This catalog serves as a fully illustrated look into the world of artists Jonas Wood and Shio Kusaka, published in conjunction with the artists’ debut exhibition at Gagosian Gallery, Hong Kong. Both Kusaka’s porcelain vessels and Wood’s drawn and painted interiors are depicted within this new book in vibrant color plates and photographs. Wood and Kusaka draw from each other’s work as painter and potter to probe the tensions between representation and expression, precision and chance, and influences from art history and life. An insightful new text by art critic Chris Wiley accompanies color images of Wood and Kusaka at their shared studio on Blackwelder Street in Los Angeles, where they work alongside one another to create works that draw from personal memory and their shared existence as a married couple. This book was produced with Karma, NY.

Since 2007, Los Angeles artist Jonas Wood (born 1977) has been sketching Greek, Oceanic and African vessels at The Metropolitan Museum of Art. His relationship with the Met began as a child accompanying his sisters and parents, and when he began to make regular visits to New York from L.A. in 2007, he resumed his relationship with the museum, acquiring the habit of sketching the Met's ceramic holdings using a ballpoint pen on hotel stationary. Following each of these visits, Wood then created large-scale versions of the drawings in his studio back in L.A., reworking them in charcoal or pencil on paper. A History of the Metis the first installment in the artist's multi-volume homage to the Met, a project that accords with his well-known visual diary style and his fondness for portraying objects and places related to friends and family.

The first monograph on a rising star who is one of contemporary art's most celebrated painters Los Angeles-based artist Jonas Wood creates vivid images, where space and everyday life are rendered with compressed perspective in bold graphic hues. This monograph - the first on the artist's work - brings together his most significant paintings and drawings. In doing so, it offers a unique insight into the vast array of his sources, which include family photographs, found imagery, baseball cards, and other people's art, including the ceramics of his wife, the artist Shio Kusaka. With contributions by curator and writer Helen Molesworth, Curator of Modern and Contemporary Art at The Metropolitan Museum of Art in New York Ian Alteveer, and a conversation between Wood and fellow Los Angeles-based artist Mark Grotjahn.

In this thematic monograph, Wood explores his longstanding fascination with intimate interiors, such as the houses he grew up in, his studio and other spaces of his everyday life. Wood renders these interiors with a disorientating combination of scrupulous exactitude and absolute flatness. Interiors offers a kind of self-portrait of the artist, exploring the arrangement of his living and work quarters and his various possessions as they recur throughout the book.

A NEW YORK TIMES BEST COOKBOOK OF THE YEAR Author of the cult-favorite Cooking for Artists, Mina Stone, returns with a collection of 80 new recipes inspired by her traditional Greek heritage and her years cooking for some of New York’s most innovative artists. Growing up in a close-knit Greek-American household, Mina Stone learned to cook from her Yiayia, who taught her that food doesn’t have to be complicated to be delicious—and that almost any dish can be improved with judicious amounts of lemon, olive oil, and salt. In this deeply personal cookbook, Stone celebrates her grandmother and the other influences that have shaped her life, her career, and her culinary tastes and expertise. Lemon, Love & Olive Oil weaves together more than 80 Mediterranean-style dishes with the stories that inspired them. Stone offers home cooks a taste of her heritage with healthy, flavorful, and uncomplicated dishes such as Syrian Bulgur and Yogurt with Brown Butter Pine Nuts; Persian Figs with Cardamom and Rosewater; Baby Lettuces with Toasted Sesame Seeds, Mint, and Meyer Lemon Yogurt; and Braised Chickpeas with Orange Zest and Garlic Bread Crumbs. These recipes use fresh, flavorful ingredients to create elegantly simple dishes, complemented by beautiful, minimalist photography and original art throughout. A fresh and unconventional fusion of art and food, Lemon, Love & Olive Oil is an engaging (and delicious!) cultural and culinary tour, all complimented by the design of world-renowned artist Urs Fischer.

Big-game hunter Rhino Tanner seeks to develop the Grand Canyon into an amusement park but unleashes forces that he cannot comprehend or control.

Contemporary painter Jonas Wood's exuberantly colorful portraits: an uncanny blend of realism and abstraction The latest book from Los Angeles-based artist Jonas Wood (born 1977) follows the style of his previous publications Sports Book and Interiors, this time taking up the subject of portraiture. Portraits compiles the many works completed over Wood's career, done in a variety of media, and with a range of subjects and sitters, including paintings of artist friends, self-portraits, intimate familial moments in domestic interiors and the artist's own cultural and sports heroes, from basketball players and boxers to Philip Guston and Pablo Picasso--though Wood's esteem for these figures is beside the point, as he notes: "I don't depict only those athletes who have meaning for me. Sometimes it is about the images being interesting, or that I like the color of the card, and sometimes it is about loving the athlete." Wood's subjects are presented in bright light with lively color, graphic flatness and minute detail rendered impeccably. Jonas Woods: Portraits reveals an intimate look at the life of an artist at the forefront of contemporary painting.

Frimkess' sculptural ceramics draw from an eclectic repertoire of cartoons and masterworks This book presents the work of Venezuelan artist Magdalena Suarez Frimkess (born 1929) and features a selection of her works from the '70s to the present, including utilitarian objects, decorative figures and tiles. Her pieces are imbued with an equal sense of humor and dread. Their fragility and precarity increase the expressive power of these funny, outrageous, grotesque objects, which often seem as though they might collapse before our eyes at any moment. In her studio, one is likely to encounter figurines inspired by Japanese horses or vintage American cartoons; vases ornamented with patterns from the ancient Americas; and tiles, plates and cups decorated with flowers or scenes from her life in Venice. A trio of characters recur throughout her oeuvre: a distressed Olive Oyl, an oblivious Minnie Mouse and the savvy Condorito--a Chilean cartoon from the '50s that is still very popular in Latin America. Frimkess affirms the wisdom of these cartoons; in her eyes, they are philosophers.