Beyond biography: a legendary performer's legacy of symbolism

Coretta Scott King Book Award, Illustrator, Honor Robert F. Sibert Informational Book Award, Honor Boston Globe–Horn Book Award, Nonfiction Honor In exuberant verse and stirring pictures, Patricia Hruby Powell and Christian Robinson create an extraordinary portrait for young people of the passionate performer and civil rights advocate Josephine Baker, the woman who worked her way from the slums of St. Louis to the grandest stages in the world. Meticulously researched by both author and artist, Josephine's powerful story of struggle and triumph is an inspiration and a spectacle, just like the legend herself.

This revelatory biography of Folies Bergere dancer Josephine Baker (1906-1975) is a study of struggle, truimph and tragedy.

A picture book biography that will inspire readers to dance to their own beats! Singer, dancer, actress, and independent dame, Josephine Baker felt life was a performance. She lived by her own rules and helped to shake up the status quo with wild costumes and a you-can’t-tell-me-no attitude that made her famous. She even had a pet leopard in Paris! From bestselling children’s biographer Jonah Winter and two-time Caldecott Honoree Marjorie Priceman comes a story of a woman the stage could barely contain. Rising from a poor, segregated upbringing, Josephine Baker was able to break through racial barriers with her own sense of flair and astonishing dance abilities. She was a pillar of steel with a heart of gold—all wrapped up in feathers, sequins, and an infectious rhythm.

This rich, once-in-a-lifetime volume gathers photographs, posters, drawings, prints, and sculpture to tell the story of Bakers life and contributions to 20th century culture.

Josephine Baker (1906-1975) was nineteen years old when she found herself in Paris for the first time in 1925. Overnight, the young American dancer became the idol of the Roaring Twenties, captivating Picasso, Cocteau, Le Corbusier, and Simenon. In the liberating atmosphere of the 1930s, Baker rose to fame as the first black star on the world stage, from London to Vienna, Alexandria to Buenos Aires. After World War II, and her time in the French Resistance, Baker devoted herself to the struggle against racial segregation, publicly battling the humiliations she had for so long suffered personally. She led by example, and over the course of the 1950s adopted twelve orphans of different ethnic backgrounds: a veritable Rainbow Tribe. A victim of racism throughout her life, Josephine Baker would sing of love and liberty until the day she died.

"What does a black burlesque star have to do with some of the most enduring and passionate ideas in modern aesthetic theory? Josephine Baker emerges in this untold story as a principal figure in the drama behind the making of Euro-American Modernism. Instead of seeing her nude performances as a Primitivist given, Cheng argues that Baker's skin was central to debates about and desire for "pure surface" that crystalized at the convergence of modern art, architecture, machinery, and philosophy. Taking the reader across the Atlantic - through real stages and imagined houses; banana plantations and ocean lines; metallic bodies and radiant cities-this study tracks the ardent and protean conversa-tion between the making of a Modernist style and the staging of a new black visuality. In this account, Baker and the Modernists known to have adored and objectified her in fact share a common dream: the fantasy of remaking and wearing the skin of the other"--

An “engaging and . . . thought-provoking” memoir of battling public health crises in early 20th-century New York City—from the pioneering female physician and children’s health advocate who ‘caught’ Typhoid Mary (The New York Times) New York’s Lower East Side was said to be the most densely populated square mile on earth in the 1890s. Health inspectors called the neighborhood “the suicide ward.” Diarrhea epidemics raged each summer, killing thousands of children. Sweatshop babies with smallpox and typhus dozed in garment heaps destined for fashionable shops. Desperate mothers paced the streets to soothe their feverish children and white mourning cloths hung from every building. A third of the children living there died before their fifth birthday. By 1911, the child death rate had fallen sharply and The New York Times hailed the city as the healthiest on earth. In this witty and highly personal autobiography, public health crusader Dr. S. Josephine Baker explains how this transformation was achieved. By the time she retired in 1923, Baker was famous worldwide for saving the lives of 90,000 children. The programs she developed, many still in use today, have saved the lives of millions more. She fought for women’s suffrage, toured Russia in the 1930s, and captured “Typhoid” Mary Mallon, twice. She was also an astute observer of her times, and Fighting for Life is one of the most honest, compassionate memoirs of American medicine ever written.

* Critically acclaimed biographies of history's most notable African-Americans * Straightforward and objective writing * Lavishly illustrated with photographs and memorabilia * Essential for multicultural studies

Creating a sensation with her risqué nightclub act and strolls down the Champs Elysées, pet cheetah in tow, Josephine Baker lives on in popular memory as the banana-skirted siren of Jazz Age Paris. In Josephine Baker and the Rainbow Tribe, Matthew Pratt Guterl brings out a little known side of the celebrated personality, showing how her ambitions of later years were even more daring and subversive than the youthful exploits that made her the first African American superstar. Her performing days numbered, Baker settled down in a sixteenth-century chateau she named Les Milandes, in the south of France. Then, in 1953, she did something completely unexpected and, in the context of racially sensitive times, outrageous. Adopting twelve children from around the globe, she transformed her estate into a theme park, complete with rides, hotels, a collective farm, and singing and dancing. The main attraction was her Rainbow Tribe, the family of the future, which showcased children of all skin colors, nations, and religions living together in harmony. Les Milandes attracted an adoring public eager to spend money on a utopian vision, and to worship at the feet of Josephine, mother of the world. Alerting readers to some of the contradictions at the heart of the Rainbow Tribe project—its undertow of child exploitation and megalomania in particular—Guterl concludes that Baker was a serious and determined activist who believed she could make a positive difference by creating a family out of the troublesome material of race.