The purpose of Jazz Mastery is to give the serious student an entry into the creative process as quickly as possible. Presented here is the necessary information, stated clearly and simply as possible, in the hope that motivation and inspiration will soon follow on the heels of comprehension. The responsibility of a teacher lies in getting students excited, as well as presenting the theory to them inan easily assimilated form. Jazz Mastery will certainly serve up equal portions of the requisite information and inspiration. In standard notation. Includes online access to companion 2 hour 47 minute video

(Keyboard Instruction). Bill Evans, the pianist, is a towering figure acknowledged by the jazz world, fans, musicians and critics. However Bill Evans, the composer, has yet to take his place alongside the great masters of composition. Therein lies the sole purpose of this book. A compilation of articles now revised and expanded that originally appeared in the quarterly newsletter Letter from Evans , this unique folio features extensive analysis of Evans' work. Pieces examined include: B Minor Waltz * Funny Man * How Deep Is the Ocean * I Fall in Love Too Easily * I Should Care * Peri's Scope * Time Remembered * and Twelve Tone Tune.

Learn the music of today's jazz guitar greats. Beautifully presented here is the music of some of today's most influential jazz guitarists, all offered in standard notation and TAB. These solos from Corey Christiansen, Larry Koonse, Bruce Saunders, Bruce Arnold, Anthony Wilson, Mark Boling, Sheryl Bailey, Vic Juris, John Stowell and Steve Cardenas are all accompanied by a recording of each performance; a wonderful addition to any serious jazz guitarists' repertoire.

This book offers an easily learned method that will quickly move the student from intermediate into advanced harmonic territory, adding richness, texture and uniqueness to the improvisational approach. the concept starts with common elements of basic diatonic harmony and "moves" them in ways that gradually increase the harmonic complexity of their application. Students will greatly expand chord vocabulary and add considerable interest and depth to improvisations. This method provides a simple approach to making the use of alterations and extensions a natural part of any player's harmonic vocabulary.•

Have you ever wondered how guitarists like Joe Pass, Jim Hall and Wes Montgomery find such full, luscious voicings for their chord melody playing? Well, much of that sound is based on the "Drop 2" principle of chord voicings. In this book, veteran guitarist Randy Vincent explains exactly how you can get that same sound too. Endorsed by Julian Lage, John Stowell, Larry Koonse, etc.

A book that clearly explains the principles of jazz soloing. Logically organized, with hundreds of musical examples, this method is the result of many years of Ted's teaching and research.

Joe Diorio constructs 16 modern and ultra-modern jazz guitar solos over eight classic jazz chord progressions. Each solo is jammed full of inventive licks and patterns to use as building blocks and jumping-off points for creating dynamic jazz guitar solos. Comping patterns and chord voicings are included.

These 27 short etudes were composed to provide music suitable for study or the concert stage. The etudes present a colorful palette of moods and musical textures and incorporate various picking techniques and lush harmonies. They are extremely useful in developing tone and a lyrical feeling to a guitarist’s style. These etudes will work well as concert preludes or encores or may be played in groups to create more extended performance repertoire. They are guitaristic and highlight the beauty of the plectrum/flatpick guitar style. The etudes are written in notation and tablature. Includes access to online audio.

The late Lenny Breau was admired throughout the world for his complex fingerstyle jazz stylings. the first part of this text/CD contains Lenny's guitar workshop dealing with Building the Blues; Three Against Two, and Harmonics at Work. Section 2 presents three great Lenny Breau solos (5 O'Clock Bells; Little Blues, and Freight Train). Written in notation and tablature. Contains Lenny's master class on fingerstyle jazz guitar. 3 songs from book are not on CD.

Provides exercises for jazz guitar techniques, including jazz riffs, breaks, fill-ins, and solos.