A work on contemporary Czechoslovak cinematography focusing on the celebrated director Jiri Menzel's classic film "Closely Watched Train" in the context of communist Czechoslovak mores and restrictions.

A literary master’s story about the aggravations and great joys of cats, from “a most sophisticated novelist, with a gusting humor and a hushed tenderness of detail” (Julian Barnes) In the autumn of 1965, flush with the unexpected success of his first published books, the Czech author Bohumil Hrabal bought a cottage in Kersko. From then until his death in 1997, he divided his time between Prague and his country retreat, where he wrote and tended to a community of feral cats. Over the years, his relationship to cats grew deeper and more complex, becoming a measure of the pressures, both private and public, that impinged on his life as a writer. All My Cats, written in 1983 after a serious car accident, is a confessional memoir, the chronicle of an author who becomes overwhelmed. As he is driven to the brink of madness by the dilemmas created by his indulgent love for the animals, there are episodes of intense brutality as he controls the feline population. Yet in the end, All My Cats is a book about Hrabal’s relationship to nature, about the unlikely sources of redemption that come to him unbidden, like a gift from the cosmos—and about love.

Chronicles the experiences of Ditie, who rises from busboy to hotel owner in World War II Prague, and whose life is shaped by the fate of his country before, during, and after the conflict.

Originally published as The Death of Mr. Baltisberger, the fourteen stories in Romance showcase the breadth of Bohumil Hrabal’s considerable gifts: his humor of the grotesque, his often surprising warmth, and his hard-edged, fast-paced style. In the story "Romance," a plumber’s apprentice and a gypsy girl reach toward a tentative connection across the chasm that separates their worlds. Another unlikely love story, "World Cafeteria," features a romance between a young man whose girlfriend has just committed suicide and a bride whose husband lands in jail on their wedding night. The tone turns to the absurd in "The Death of Mr. Baltisberger," where a crippled ex-motorcyclist and three people he meets at the track exchange wildly improbably reminiscences, while a fatal Grand Prix motorcycle race rages around them. Hrabal’s psychological insight into quotidian interactions saturates stories such as "A Dull Afternoon," where a mysterious, self-absorbed stranger disrupts the psychic calm of a neighborhood tavern and becomes the silent catalyst for an unwanted truth. Throughout the collection, noted translator Michael Henry Heim captures the quirky speech patterns and idiosyncratic takes on life that have made Hrabal’s characters an indispensable part of world literature.

Hrabal's postwar classic about a young man's coming of age in German-occupied Czechoslovakia is among his most beloved and accessible works. Closely Watched Trains is the subtle and poetic portrait of Milos Hrma, a timid young railroad apprentice who insulates himself with fantasy against a reality filled with cruelty and grief. Day after day as he watches trains fly by, he torments himself with the suspicion that he himself is being watched and with fears of impotency. Hrma finally affirms his manhood and, with a sense of peace and purpose he has never known before, heroically confronts a trainload of Nazis.

The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background.

Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki Kaurismäki, Ken Loach, Tomás Gutiérrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book’s scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film.

This study of the most significant movement in post-war Central and East European cinema examines the origins and development of Czechoslovakian film during this time, as well as the political and cultural changes which influenced some of the most important works.

Betwixt and Between: place and cultural translation examines the often fraught relationship between conceptions of place and the attempt to ‘translate’ them critically, politically and ethnographically for native and non-native audiences. Examining translation in a number of key contemporary geo-political contexts, including Northern Ireland, Venezuela, India, Italy, Canada, Germany, France, and the Middle East, and in a variety of genres, including poetry, drama, film, television advertising and the novel, in multiple languages, Betwixt and Between argues for the curiously fruitful dislocation of translation as a discourse and practice. Contributors argue that, by attending to the curiously placeless place of the translator, translation studies might better police the quiet pieties of nationalism, ethnic singularity and cultural homogeneity which have so destructively determined the politics of the last two centuries and which threaten to overwhelm our understanding of current cultural and political antagonisms.

​“This book is very timely: the instrumentalization of history for political goals has become a pressing issue and worrisome feature of many polities, to the point of challenging even the most consolidated democracies. Focusing on Yugoslavia’s fragile successor states, the authors explore plurifold analytical levels, including local, regional, transnational, European and global perspectives. The authors comprehensively demonstrate how politicizing history, in the postwar and postcommunist societies of what was once Yugoslavia, has prevented both reconciliation and democratization.” —Sabine Rutar, Leibniz Institute for East and Southeast European Studies, Germany “Ognjenovic and Jozelic focus here on the former Yugoslavia before and after its fragmentation to explore and evaluate the various uses of histories by nationalists, both those who promoted ‘federal nationalism’ and those who peddle specific local nationalisms in successor states. The book deals specifically with the Western Balkans, but these developments have their parallels in many other parts of the world, and the book will be useful well beyond the region on which the study is based.” —Paul Mojzes, Professor Emeritus, Rosemont College, USA “The former Yugoslavia has become a battlefield for the ‘Memory Wars’, in spite of the wealth of judicially established facts and available evidences gathered about the atrocities in the region, and various initiatives aimed at dealing with the past and efforts at transitional justice. Focusing on three periods of Yugoslav history – the Second World War, socialist Yugoslavia and the Yugoslav wars of 1991–2001 – the contributors show that despite these efforts to deal with the past, sustainable peace and reconciliation across ethnic and religious groups remain a distant aim.” —Marijana Toma, Center for Cultural Decontamination, Serbia This book analyzes how nationalists in the former Yugoslavia have politicized history to further their political agendas, retaining and prolonging conflict among different cultural and religious groups, and impeding the process of lasting reconciliation. It explores how narratives have been (mis)used, drawing on examples from all of the former Yugoslav republics. With contributors from a range of disciplinary backgrounds, it provides a vital assessment of how nationalists have attempted to (re)shape public collective memory and relativize facts.