A host of modern authors have portrayed Joan of Arc as a heroine. Identifying with the medieval saint and martyr as a figure of the artist, they tell her story as a way of commenting on their own situation in a world where the power of art has decreased. Blending the theoretical insights of Walter Benjamin, Roland Barthes and Rene Girard, Ann W. Astell persuasively argues that many modern authors have seen their own artistic vocation in the visions and voices that inspired Joan.

A host of modern authors have portrayed Joan of Arc as a heroine. Identifying with the medieval saint and martyr as a figure of the artist, they tell her story as a way of commenting on their own situation in a world where the power of art has decreased. Blending the theoretical insights of Walter Benjamin, Roland Barthes and Rene Girard, Ann W. Astell persuasively argues that many modern authors have seen their own artistic vocation in the visions and voices that inspired Joan.

Joan of Arc is an unusual saint. Canonized in 1920 as a virgin, she died in 1431 as a condemned heretic. Uneducated, militant, and youthful, she obeyed 'Voices' that counselled her to pursue an unprecedented vocation. The various trial records provide a wealth of evidence about how Joan and others understood her spiritual life. This collection explores multiple facets of Joan's prayerful life. Two-thirds of the essays focus on Joan in her own time; the later chapters study Joan's formative influence upon modern women. Taken together, these essays offer new perspectives on the heroism of Joan's original way of sanctity.

In this book, Gail Orgelfinger examines the ways in which English historians and illustrators depicted Joan of Arc over a period of four hundred years, from her capture in 1429 to the early nineteenth century. The variety of epithets attached to Joan of Arc—from “witch” and “Medean virago” to “missioned Maid” and “shepherd’s child”—attests to England’s complicated relationship with the saint. While portrayals of Joan in English popular culture evolved over the centuries, they do not follow a straightforward trajectory from vituperation to adulation. Focusing primarily on descriptions of Joan’s captivity, trial, and execution, this study shows how the exigencies of politics and the demands of genre shaped English retellings of her military successes, gender transgressions, and execution at the hands of her English enemies. Orgelfinger’s research illuminates how and why English writers and artists used the memory of Joan of Arc to grapple with issues such as England’s relationship with France, emerging protofeminism in the early modern era, and the sense of national guilt over her execution. A systematic analysis of Joan’s English historiography in its political and social contexts, this volume sheds light on four centuries of English thought on Joan of Arc. It will be welcomed by specialist and general readers alike, especially those interested in women’s studies.

[Does] an immense service to anyone interested in Joan of Arc... skillfully disentangles countless textual threads, all centered around one problem: the nature of Joan's mission as it was examined in the early theological debates... A thorough and timely book. MYSTICS QUARTERLY Joan of Arc arrived at the French court claiming to be sent by God to come to the aid of the dauphin Charles. Most studies of Joan focus on her political expediency, but the starting point of this book is her assertion that she was sent by God: it is the first real exploration of the application of the Catholic doctrine of discretio spirituum [the discernment of spirits] to her case, and of her reception as a visionary woman. The author examines contemporary theological documents which show genuine debate about Joan's mission and whether she was diabolically or divinely inspired, also taking into account the two major literary works dealing with her, Christine de Pizan's Ditie de Jehanne d'Arc and Martin Le Franc's Le champion des dames, as well as Joan's own letter to the English. Appendices offer translations of pertinent Latin and French texts. Professor DEBORAH FRAIOLI teaches in the Department of Foreign Languages and Literatures at Simmons College, Boston.

In her meticulous and wide-ranging study, Nora M. Heimann follows the metamorphosis of Joan of Arc's posthumous representation during the years in which her image ascended from relative obscurity as a minor provincial figure in the middle ages through her treatment as a figure of political satire in the eighteenth century to her ultimate emergence as an image of piety and sanctity in the mid-nineteenth century. Offering the first scholarly art historical and cultural analysis of the origins of the modern Joan of Arc cult, she takes on the challenge of charting, as no previous critic has, why and how the Maid of Orl‘s has been all things to such a diverse public through the ages, particularly during the rapid shifts in political regimes that came in the wake of the French Revolution. Joan of Arc's image has shown a protean capacity to embody a vast and often contradictory range of qualities, from martial ascendancy to vulnerable piety, from maidenly purity to transgressive androgyny, from the power of the people to the divine right of kings. Heimann makes a persuasive case for this enduringly resonant woman as the only figure in French culture to be warmly embraced simultaneously by republicans, monarchists, feminists, and neo-fascists alike. In its recounting of the iconographic fortunes of this remarkable woman during her transformation from an image of satire to one of sanctity, Joan of Arc in French Art and Culture (1700-1855) offers an illustrated, interdisciplinary depiction of the relationship between art and politics that will appeal not only to art historians but also to those working in literature, women's studies, cultural studies, intellectual history, and religious history.

No account is more critical to our understanding of Joan of Arc than the contemporary record of her trial in 1431. Convened at Rouen and directed by bishop Pierre Cauchon, the trial culminated in Joan's public execution for heresy. The trial record, which sometimes preserves Joan's very words, unveils her life, character, visions, and motives in fascinating detail. Here is one of our richest sources for the life of a medieval woman. This new translation, the first in fifty years, is based on the full record of the trial proceedings in Latin. Recent scholarship dates this text to the year of the trial itself, thereby lending it a greater claim to authority than had traditionally been assumed. Contemporary documents copied into the trial furnish a guide to political developments in Joan's career—from her capture to the attempts to control public opinion following her execution. Daniel Hobbins sets the trial in its legal and historical context. In exploring Joan's place in fifteenth-century society, he suggests that her claims to divine revelation conformed to a recognizable profile of holy women in her culture, yet Joan broke this mold by embracing a military lifestyle. By combining the roles of visionary and of military leader, Joan astonished contemporaries and still fascinates us today. Obscured by the passing of centuries and distorted by the lens of modern cinema, the story of the historical Joan of Arc comes vividly to life once again.

Joan of Arc is the most recognizable woman from medieval Europe, yet the details of her life remain obscure to the general public while heavily debated by specialists. Rising from obscurity to insert herself into the court of French King Charles VII before marching with his armies to combat the enemies of the crown during the Hundred Years War, she was eventually captured, tried in an inquisition, and then executed as a relapsed heretic at the age of 19. Joan of Arc: A Reference Guide of Her Life and Works focuses on her life, and legacy. It features a chronology, an introduction offers a brief account of her life, a dictionary section lists entries on people, groups, places, events, topics, terms, and medieval documents central to Joan’s life including her letters, contemporary perspectives, her condemnation trial, and the nullification proceedings eventually blessed by the pope to overturn the verdict of the condemnation trial. This book aims to provide an understanding not just of Joan, but of the culture that produced and ultimately destroyed her.

Documents the life of the fifteenth-century French teenage peasant who led an army into battle and became a saint.

"Although France would be lost by a woman, a maiden would save it" (French prophecy during the 1400s). Joan of Arc was that maiden, and her courage, dedication, eloquence and martyrdom make her an enduring inspiration. Acclaimed author Tabatha Yeatts depicts Saint Joan s remarkable story, from her first experience hearing sacred voices to her canonization. Learn all about Joan of Arc s childhood in war-torn France; ride with the young warrior into battle after battle and see how she helped a king win his rightful crown; watch as she falls into British hands and suffers an unjust trial for heresy and find out about her terror-filled final days and how, finally, her reputation was gloriously, posthumously restored.