From the early days through Prohibition and the swing era, then to bebop and beyond, this is the story of jazz music, musicians, and venues in Minneapolis and St. Paul.

Survivor meets The Bachelor in Attached at the Hip, an irresistible, romantic adventure by New York Times bestselling author Christine Riccio. Orie Lennox has spent her entire life prepping for her happily ever after -- and now that she’s graduated, she’s low-key wondering, when the heck is it gonna hit. Her love life, her new job, her relationship with her sister: none of it is quite what she envisioned it to be. One evening, on a whim, she applies for a reality show where she’ll be stranded on an island, with a bunch of strangers, to play a game of human chess for a shot at a million dollars. What better way to force herself to break up with the things that aren’t bringing her joy, than to abandon them all on short notice to live off the grid on a beach in the South Pacific! Orie's shocked when she ends up cast in an experimental romantic edition of the show: and even more surprised to find that her old high school crush, Remy, has been cast as well. Orie's one of ten contestants, set to compete in formidable challenges, while speed dating, in the wilderness: without deodorant, toilets, shaving cream, or showers. (How!?) She finds herself tied up — literally — in a game of risky alliances as she navigates ever-growing feelings for her one that got away, alongside an exciting array of budding new relationships.

HIP is a turtle who raps very slowly. HOP is a bunny who raps superfast. Together they are Hip & Hop, the coolest rap duo in Oldskool County. This hilarious collection features two stories that remix the fable of the tortoise and the hare, combining comic book elements with short raps, traditional narration, and the coolest characters on the block.

In 1796, as revolutionary fervor waned and the Age of Reason took hold, an eighty-five-year-old Massachusetts doctor was convicted of bestiality and sentenced to hang. Three years later and seventy miles away, an eighty-three-year-old Connecticut farmer was convicted of the same crime and sentenced to the same punishment. Prior to these criminal trials, neither Massachusetts nor Connecticut had executed anyone for bestiality in over a century. Though there are no overt connections between the two episodes, the similarities of their particulars are strange and striking. Historians Doron S. Ben-Atar and Richard D. Brown delve into the specifics to determine what larger social, political, or religious forces could have compelled New England courts to condemn two octogenarians for sexual misbehavior typically associated with much younger men. The stories of John Farrell and Gideon Washburn are less about the two old men than New England officials who, riding the rough waves of modernity, returned to the severity of their ancestors. The political upheaval of the Revolution and the new republic created new kinds of cultural experience—both exciting and frightening—at a moment when New England farmers and village elites were contesting long-standing assumptions about divine creation and the social order. Ben-Atar and Brown offer a rare and vivid perspective on anxieties about sexual and social deviance in the early republic.

In The Small Book of Hip Checks Erica Rand uses multiple meanings of hip check—including an athlete using their hip to throw an opponent off-balance and the inspection of racialized gender—to consider the workings of queer gender, race, and writing. Explicitly attending to processes of writing and revising, Rand pursues interruption, rethinking, and redirection to challenge standard methods of argumentation and traditional markers of heft and fluff. She writes about topics including a trans shout-out in a Super Bowl ad, the heyday of lavender dildos, ballet dancer Misty Copeland, the criticism received by figure skater Debi Thomas and tennis great Serena Williams for competing in bodysuits while Black, and the gendering involved in identifying the remains of people who die trying to cross into the United States south of Tucson, Arizona. Along the way, Rand encourages making muscle memory of experimentation and developing an openness to being conceptually knocked sideways. In other words, to be hip-checked.

What could be more enticing than the newest projects from this popular design team! With large pieces and easy appliqué shapes, these welcoming designs are appropriate for all skill levels. Choose from 12 projects, including a variety of pillows and a sachet Add texture and whimsy with fun details such as wool strips couched on top of big pineapple appliqués Create a set of four seasonal door banners for celebrating throughout the year

