Set in the shadows of the Spanish Inquisition, this is the coming-of-age story of José Alfaro, a young refugee who forms a powerful bond with the mysterious Pirate Captain Toledano. It’s also a dynamic pirate adventure on the high seas, with hand-to-hand combat and ship-to-ship action, and the powerful story of a dark time in history when people took different paths to survive. José Alfaro is a cocky, rambunctious teen in the 16th-century colony of Santo Domingo, pulling pranks and dodging the authorities. One day, José’s mischief lands him in serious trouble. Hoping for a fresh start, he stows away on the Laqish, not knowing that it’s a pirate ship. From his hiding place, he watches the pirates divide their loot and plan their attacks on long days at sea. He also takes note of the respect they have for their captain, the intimidating Toledano. But the captain has a secret—like José, he is a Jew. For him, piracy is not about the gold; it has a different purpose. Under the tutelage of the ship’s quartermaster, José learns the intricacies of pirate life. But when he can, the captain finds ways to pull José away from the crew, to teach him about his ancestors. José finds his community. His place. His voice. His purpose. This is a pirate story, but also a story of survival—a story of a young man’s deep need to know who he is, where he comes from, and where he’s going.

"Set in the shadows of the Spanish Inquisition, José and the Pirate Captain Toledano is the coming-of-age story of José Alfaro, a powerful bond with the mysterious Pirate Captain Toledano"--

A revealing look at the making of Martin Scorsese’s iconic mob movie and its enduring legacy, featuring interviews with its legendary cast. When Goodfellas first hit the theatres in 1990, a classic was born. Few could anticipate the unparalleled influence it would have on pop culture, one that would inspire future filmmakers and redefine the gangster picture as we know it today. From the rush of grotesque violence in the opening scene to the iconic hilarity of Joe Pesci’s endlessly quoted “Funny how?” shtick, it’s little wonder the film is widely regarded as a mainstay in contemporary cinema. In the first ever behind-the-scenes story of Goodfellas, film critic Glenn Kenny chronicles the making and afterlife of the film that introduced the real modern gangster. Featuring interviews with the film’s major players, including Martin Scorsese and Robert De Niro, Made Men shines a light on the lives and stories wrapped up in the Goodfellas universe, and why its enduring legacy has such a hold on American culture. A Library Journal Best Book of the Year A Sight and Sound Best Film Book of 2020

Discover the Korean War through the eyes of the journalist who covered it in this installment of the New York Times bestselling graphic novel series In 1950, Marguerite Higgins (1920–1966) was made bureau chief of the Far East Asia desk for the New York Herald Tribune. Tensions were high on the Korean peninsula, where a border drawn after WWII split the country into North and South. When the North Korean army crossed the border with Soviet tanks, it was war. Marguerite was there when the Communists captured Seoul. She fled with the refugees heading south, but when the bridges were blown over the Han River, she was trapped in enemy territory. Her eyewitness account of the invasion was a newspaper smash hit. She risked her life in one dangerous situation after another––all for the sake of good story. Then she was told that women didn’t belong on the frontlines. The United States Army officially ordered her out of Korea. She appealed to General Douglas MacArthur, and he personally lifted the ban on female war correspondents, which allowed her the chance to report on many of the major events of the Korean War. Nathan Hale’s Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all—if you dare!

Recounts the life and accomplishments of the master of mime.

This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid’s converso courtiers is subtly attacked by Spain’s greatest painter, Diego Velázquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.

In this introduction, Kenneth Minogue discusses the development of politics from the ancient world to the twentieth century. He considers the evolution of different systems, ideological aspects and the future of political science.

(abridged and revised) This reference grammar offers intermediate and advanced students a reason ably comprehensive guide to the morphology and syntax of educated speech and plain prose in Spain and Latin America at the end of the twentieth century. Spanish is the main, usually the sole official language of twenty-one countries,} and it is set fair to overtake English by the year 2000 in numbers 2 of native speakers. This vast geographical and political diversity ensures that Spanish is a good deal less unified than French, German or even English, the latter more or less internationally standardized according to either American or British norms. Until the 1960s, the criteria of internationally correct Spanish were dictated by the Real Academia Espanola, but the prestige of this institution has now sunk so low that its most solemn decrees are hardly taken seriously - witness the fate of the spelling reforms listed in the Nuevas normas de prosodia y ortograjia, which were supposed to come into force in all Spanish-speaking countries in 1959 and, nearly forty years later, are still selectively ignored by publishers and literate persons everywhere. The fact is that in Spanish 'correctness' is nowadays decided, as it is in all living languages, by the consensus of native speakers; but consensus about linguistic usage is obviously difficult to achieve between more than twenty independent, widely scattered and sometimes mutually hostile countries. Peninsular Spanish is itself in flux.

A cross between Samuel Beckett and Aesop's Fables, it's a darkly funny, deceptively simple and deeply layered novel. P>It has been described by Declan Kiberd - author of numerous books, including Inventing Ireland, and leading international authority on modern Irish literature - as "A genre-busting masterpiece, full of pacy storytelling, wry dialogue and philosophical challenge...It is funny, beautifully modulated and heart-rending. Róisín Sorahan has written that rare thing nowadays - a book of passion and truth which will enthral and challenge every kind of reader. In contemplating some of life's deepest mysteries, it tells a story that is hopeful, honest and necessary." Luke Gerwe - Associate Editor, PBS NewsHour, and formerly Managing Editor, Voice of Witness book series - said, "Time and the Tree is unlike anything I've read in contemporary literature - a beautiful fable fit for difficult and confusing days. This story is about teaching yourself to endure, what you might want to carry with you and what you probably should leave behind." Róisín Sorahan is an Irish writer currently living in Vermont. She has published numerous stories about her wanderings across six continents. Prior to becoming a nomad writer, she pursued a decade long career in public relations. She holds a Master of Letters from Trinity College Dublin, specializing in Samuel Beckett. For further information, visit roisinsorahan.com

There are strange lights in the desert sky of Northern Arizona and an observatory that never opens its doors. Now something is hunting there.