Joan Rivers returns: It ain't a culinary book, although characters eat a lot of fantastic dishes and dish about celebrities.This is not biography of any kind either. It's full of real data from Joan's life to keep it more close to our hearts and down to earth. Joan was once a comedienne. Due to unfortunate tour of events she crosses over to a new world that seems to be so like ours, but it's not the same. Before afterlife of star treatment she has few more assignments on the menu. With her new pals Mandy, Ksav, Monique and Mary she must go to new frontiers, to declutter and clean talentless celebrities from public life. You will "Meet the Farthashians", "Cleaning Ladies of Hollywood-end", "Divas without the voices", "Housewives from the Sexy mansion" and "Spoiled and dumb - kids of Beverly Halls" plus many more in the book, that glorifies true talent and puts satire treatment on so called stars of the Hollywood. Did I mention Joan's dog is back? Max will give you extra thrills

As the Queen of the Red Carpet, Joan Rivers has been eyewitness to Hollywood's most heinous crimes (okay, so they're fashion-related). And in this über-stylish mystery, she enlists her no-holds-barred, slightly blonder literary counterpart, Maxine Taylor, to solve a crime of a different sort. When a gorgeous young actress dies on the Red Carpet, some in Tinseltown call it bad publicity. Max calls it murder. The Academy Awards®. It's Hollywood's biggest night, and there's no star better equipped than the tart-tongued Max Taylor to hold court on the glamorous Red Carpet. Sharing the dish with her daughter, Drew, the calls-it-as-she-sees-it entertainer has parlayed this star-studded annual gig into television's most-watched pre-show event. And tonight, Max has landed a real coup—an exclusive interview with Halsey Hamilton, a fabulous, young, paparazzi-trailed Oscar nominee. But not even Max, who's seen her share of celebrity train wrecks, is prepared for an incoherent Halsey, straight out of rehab, to stumble up to the mic, slur a few cryptic words, and drop dead at the hem of Max's stunning Michael Kors gown. To Hollywood, the starlet's demise was tragic but inevitable. To Max, it looks more like a perfectly calculated crime. After all, she alone heard Halsey's final whisper—a clue that leads Max to the pricey rehab clinic Wonders. With a weakness for nothing more disturbing than artificial sweeteners, Max nonetheless goes undercover and embarks on a twelve-step investigation into murder. Once inside the luxury clinic, Max's list of suspicious players expands faster than the Jolie-Pitt family: Burke Norris, a professional cad and Drew's ex-fiancé; Halsey's father, who is still making money off his dead daughter's fame; Halsey's jealous younger sister; and Rojo Bernstein, a tattooed karate hipster who knew the troubled fallen star much better than anyone suspected. Now it's left to Max to unravel the sordid motives and find Halsey's killer while upstaging an over-the-top Hollywood memorial service and funeral where the ill-fated actress was buried in, of all things, a tacky designer knockoff! And you thought the Oscars were all swag bags and Jimmy Choos? Hah! Honey, it's murder. In Murder at the Academy Awards®, Joan Rivers delivers a very smart, bracingly funny, and pitch-perfect reflection of a Hollywood only she would dare to reveal—all seen through the eyes of an indomitable, high-end amateur sleuth who isn't asking "Who are you wearing?" but rather "Whodunit?"

Original publication and copyright date: 2011.

From “Grand Hotel” to “Whatever Happened to Baby Jane?,” Joan Crawford played some of the finest parts Hollywood had to offer, establishing a reputation as the most spectacular diva on the silver screen. Even when the cameras quit rolling, her life never stopped being over-the-top. In My Way of Life, a cult classic since it was first published in the early 1970’s, Crawford shares her secrets. Part memoir, part self-help book, part guide to being fabulous, My Way of Life advises the reader on everything from throwing a small dinner party for eighteen to getting the most out of a marriage. Featuring tips on fashion, makeup, etiquette and everything in between, it is an irresistible look at a bygone era, when movie stars were pure class, and Crawford was at the top of the heap.

From the headline-making, New York Times bestselling author of I Hate Everyone...Starting With Me comes another intimate glimpse into the delightfully hilarious mind of Joan Rivers. When her daughter Melissa gives her a diary for Christmas, at first Joan is horrified—who the hell does Melissa think she is? That fat pig, Bridget Jones? But as Joan, being both beautiful and introspective, begins to record her day-to-day musings, she realizes she has a lot to say. About everything. And everyone, God help them. The result? A no-holds-barred, delightfully vicious and always hilarious look at the everyday life of the ultimate diva. Follow Joan on a family vacation in Mexico and on trips between New York and Los Angeles where she mingles with the stars, never missing a beat as she delivers blistering critiques on current events, and excoriating insights about life, pop culture, and celebrities (from A to D list), all in her relentlessly funny signature style. This is the Diary of a Mad Diva. Forget about Anais Nin, Anne Frank, and Sylvia Plath. For the first time in a century, a diary by someone that’s actually worth reading.

