Jonathan Odell's live and writings give us insight into the American Revolution by revealing Loyalist ideology—the ambitious few have led the gullible multitude to slaughter—and he rails against the British military for fighting a war of containment aimed at bringing the rebel leadership to negotiation. This policy effectually trapped the Loyalists between the British army, which ignored them, and the rebels, who despised them. One of the best-educated of the colonialists, Odell, a physician turned Anglican minister and then writer, lived the gamut of experience: powerful friends sustained him and the British commanders-in-chief Sir William Howe, Henry Clinton, and Sir Guy Carleton employed him; nevertheless, during the war he was a lonely exile ("Tory hunters" forced him from his home in 1775), and, at the end of the war, when his hope for reconciliation between the Loyalists and the Americans came to nothing, he reluctantly emigrated to Canada. Here is a voice, all but silenced for over two hundred years, that must now be heard if we are to better understand the American Revolution.

Dealing with Thomas Paine's Common Sense (1776), John Trumbull's M'Fingal (1776-82), Philip Freneau's "The British-Prison Ship" (1781), J. Hector St. John de Crèvecoeur's Letters from an American Farmer (1782), and Washington Irving's "Rip Van Winkle" (1819-20), Steven Blakemore breaks new ground in assessing the strategies of subversion and intertextuality used during the American Revolution. Blakemore also crystallizes the historical contexts that link these works together – contexts that have been missed or overlooked by critics and scholars. The five works additionally illuminate issues of history (The Norman Conquest, the English Civil War, and the French Revolution) and gender as they impinge on American-revolutionary discourse. The result is five new readings of significant revolutionary-era works that suggest fruitful entries into other literatures of the Revolution. Blakemore demonstrates the nexus between literature and history in the revolutionary era and how it created an intertextual dialogue in the formation of the first postcolonial critiques of the British Empire.

A companion volume to Books on Early American History and Culture, 1991-1995, this work covers scholarship on early American history, including North America and the Caribbean from 1492 to 1815. This annotated bibliography surveys over 1,000 monographs, essay collections, exhibition catalogs, and reference works published between 1986 and 1990. In thirty-two thematic sections, the book covers such topics as colonization, rural life and agriculture, and religion. This useful guide organizes the recent explosion of scholarly literature on pre-colonial, colonial, and early Republican America.

The biography of James Moody, a once-famous, even infamous, partisan of Britain during the American Revolutionary War.

The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. "CanLit" has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, Germany, Austria, and France, tracing Canadian literature from the indigenous oral tradition to thedevelopment of English-Canadian and French-Canadian literature since colonial times. Conceiving of Canada as a single but multifaceted culture, it accounts for specific characteristics of English- and French-Canadian literatures, such as the vital role of the short story in English Canada or that of the chanson in French Canada. Yet special attention is also paid to Aboriginal literature and to the pronounced transcultural, ethnically diverse character ofmuch contemporary Canadian literature, thus moving clearly beyond the traditions of the two founding nations. Contributors: Reingard M. Nischik, Eva Gruber, Iain M. Higgins, Guy Laflèche, Dorothee Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana Banita, Gilles Dupuis, and Andrea Oberhuber. Reingard M. Nischik is Professor of American Literature at the University of Constance, Germany.

Is “ambitious” a compliment? It depends: “[A] masterpiece of intellectual and cultural history.”—David Brion Davis, author of Inhuman Bondage: The Rise and Fall of Slavery in the New World From rags to riches, log house to White House, enslaved to liberator, ghetto to CEO, ambition fuels the American Dream. Yet at the time of the nation's founding, ambition was viewed as a dangerous vice, everything from “a canker on the soul” to the impetus for original sin. This engaging book explores ambition’s surprising transformation, tracing attitudes from classical antiquity to early modern Europe to the New World and America’s founding. From this broad historical perspective, William Casey King deepens our understanding of the American mythos and offers a striking reinterpretation of the introduction to the Declaration of Independence. Through an innovative array of sources and authors—Aquinas, Dante, Machiavelli, the Geneva Bible, Marlowe, Shakespeare, Thomas Jefferson, and many others—King demonstrates that a transformed view of ambition became possible the moment Europe realized that Columbus had discovered not a new route but a new world. In addition the author argues that reconstituting ambition as a virtue was a necessary precondition of the American republic. The book suggests that even in the twenty-first century, ambition has never fully lost its ties to vice and continues to exhibit a dual nature—positive or negative depending upon the ends, the means, and the individual involved.

