middlesboro, Kentucky, in 1937 when the young folk-music collector Alan Lomax, on a trip collecting field recordings, captured her voice singing "The Rising Sun Blues." Lomax deposited the song in the Library of Congress and included it in the 1941 book Our Singing Country. In short order, Woody Guthrie, Pete Seeger, Lead Belly, and Josh White learned the song and each recorded it. From there it began to move to the planet's farthest corners. Today, hundreds of artists have recorded "House of the Rising Sun," and it can be heard in the most diverse of places -- Chinese karaoke bars, Gatorade ads, and as a ring tone on cell phones. Anthony began his search in New Orleans, where he met Eric Burdon of the Animals. He traveled to the Appalachians -- to eastern Kentucky, eastern Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He found Homer Callahan, who learned it in the mountains during a corn shucking; he discovered connections to Clarence "Tom" Ashley, who traveled as a performer in a 1920s medicine show. He went to Daisy, Kentucky, to visit the family of the late high-lonesome singer Roscoe Holcomb, and finally back to Bourbon Street to see if there really was a House of the Rising Sun. He interviewed scores of singers who performed the song. Through his own journey he discovered how American traditions survived and prospered -- and how a piece of culture moves through the modern world, propelled by technology and globalization and recorded sound.

You are your own worst enemy. Too many times, we create roadblocks that stem from the deepest and darkest issues from our past. And in return, our future artwork seems flawed from the beginning. But just like a beautiful mosaic, the greatest works of art are made from the broken pieces of our lives. In Makers & Monsters, Josh outlines 10 different inner conflicts that we face when we are in search of creating a life that's called to create.

An account of Elektra Records in the Jac Holzman years, from 1950 to 1973, Becoming Elektra tells the story of the label's growth from a small folk label to a major hit-making concern. Jac Holzman's role in founding and running the company is central to the story, and his capacity for the lateral thinking that led to innovations such as the first-ever sampler album and a million-selling series of sound effects records is a recurring theme. Opening with the moment that Holzman discovered The Doors, the story then goes back to the '50s, when the label brought folk music to a wide audience through artists such as Jean Ritchie, Josh White, Theodore Bikel, and Bob Gibson. Moving into the '60s and '70s, the story covers artists that read like an inventory of musical innovation: Love, Judy Collins, Tim Buckley, Fred Neil, David Ackles, Phil Ochs, Bread, Queen, Mickey Newbury, The Incredible String Band, Carly Simon, The Stooges and The MC5.

A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.

"A dark and complex mystery that will consume you."—Julie Clark, New York Times bestselling author of The Last Flight They thought he was a helpless old man. They were wrong. When two teenagers break into a house on a remote lake in search of prescription drugs, what starts as a simple burglary turns into a nightmare for all involved. Emmett Burr has secrets he's been keeping in his basement for more than two decades, and he'll do anything to keep his past from being revealed. As he gets the upper hand on his tormentors, the lines blur between victim, abuser, and protector. Personal tragedy has sent former police officer Ben Packard back to the small Minnesota town of Sandy Lake in search of a fresh start. Now a sheriff's deputy, Packard is leading the investigation into the missing teens, motivated by a family connection. As clues dry up and time runs out to save them, Packard is forced to reveal his own secrets and dig deep to uncover the dark past of the place he now calls home. Unrelentingly suspenseful and written with a piercing gaze into the dark depths of the human soul, And There He Kept Her is a thrilling page-turner that introduces readers to a complicated new hero and forces us to consider the true nature of evil. Follow Acting Deputy Sheriff Ben Packard back into Minnesota's North Country August 15th with Where the Dead Sleep.

The untold story of the making of Johnny Cash’s most controversial album, Bitter Tears

Rapley analyses witch hunts in the sixteenth and seventeenth centuries and finds many of the same elements repeated in more recent miscarriages of justice - from the Dreyfus case for treason in late nineteenth-century France, to the persecution of the Scottsboro Boys in Alabama for the gang rape of two white girls in the 1930s, to the Guildford and Maguire terrorist prosecutions in Britain in the 1970s. All three cases took place during times of extreme fear and paranoia and in all cases the accused were innocent.