John Chiara creates his own cameras and chemical processes, in order to make unique photographs that use the direct exposure of light onto reversal film and paper. Each resulting photograph is a singular, luminous object. This highly anticipated first book includes the surreal and thrilling landscape and architectural images for which the artist has become known. John Chiara: California features images taken in the artist's hometown of San Francisco and other locations along the Pacific Coast. An essay by Virginia Heckert situates Chiara's work in the landscape tradition of the American West and discusses this process-driven work.

From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process features the work of seven artists—Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John Chiara, and Matthew Brandt—who investigate the possibilities of analog photography by finding innovative, surprising, and sometimes controversial ways to push light-sensitive photographic papers and chemical processing beyond their limits. A panoply of practices emerges in the work of these artists. Some customize cameras with special lenses or produce images on paper without a camera or film. Others load paper, rather than film, in the camera or create contact-printing with sources of light other than the enlarger, while still others use expired photographic papers and extraneous materials, such as dust and sweat, selected to match the particular subject of the photograph. All of the artists share a willingness to embrace accident and chance. Trial and error contribute to an understanding of the materials and their potential, as do the attitudes of underlying curiosity and inventive interrogation. The act of making each image is like a performance, with only the photographer present. The results are stunning. This lavish publication accompanies an eponymous exhibition on view at the J. Paul Getty Museum from April 14 to September 6, 2015.

SELF-PARENTING: The Complete Guide to Your Inner Conversations is the classic and original how-to book defining the concept of "self-parenting." Many of us grew up within a parental environment that did not support our childhood needs for love, support, and nurturing. As adults, we mentally continue the same patterns as an "Inner Parent" that left us feeling alone and abandoned as a child. By beginning the daily practice of positive Self-Parenting, the negative outer parenting patterns taught as a child (and subsequently internalized as an adult) can be recognized and reversed. The foundation of the SELF-PARENTING is the daily practice of the Self-Parenting Exercises, a thirty-minute session of cognitive interaction between the Inner Parent and Inner Child. During these daily half-hour sessions Illustrated In the book, the reader learns how to love, support, and nurture his or her Inner Child as well as increase their awareness of the profound implications of their Inner Conversations in the "real world."

- Close to 200 beautiful portraits and landscape photographs documenting Hanoi's transformation from 1985 to 2015 - Visually compelling record of a city's post-war evolution over the course of three decades, well before the 'tourist boom' and a glimpse into how a city has become modernized - Intimate and candid portraits of people in their home settings, street scenes, urban architecture, and the city's surrounding countryside - One of very few Western photographers to gain access to post-war North Vietnam - Detailed captions provide a strong sense of place and context, reflecting historical references and evocative changes to the landscape; a complete study over time Documentary photographer William E. Crawford spent three decades documenting Vietnam, and in particular Hanoi, its people and the surrounding countryside. As one of the very first Western photographers to work in post-war North Vietnam, Crawford was drawn back to the country numerous times at regular intervals between 1985 and 2015 to record this fascinating country's culture, people, and society with beautiful, compelling and intimate photographs, concentrating on colonial and indigenous architecture, urban details, portraits, and landscapes. In 1986, the Vietnam's Communist leadership began to shift from a Soviet-style central planning model toward free-market economic reforms. As a result, Hanoi has been transformed over the last three decades, becoming an example of how traditional Asian and developing cities have often been torn down or allowed to crumble - only to re-emerge in a 'modernized' form. Unlike photo-journalism, which is interested in the theatre of the moment, Crawford's evocative and powerful photography chronicles life throughout Hanoi and its surroundings over the course of the last three decades. Filled with full-color photographs and informative essays on his experiences and the people he encountered, Crawford's work - showcased in this beautifully presented volume - provides a unique visual catalogue of the evolution of a city and its inhabitants, and particularly the complex historical area known as The 36 Streets.

This volume assembles for the first time a staggering multiplicity of reflections and readings of John Fante’s 1939 classic, Ask the Dust, a true testament to the work’s present and future impact. The contributors to this work—writers, critics, fans, scholars, screenwriters, directors, and others—analyze the provocative set of diaspora tensions informing Fante’s masterpiece that distinguish it from those accounts of earlier East Coast migrations and minglings. A must-read for aficionados of L.A. fiction and new migration literature, John Fante’s “Ask the Dust”: A Joining of Voices and Views is destined for landmark status as the first volume of Fante studies to reveal the novel’s evolving intertextualities and intersectionalities. Contributors: Miriam Amico, Charles Bukowski, Stephen Cooper, Giovanna DiLello, John Fante, Valerio Ferme, Teresa Fiore, Daniel Gardner, Philippe Garnier, Robert Guffey, Ryan Holiday, Jan Louter, Chiara Mazzucchelli, Meagan Meylor, J’aime Morrison, Nathan Rabin, Alan Rifkin, Suzanne Manizza Roszak, Danny Shain, Robert Towne, Joel Williams

History and art intertwine in this celebration of the San Francisco Art Commission's promotion of public art through eight decades of political, social, and economic changes. Wels specializes in history and is a resident of the city. Abundantly illustrated and will intrigue those who live in San Francisco, those who just visit and leave their heart, and anyone involved with cities and public art.

Presents a catalog of an exhibition of photographs focusing on blue collar workers.

A father—the head of the household, as Saint Paul says—has a crucial role and responsibility in his family, not only materially, but spiritually. This is no outdated biblical cliché, but a biological, sociological, and metaphysical reality that we too often fail to recognize. The example of a father can leave an indelible imprint on the character of his children. In Because of Our Fathers, twenty-three Catholics—including Patrick Madrid, Abby Johnson, Bishop Joseph Strickland, Father Paul Scalia, Jesse Romero, Anthony Esolen, Father Rocky, Christopher Check, and Father Gerald Murray—give portraits of their own fathers as conduits and models of Christian love. Ranging from the heroic to the ordinary, these powerful testimonies will inspire men to consider more deeply the amazing privilege that God has given them to become, despite their imperfection, a living image of our Father in Heaven. The introduction and conclusion by editor Tyler Rowley serve as a wake-up call. Illustrating the Church’s teaching on fatherhood with current research on the family, he makes clear the urgent need for men who take seriously the God-given, grace-filled task of raising children.

"Ryan Schude is a Los Angeles-based photographer whose work combines humor--both light and vivacious and black as night--with extreme skill and a film-director's eye. Using a heavily staged narrative approach, in conjunction with cinematic lighting meticulously curated props and wardrobe, and often a conceptual backbone, Schude's process involves months of planning and collaboration; the narrative of each image evolves over time, before bursting to life before the lens. Schude celebrates a decade of his work."--back cover.