With the final words of the Declaration of Independence, the signatories famously pledged to one another their lives, their fortunes, and their "sacred Honor." But what about those who made the opposite choice? By looking through the analytical lens of honor culture, Dishonored Americans offers an innovative assessment of the experience of Americans who made the fateful decision to remain loyal to the British Crown during and after the Revolution. Loyalists, as Timothy Compeau explains, suffered a "political death" at the hands of American Patriots. A term drawn from eighteenth-century sources, ‘political death’ encompassed the legal punishments and ritualized dishonors Patriots used to defeat Loyalist public figures and discredit their counter-revolutionary vision for America. By highlighting this dynamic, Compeau makes a significant intervention in the long-standing debate over the social and cultural factors that motivated colonial Americans to choose sides in the conflict, narrating in compelling detail the severe consequences for once-respected gentlemen who were stripped of their rights, privileges, and power in Revolutionary America.

Verse captures and portrays sentiment. Revolution, on the other hand, is invariably a culmination of emotions: the tension and strife, hate and faith, and despair and hope of the people who make and are made by them. For those who look back on it, verse can, therefore, serve as a chronicle of historical events and as a priceless look into the socio-political zeitgeist of an era. For those who sing it, verse may have the power to not only fan and fuel existing fiery whirlwinds but to actually ignite flames. Tracing the most controversial, celebrated and lasting of historys musical treasures through four great revolutionsthe American Revolution, the French Revolution, the Russian and Bolshevik revolutions, and the Indian Independence Movementthis book explores the stories these compositions have to tell as well as the lives of the poets, lyricists, songwriters, and singers who wrote them. Whether you are a music aficionado, a history buff or the everyday intellectual, learning from history and art about the human condition in a political and cultural framework is more important today, than ever before. Come, listen.

With more than 1,300 cross-referenced entries covering every aspect of the American Revolution, this definitive scholarly reference covers the causes, course, and consequences of the war and the political, social, and military origins of the nation. This authoritative and complete encyclopedia covers not only the eight years of the American Revolutionary War (1775–1783) but also the decades leading up to the war, beginning with the French and Indian War, and the aftermath of the conflict, with an emphasis on the early American Republic. Volumes one through four contain a series of overview essays on the causes, course, and consequences of the American Revolution, followed by impeccably researched A–Z entries that address the full spectrum of political, social, and military matters that arose from the conflict. Each entry is cross-referenced to other entries and also lists books for further reading. In addition, there is a detailed bibliography, timeline, and glossary. A fifth volume is devoted to primary sources, each of which is accompanied by an insightful introduction that places the document in its proper historical context. The primary sources help readers to understand the myriad motivations behind the American Revolution; the diplomatic, military, and political maneuvering that took place during the conflict; and landmark documents that shaped the founding and early development of the United States.

Offering an interpretation of the Revolutionary period that places women at the center, Joan R. Gundersen provides a synthesis of the scholarship on women's experiences during the era as well as a nuanced understanding that moves beyond a view of the war as either a "golden age" or a disaster for women. Gundersen argues that women's lives varied greatly depending on race and class, but all women had to work within shifting parameters that enabled opportunities for some while constraining opportunities for others. Three generations of women in three households personalize these changes: Elizabeth Dutoy Porter, member of the small-planter class whose Virginia household included an African American enslaved woman named Peg; Deborah Franklin, common-law wife of the prosperous revolutionary, Benjamin; and Margaret Brant, matriarch of a prominent Mohawk family who sided with the British during the war. This edition incorporates substantial revisions in the text and the notes to take into account the scholarship that has appeared since the book's original publication in 1996.