No matter how many times female comedians buck the conventional wisdom, people continue to ask: "Are women funny?" The question has been nagging at women off and on (mostly on) for the past sixty years. It's incendiary, much discussed, and, as proven in Yael Kohen's fascinating oral history, totally wrongheaded. In We Killed, Kohen pieces together the revolution that happened to (and by) women in American comedy, gathering the country's most prominent comediennes and the writers, producers, nightclub owners, and colleagues who revolved around them. She starts in the 1950s, when comic success meant ridiculing and desexualizing yourself; when Joan Rivers and Phyllis Diller emerged as America's favorite frustrated ladies; when the joke was always on them. Kohen brings us into the sixties and seventies, when the appearance of smart, edgy comedians (Elaine May, Lily Tomlin) and the women's movement brought a new wave of radicals: the women of SNL, tough-ass stand-ups, and a more independent breed on TV (Mary Tyler Moore and her sisters). There were battles to fight and preconceptions to shake before we could arrive in a world in which women like Chelsea Handler, Sarah Silverman, and Tina Fey can be smart, attractive, sexually confident—and, most of all, flat-out funny. As the more than 150 people interviewed for this riveting oral history make clear, women have always been funny. It's just that every success has been called an exception and every failure an example of the rule. And as each generation of women has developed its own style of comedy, the coups of the previous era are washed away and a new set of challenges arises. But the result is the same: They kill. A chorus of creative voices and hilarious storytelling, We Killed is essential cultural and social history, and—as it should be!—great entertainment.

A youth trip turns deadly, and Chief of Police Arly Hanks must catch the killer while serving as chaperone, in this hilarious small-town mystery. Arly Hanks has caught all sorts of killers since she returned home to Maggody, Arkansas, population 759, but she’s never tangled with anyone as devious as the local youth group. While chaperoning a trip to Camp Pearly Gates, Arly watches the kids as closely as she would any hardened criminal, but when teenagers have a mind to get into trouble, there’s nothing a police chief can do but limit the damage. She’s just about got the situation under control when one of the kids finds a body, and all hell breaks loose in classic Maggody manner. The murdered woman sports a shaved head and a white robe, marking her as a Moonbeam, a member of a particularly kooky local cult. And caught between the sect and the law, Arly may be forced to sacrifice what little sanity she has left. Nobody pokes fun at religion quite as effectively as Joan Hess. This is another laugh-out-loud entry in one of the funniest mystery series of all time. Maggody and the Moonbeams is the 13th book in the Arly Hanks Mysteries, but you may enjoy reading the series in any order.

Named one of "40 Gifts for the Book Lover on Your List," by Good Housekeeping: The definitive book about Joan Rivers' tumultuous, victorious, tragic, hilarious, and fascinating life. Joan Rivers was more than a legendary comedian; she was an icon and a role model to millions, a fearless pioneer who left a legacy of expanded opportunity when she died in 2014. Her life was a dramatic roller coaster of triumphant highs and devastating lows: the suicide of her husband, her feud with Johnny Carson, her estrangement from her daughter, her many plastic surgeries, her ferocious ambition and her massive insecurities. But Rivers' career was also hugely significant in American cultural history, breaking down barriers for her gender and pushing the boundaries of truth-telling for women in public life. A juicy, intimate biography of one of the greatest comedians ever -- a performer whose sixty year career was borne, simply, out of a desire to make people laugh so she could feel loved -- Last Girl Before Freeway delves into the inner workings of a woman who both reflected and redefined the world around her.

Author of such torrid titles as Drop Dead Beautiful and Misfortune's Daughters, one of the most celebrated television stars of the 1980s, feminist, gay icon—Joan Collins has playing many roles, and has earned her place as a true icon of the last 50 years. This revelatory and affectionate biography covers the many unmemorable or memorably awful movies—such as The Stud and The Bitch based on her sister Jackie's the novels, her notorious role as Alexis Carrington making her the highest paid woman on television at the time and anchoring her place as the camp villainness of the decade, as well as her many stage roles. But these do not begin to explain the extent of her fame—the men in her life, and her marriages, make headlines as well, such as her current husband, 33 years her junior. Even as she approaches 75, she remains indefatigable and irresistible. This fascinating and revealing biography will show how she has become such a popular figure and remained a sex symbol to so many for such a long time.