Joseph Blackburn, a clown who juggled on horseback, took a professional trip to England in 1838, accompanied by the noted American vaulter and bareback rider, Levi J. North. His account of their experiences abroad encompasses activity with the circuses of

An Annotated Bibliography of the First 300 Publications of the Borgo Press, 1975-1998

Published in 1719, Defoe’s Robinson Crusoe is one of those extraordinary literary works whose importance lies not only in the text itself but in its persistently lively afterlife. German author Johann Gottfried Schnabel—who in 1731 penned his own island narrative—coined the term “Robinsonade” to characterize the genre bred by this classic, and today hundreds of examples can be identified worldwide. This celebratory collection of tercentenary essays testifies to the Robinsonade’s endurance, analyzing its various literary, aesthetic, philosophical, and cultural implications in historical context. Contributors trace the Robinsonade’s roots from the eighteenth century to generic affinities in later traditions, including juvenile fiction, science fiction, and apocalyptic fiction, and finally to contemporary adaptations in film, television, theater, and popular culture. Taken together, these essays convince us that the genre’s adapt- ability to changing social and cultural circumstances explains its relevance to this day. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

"Chilly Billy" was the nickname of circus mogul William Washington Cole, the chief rival of P. T. Barnum. Cole was born into a circus family in 1847, and beginning in 1870 and continuing through 1886, developed "Cole's Colossal Circus" into a money-making enterprise. He wisely invested his earnings in real estate, making himself a multimillionaire before finally closing down shop. Another landmark contribution to American circus history, complete with notes, index, bibliography, and contemporaneous illustrations.

William L. Slout, entertainment historian par excellence, here provides five fascinating essays on the development of the American traveling circus in the post-Civil War era: "En Route to the Great Eastern Circus" (on the creation of this great show); "The Great Eastern Circus of 1872" (more details about one of P. T. Barnum's rivals); "The Not-So-Great Trans-Atlantic Circus and Menagerie" (how a show failed suddenly in a yellow fever epidemic); "What Goes Up...Comes Down" (how balloning became part of the circus environment); and "The Chicken or the Egg?" (on the first development of the double-ring act pioneered by Barnum and others). These vivid essays, highlighted by numerous contemporaneous excerpts from local newspapers, help bring a long-forgotten era alive again.

William L. Slout, circus historian par excellence, here provides six essays on the development of the American circus. "From Rags to Ricketts: The Roots of Circus in Early Gotham" looks at the beginnings of circus entertainment in old New York City during the eighteenth century. "The Great Roman Hippodrome of 1874: P. T. Barnum's 'Crowning Effort'" describes the great showman's grand experiment: the collection and display in the Big Apple of the "largest collection of living wild animals in the world." "The Recycling of the Dan Rice Paris Pavilion Circus" tells the story of an American circus entrepreneur who took his traveling show to Europe in 1867. "Strange Bedfellows: The Pogey O'Brien Interval, 1874-1875" relates how O'Brien partnered with P. T. Barnum to take the circus master's show on the road while Barnum was creating his "Great Roman Hippodrome." "Two Rings and a Hippodrome Track" demonstrates that the first two-ring circus mounted by Barnum (or anyone else) occurred in 1873, and not 1872, as previously supposed. Finally, "The Adventures of James M. Nixon, Forgotten Impresario," describes the career of a major circus manager who worked between the 1843-75, directly competing with Barnum for the same audience--and eventually losing the struggle. Slout’s vivid accounts, highlighted by contemporaneous newspaper accounts of the excitement generated locally by these traveling shows, help bring a long-forgotten era alive again.

This modern comedy highlights the clash between Denver Littlefield, a history professor at a California University, and his actress wife, Sarah Coleman, whose sudden surge in popularity after being cast in a popular soap opera threatens to swamp her husband's image and career.

In this provocative book, Nicholas Daly tracks the cultural effects of the population explosion of the nineteenth century, the 'demographic transition' to the modern world. As the crowded cities of Paris, London and New York went through similar transformations, a set of shared narratives and images of urban life circulated among them, including fantasies of urban catastrophe, crime dramas, and tales of haunted public transport, refracting the hell that is other people. In the visual arts, sentimental genre pictures appeared that condensed the urban masses into a handful of vulnerable figures: newsboys and flower-girls. At the end of the century, proto-ecological stories emerge about the sprawling city as itself a destroyer. This lively study excavates some of the origins of our own international popular culture, from noir visions of the city as a locus of crime, to utopian images of energy and community.

To both young and old, the circus remains an icon of American entertainment, a wholesome pastime untouched by the passing years. But the modern circus, with its three rings, ringmaster, animals, and acrobats, is the product of nearly three hundred years of evolution. This intriguing work chronicles the history of the American circus from its roots in England through its importation to America to the end of the nineteenth century. It introduces the early pioneers of the circus, addresses business concerns such as management and training, and discusses the development of the show itself, including the incorporation of menageries, the need for animal training and care, the addition of circus music, the use of the tent, and the unique attractions of side shows and "freaks." Personal stories of those who made their lives under the "big top" are woven throughout the narrative, adding an intimate perspective to one of America's most enduring entertainments.