An authoritative new examination of John Brown and his deep impact on American history.Bancroft Prize-winning cultural historian David S. Reynolds presents an informative and richly considered new exploration of the paradox of a man steeped in the Bible but more than willing to kill for his abolitionist cause. Reynolds locates Brown within the currents of nineteenth-century life and compares him to modern terrorists, civil-rights activists, and freedom fighters. Ultimately, he finds neither a wild-eyed fanatic nor a Christ-like martyr, but a passionate opponent of racism so dedicated to eradicating slavery that he realized only blood could scour it from the country he loved. By stiffening the backbone of Northerners and showing Southerners there were those who would fight for their cause, he hastened the coming of the Civil War. This is a vivid and startling story of a man and an age on the verge of calamity.

"Tracing Brown's legacy through writers and artists like Thomas Hovenden, W.E.B. Du Bois, Robert Penn Warren, Jacob Lawrence, Kara Walker, and others, Blake Gilpin transforms Brown from an object of endless manipulation into a dynamic medium for contemporary beliefs about the process and purpose of the American republic."--book jacket.

A New York Times Notable Book for 2011 A Library Journal Top Ten Best Books of 2011 A Boston Globe Best Nonfiction Book of 2011 Bestselling author Tony Horwitz tells the electrifying tale of the daring insurrection that put America on the path to bloody war Plotted in secret, launched in the dark, John Brown's raid on Harpers Ferry was a pivotal moment in U.S. history. But few Americans know the true story of the men and women who launched a desperate strike at the slaveholding South. Now, Midnight Rising portrays Brown's uprising in vivid color, revealing a country on the brink of explosive conflict. Brown, the descendant of New England Puritans, saw slavery as a sin against America's founding principles. Unlike most abolitionists, he was willing to take up arms, and in 1859 he prepared for battle at a hideout in Maryland, joined by his teenage daughter, three of his sons, and a guerrilla band that included former slaves and a dashing spy. On October 17, the raiders seized Harpers Ferry, stunning the nation and prompting a counterattack led by Robert E. Lee. After Brown's capture, his defiant eloquence galvanized the North and appalled the South, which considered Brown a terrorist. The raid also helped elect Abraham Lincoln, who later began to fulfill Brown's dream with the Emancipation Proclamation, a measure he called "a John Brown raid, on a gigantic scale." Tony Horwitz's riveting book travels antebellum America to deliver both a taut historical drama and a telling portrait of a nation divided—a time that still resonates in ours.

In the late 1850s, at a time when many men and women spoke out against slavery, few had the same impact as John Brown, the infamous white abolitionist who backed his beliefs with unstoppable action.

Here, Brian McGinty provides a comprehensive account of the trial of abolitionist John Brown. After the jury returned its guilty verdict, an appeal was quickly disposed of, and the governor of Virginia refused to grant clemency.

First published in 1909, W.E.B. Du Bois's biography of abolitionist John Brown is a literary and historical classic. With a rare combination of scholarship and passion, Du Bois defends Brown against all detractors who saw him as a fanatic, fiend, or traitor. Brown emerges as a rich personality, fully understandable as an unusual leader with a deeply religious outlook and a devotion to the cause of freedom for the slave. This new edition is enriched with an introduction by John David Smith and with supporting documents relating to Du Bois's correspondence with his publisher. Copyright © Libri GmbH. All rights reserved.

Describes the story of the man who was entrusted with all of the details of John Brown's plans to capture the Harper's Ferry armory in 1859 and how he was hunted down for a $1,000 bounty and tried as a spy.

Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture.

Combining theology, politics and historical analysis, “theorizes what might be at stake—ethically—for America’s current political life” (Andrew Taylor, Journal of American History). Conventional wisdom holds that attempts to combine religion and politics will produce unlimited violence. Concepts such as jihad, crusade, and sacrifice need to be rooted out, the story goes, for the sake of more bounded and secular understandings of violence. Ted Smith upends this dominant view, drawing on Walter Benjamin, Giorgio Agamben, and others to trace the ways that seemingly secular politics produce their own forms of violence without limit. He brings this argument to life—and digs deep into the American political imagination—through a string of surprising reflections on John Brown, the nineteenth-century abolitionist who took up arms against the state in the name of a higher law. Smith argues that the key to limiting violence is not its separation from religion, but its connection to richer and more critical modes of religious reflection. Weird John Brown develops a negative political theology that challenges both the ways we remember American history and the ways we think about the nature, meaning, and exercise of violence. “Powerfully combines theology and political theory. . . . Recommended.” —R. J. Meagher, Choice “Smith illustrates how an ethical and philosophical reading of history can help us to better understand the world we live in.” —Franklin Rausch, New Books in Christian Studies “A brilliantly original and compelling book.” —John Stauffer, Harvard University “A very sophisticated philosophical and theological reflection on John Brown and the question of divine violence.” —Willie James Jennings, Duke University