John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: "Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant." "He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It's what's happening now." –The American Record Guide "There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away."

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First performed at the midpoint of the twentieth century, John Cage’s 4'33", a composition conceived of without a single musical note, is among the most celebrated and ballyhooed cultural gestures in the history of modern music. A meditation on the act of listening and the nature of performance, Cage’s controversial piece became the iconic statement of the meaning of silence in art and is a landmark work of American music. In this book, Kyle Gann, one of the nation’s leading music critics, explains 4'33" as a unique moment in American culture and musical composition. Finding resemblances and resonances of 4'33" in artworks as wide-ranging as the paintings of the Hudson River School and the music of John Lennon and Yoko Ono, he provides much-needed cultural context for this fundamentally challenging and often misunderstood piece. Gann also explores Cage’s craft, describing in illuminating detail the musical, philosophical, and even environmental influences that informed this groundbreaking piece of music. Having performed 4'33" himself and as a composer in his own right, Gann offers the reader both an expert’s analysis and a highly personal interpretation of Cage’s most divisive work.

John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: “Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant.” “He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It’s what’s happening now.” –The American Record Guide “There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away.”

When the struggle to save oil-soaked birds and restore blackened beaches left him feeling frustrated and helpless, John Francis decided to take a more fundamental and personal stand—he stopped using all forms of motorized transportation. Soon after embarking on this quest that would span two decades and two continents, the young man took a vow of silence that endured for 17 years. It began as a silent environmental protest, but as a young African-American man, walking across the country in the early 1970s, his idea of "the environment" expanded beyond concern about pollution and loss of habitat to include how we humans treat each other and how we can better communicate and work together to benefit the earth. Through his silence and walking, he learned to listen, and along the way, earned college and graduate degrees in science and environmental studies. The United Nations appointed him goodwill ambassador to the world’s grassroots communities and the U.S. government recruited him to help address the Exxon Valdez disaster. Was he crazy? How did he live and earn all those degrees without talking? An amazing human-interest story, with a vital message, Planetwalker is also a deeply personal and engaging coming-of-age odyssey—the positive experiences, the challenging times, the characters encountered, and the learning gained along the way.

Going deep behind the headlines about scandals in the Catholic Church, Jason Berry and Gerald Renner follow the staggering trail of evasions and deceit that leads directly to the Vatican and taints the legacy of Pope John Paul II. Based on more than six years of investigative reporting and hundreds of interviews, Vows of Silence is a riveting account of Vatican cover-ups. Both a profound criticism and a wake-up call to reform by two Catholic writers, this book reveals an agenda of top-down control under John Paul II and a hierarchy so obsessed with secrecy as to spawn disinformation. Vows of Silence cuts between the life story of Father Tom Doyle, who sacrificed a diplomatic career with the Vatican to seek justice for sex-abuse victims, and Father Marcial Maciel, an accused pedophile and founder of the militaristic religious order, the Legion of Christ. Drawing on in-depth interviews with Father Doyle and with ex-Legionaries who filed a canonical suit against Maciel, as well as interviews with Vatican insiders and an array of sources in Mexico, Ireland, Canada, and Australia, Berry and Renner provide a penetrating account of a hierarchy directly in conflict with its followers. With keen insight and scrupulous reporting, Vows of Silence is a powerful narrative that chronicles the church's struggle between orthodoxy and reform—going straight to the heart of one of the world's largest power structures. It is not a book about sexual abuse; it is a book about abuse of power throughout the Vatican.

Six tales of horror from a master craftsman: "A Psychical Invasion," "Ancient Sorceries," "Secret Worship," "The Nemesis of Fire," "The Camp of God," and "A Victim of Higher Space."