Excerpt from John and Sarah, Duke and Duchess of Marlborough, 1660-1744 A preface to a book ought to prove, to some extent at least, an aid to its interpretation. I sometimes think that an author when called upon to make such a deliverance may be likened to an architect who, in the presence of his completed work, is asked to explain the methods of its construction. Author and architect might very well claim to be excused, for books, like buildings, are, after all, accomplished facts which speak for themselves, and if their appeal is not self-evident, it is negligible. People who do not care for a preface - they are in a minority I am told - are quite at liberty to exercise the right of private judgment, and pass over these pages in their haste to read the Introduction with which the Duke of Marlborough has equipped this work. But since the majority of readers appreciate an author's confidences and prefer him to talk to them before the curtain is drawn up, I make a virtue of necessity and take up my parable. This is an age when the will of the majority, for better or worse, prevails, and therefore I propose to make a statement - inevitably personal in part - which is intended to be an aid to the interpretation of the book. There is a certain advantage, moreover, about a preface, since it gives the author an opportunity of telling the reader certain facts which could not be introduced into the actual text without doing violence to a narrative which is at once biographical and historical. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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'An incredible story crackling with royal passion, envy, ambition and betrayal ... Field's account of the psychological power play between Queen Anne and her confidante is surely definitive. A tour de force' Lucy Worsley Sarah Churchill, Duchess of Marlborough, was as glamorous as she was controversial. Politically influential and independently powerful, she was an intimate, and then a blackmailer, of Queen Anne, accusing her of keeping lesbian favourites - including Sarah's own cousin Abigail Masham. Ophelia Field's masterly biography brings Sarah Churchill's own voice, passionate and intelligent, back to life. Here is an unforgettable portrait of a woman who cared intensely about how we would remember her - perfect for fans interested in the history behind the major motion picture starring Rachel Weisz with Olivia Colman and Emma Stone.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.