When baking-obsessed Ivy meets a boy who shares her rare diagnosis, sparks fly outside of the kitchen for the first time in her life! Chronically ill seventeen-year-old Ivy has stayed inside baking all summer—pies are better than people, and they don’t trigger her social anxiety. So when her (also) chronically ill mom and sister cook up a plan to get Ivy out of the house and into a support group, Ivy doesn’t expect to say more than a few words. And she certainly doesn’t expect Grant. Grant is CUTE: class-clown cute, perfectly-messy-hair cute, will-always-text-you-back cute. There’s an instant connection between them. He has the same illness as her—juvenille rheumatoid arthritis—and he actually understands Ivy’s world. But just because he understands her pain doesn’t mean he can take it away, and she wishes he could... because it’s getting worse. Ivy has always tried her best to seem "normal," but between symptom management, new treatment plans, and struggling with medical self-advocacy, being sick feels more and more difficult. With her energy plummeting, even her bestie starts drifting away! What if Grant does, too? Will Ivy’s sugar-sweet romance pan out? Can she maintain her façade, for him and for the world… or should she be brave and let it drop? Marissa Eller serves up a sweet, satisfying romcom that tackles the realities of chronic illness—and coming-of-age milestones from friend breakups to first kisses—with wry humor, tons of heart, and a huge helping of honesty. Nuanced, funny, and deeply enjoyable, readers will fall for Eller’s voice in this compelling debut that offers all the right ingredients. "A sweet and affirming story that embraces the unpredictability of chronic illness."—Anna Sortino, award-winning author of Give Me a Sign and On the Bright Side "Will make readers feel seen. A delightful, heartfelt read."—Lillie Lainoff, award-winning author of One for All "The perfect recipe for an affirming and adorable debut."—Claire Forrest, award-winning author of Where You See Yourself

In Lori Lansens’ astonishing second novel, readers come to know and love two of the most remarkable characters in Canadian fiction. Rose and Ruby are twenty-nine-year-old conjoined twins. Born during a tornado to a shocked teenaged mother in the hospital at Leaford, Ontario, they are raised by the nurse who helped usher them into the world. Aunt Lovey and her husband, Uncle Stash, are middle-aged and with no children of their own. They relocate from the town to the drafty old farmhouse in the country that has been in Lovey’s family for generations. Joined to Ruby at the head, Rose’s face is pulled to one side, but she has full use of her limbs. Ruby has a beautiful face, but her body is tiny and she is unable to walk. She rests her legs on her sister’s hip, rather like a small child or a doll. In spite of their situation, the girls lead surprisingly separate lives. Rose is bookish and a baseball fan. Ruby is fond of trash TV and has a passion for local history. Rose has always wanted to be a writer, and as the novel opens, she begins to pen her autobiography. Here is how she begins: I have never looked into my sister’s eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially. Ruby, with her marvellous characteristic logic, points out that Rose’s autobiography will have to be Ruby’s as well — and how can she trust Rose to represent her story accurately? Soon, Ruby decides to chime in with chapters of her own. The novel begins with Rose, but eventually moves to Ruby’s point of view and then switches back and forth. Because the girls face in slightly different directions, neither can see what the other is writing, and they don’t tell each other either. The reader is treated to sometimes overlapping stories told in two wonderfully distinct styles. Rose is given to introspection and secrecy. Ruby’s style is "tell-all" — frank and decidedly sweet. We learn of their early years as the town "freaks" and of Lovey’s and Stash’s determination to give them as normal an upbringing as possible. But when we meet them, both Lovey and Stash are dead, the girls have moved back into town, and they’ve received some ominous news. They are on the verge of becoming the oldest surviving craniopagus (joined at the head) twins in history, but the question of whether they’ll live to celebrate their thirtieth birthday is suddenly impossible to answer. In Rose and Ruby, Lori Lansens has created two precious characters, each distinct and loveable in their very different ways, and has given them a world in Leaford that rings absolutely true. The girls are unforgettable. The Girls is nothing short of a tour de force.

Must children born with socially challenging anatomies have their bodies changed because others cannot be expected to change their minds? One of Us views conjoined twinning and other “abnormalities” from the point of view of people living with such anatomies, and considers these issues within the larger historical context of anatomical politics. Anatomy matters, Alice Domurat Dreger tells us, because the senses we possess, the muscles we control, and the resources we require to keep our bodies alive limit and guide what we experience in any given context. Her deeply thought-provoking and compassionate work exposes the breadth and depth of that context—the extent of the social frame upon which we construct the “normal.” In doing so, the book calls into question assumptions about anatomy and normality, and transforms our understanding of how we are all intricately and inextricably joined.

Military operations in Afghanistan and Iraq consumed so much attention during his presidency that few people appreciated that George W. Bush was also an activist on the home front. Despite limited public support, and while confronting a deeply divided Congress, Bush engineered and implemented reforms of public policy on a wide range of issues: taxes, education, health care, energy, environment, and regulatory reform. In Bush on the Home Front, former Bush White House official and academic John D. Graham analyzes Bush's successes in these areas and setbacks in other areas such as Social Security and immigration reform. Graham provides valuable insights into how future presidents can shape U.S. domestic policy while facing continuing partisan polarization.