A story about what it was like for a young Black man from Arkansas to deal with the turbulence of the sixties.

The canon of postwar American fiction has changed over the past few decades to include far more writers of color. It would appear that we are making progress—recovering marginalized voices and including those who were for far too long ignored. However, is this celebratory narrative borne out in the data? Richard Jean So draws on big data, literary history, and close readings to offer an unprecedented analysis of racial inequality in American publishing that reveals the persistence of an extreme bias toward white authors. In fact, a defining feature of the publishing industry is its vast whiteness, which has denied nonwhite authors, especially black writers, the coveted resources of publishing, reviews, prizes, and sales, with profound effects on the language, form, and content of the postwar novel. Rather than seeing the postwar period as the era of multiculturalism, So argues that we should understand it as the invention of a new form of racial inequality—one that continues to shape the arts and literature today. Interweaving data analysis of large-scale patterns with a consideration of Toni Morrison’s career as an editor at Random House and readings of individual works by Octavia Butler, Henry Dumas, Amy Tan, and others, So develops a form of criticism that brings together qualitative and quantitative approaches to the study of literature. A vital and provocative work for American literary studies, critical race studies, and the digital humanities, Redlining Culture shows the importance of data and computational methods for understanding and challenging racial inequality.

An Australian novel set in Sydney in the early 1900s. It recaptures the Sydney of that time, the bustle, the characters, the harbor, and the climate. Jonah is a tough young lad, who despite a physical deformity, rises to success in business. It also tells of a romance between Chook, a rowdy and undisciplined gang member, and Pinkey.

“In his exciting debut novel, Jerel Law transports readers to a place where supernatural forces of good and evil collide. Young readers will be entertained and inspired by Spirit Fighter. I heartily recommend it.” —Robert Whitlow, bestselling author of the Tides of Truth series Percy Jackson, move over! Jonah Stone is here! What if Nephilim—the children of angels and men—still walked the earth? And their very presence put the entire world in danger? In Spirit Fighter, Jonah and Eliza Stone learn that their mother is a Nephilim and that they have special powers as quarter-angels. When their mom is kidnapped by fallen angels, they must use those powers to save her. Along the way, they discover that there is a very real and dangerous war going on between good and evil and that God has a big part for them to play in that war. Parents today are looking for fiction that makes Christianity and the Bible exciting for their kids. This series is the Christian answer to Percy Jackson and the Olympians, The Kane Chronicles, The Secret Series and other middle-grade series packed with adventure, action, and supernatural fights. Son of Angels, Jonah Stone will be the first series in the market to explore this topic from a biblical perspective with content that is appropriate and exciting for middle-grade readers. “Jerel Law has crafted a fantastic story that will leave every reader wanting more. Stop looking for the next great read in fantasy fiction for young readers—you’ve found it!” —Robert Liparulo, bestselling author of Dreamhouse Kings and The 13th Tribe

With characteristic originality and insight, Trudier Harris-Lopez offers a new and challenging approach to the work of African American writers in these twelve previously unpublished essays. Collectively, the essays show the vibrancy of African American literary creation across several decades of the twentieth century. But Harris-Lopez's readings of the various texts deliberately diverge from traditional ways of viewing traditional topics. South of Tradition focuses not only on well-known writers such as Zora Neale Hurston, Ralph Ellison, James Baldwin, and Richard Wright, but also on up-and-coming writers such as Randall Kenan and less-known writers such as Brent Wade and Henry Dumas. Harris-Lopez addresses themes of sexual and racial identity, reconceptualizations of and transcendence of Christianity, analyses of African American folk and cultural traditions, and issues of racial justice. Many of her subjects argue that geography shapes identity, whether that geography is the European territory many blacks escaped to from the oppressive South, or the South itself, where generations of African Americans have had to come to grips with their relationship to the land and its history. For Harris-Lopez, "south of tradition" refers both to geography and to readings of texts that are not in keeping with expected responses to the works. She explains her point of departure for the essays as "a slant, an angle, or a jolt below the line of what would be considered the norm for usual responses to African American literature." The scope of Harris-Lopez's work is tremendous. From her coverage of noncanonical writers to her analysis of humor in the best-selling The Color Purple, she provides essential material that should inform all future readings of African American literature.

A major literary debut, an epic tale of love, failure, and unexpected faith set in New York, Amsterdam, and Las Vegas The modern-day Jonah at the center of Joshua Max Feldman's brilliantly conceived retelling of the Book of Jonah is a young Manhattan lawyer named Jonah Jacobstein. He's a lucky man: healthy and handsome, with two beautiful women ready to spend the rest of their lives with him and an enormously successful career that gets more promising by the minute. He's celebrating a deal that will surely make him partner when a bizarre, unexpected biblical vision at a party changes everything. Hard as he tries to forget what he saw, this disturbing sign is only the first of many Jonah will witness, and before long his life is unrecognizable. Though this perhaps divine intervention will be responsible for more than one irreversible loss in Jonah's life, it will also cross his path with that of Judith Bulbrook, an intense, breathtakingly intelligent woman who's no stranger to loss herself. As this funny and bold novel moves to Amsterdam and then Las Vegas, Feldman examines the way we live now while asking an age-old question: How do you know if you're chosen?

Examines works by African American writers