Sparwenfeld's interest in the Russian language and Russian culture began with his journey to Russia in the 1680s. He went there as a member of an embassy, but stayed in Moscow for another two and a half years to study the Russian language and Russian affairs. The diary is written mainly in Swedish and French, but includes a few pages in Italian and a large number of names, terms, etc. in Russian, sometimes in the Latin and sometimes in the Cyrillic alphabet. The edition contains, in addition to Sparwenfeld's original text, a translation into English, an extensive commentary, appendices, indexes, a few of Sparwenfeld's own drawings etc. Apart from a fairly detailed account of the journey itself, the diary provides an eye-witness report from Moscow during a very complicated period in Russian history. This period proved to be the final years of the old Russia, before Peter took power into his hands and a new era began.

In the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater. In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, Stepan Shamin, and Daniel C. Waugh mine Russian and Western archival sources to document the history of these productions as they developed at the court of the Russian tsar. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics of the time. Focusing on Northern European theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other musical entertainment was strongly influenced by diplomatic contacts. Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century.

Gregory Afinogenov explores centuries of Russian spying and scholarship on the Far East. He argues that the approaches the empire took are closely related to its leaders' perception of Russia's place in the world. Espionage gave way to public-facing, academic study, as Russia sought to outdo Britain in a global contest for imperial prestige.

This revisionist history of the transfer of the tsar's power in early modern Russia, from the Moscow princes of the fifteenth century to Peter the Great, overturns generations of scholarship to argue that legal primogeniture never existed: the monarch designated an heir that was usually the eldest son only by custom, not by law.

A magisterial account of criminal law in early modern Russia in a wider European and Eurasian context.

Dutch Sailmaker and sailor Jan Struys' (c.1629-c.1694) account of his various overseas travels became a bestseller after its first publication in Amsterdam in 1676, and was later translated into English, French, German and Russian. This new book depicts the story of its author's life as well as the first singular analysis of the Struys text.

Wayward Shamans tells the story of an idea that humanity’s first expression of art, religion and creativity found form in the figure of a proto-priest known as a shaman. Tracing this classic category of the history of anthropology back to the emergence of the term in Siberia, the work follows the trajectory of European knowledge about the continent’s eastern frontier. The ethnographic record left by German natural historians engaged in the Russian colonial expansion project in the 18th century includes a range of shamanic practitioners, varied by gender and age. Later accounts by exiled Russian revolutionaries noted transgendered shamans. This variation vanished, however, in the translation of shamanism into archaeology theory, where a male sorcerer emerged as the key agent of prehistoric art. More recent efforts to provide a universal shamanic explanation for rock art via South Africa and neurobiology likewise gloss over historical evidence of diversity. By contrast this book argues for recognizing indeterminacy in the categories we use, and reopening them by recalling their complex history.

The richly illustrated essays in Turcologica Upsaliensia tell of scholars, travellers, diplomats and collectors who explored the Turkic-speaking world while affiliated with Sweden’s oldest university, at Uppsala, and who enriched the University Library with collections of Turkic cultural heritage objects.

From the mid-sixteenth to the mid-nineteenth century Russia was transformed from a moderate-sized, land-locked principality into the largest empire on earth. How did systems of information and communication shape and reflect this extraordinary change? Information and Mechanisms of Communication in Russia, 1600-1850 brings together a range of contributions to shed some light on this complex question. Communication networks such as the postal service and the gathering and circulation of news are examined alongside the growth of a bureaucratic apparatus that informed the government about its country and its people. The inscription of space is considered from the point of view of mapping and the changing public ‘graphosphere’ of signs and monuments. More than a series of institutional histories, this book is concerned with the way Russia discovered itself, envisioned itself and represented itself to its people. Innovative and scholarly, this collection breaks new ground in its approach to communication and information as a field of study in Russia. More broadly, it is an accessible contribution to pre-modern information studies, taking as its basis a country whose history often serves to challenge habitual Western models of development. It is important reading not only for specialists in Russian Studies, but also for students and non-Russianists who are interested in the history of information and communications.