Tracing the evolving nature of popular and official beliefs about the purported nature of the Jews from the 18th century onwards, Russia and the Jewish Question explores how perceptions of Jews in late Imperial Russia and the Soviet Union shaped the regimes' policies toward them. In so doing Robert Weinberg provides a fruitful lens through which to investigate the social, economic, political, and cultural developments of modern Russia. Here, Weinberg reveals that the 'Jewish Question' – and, by extension anti-Semitism – emerged at the end of the 18th century when the partitions of Poland made hundreds of thousands of Jews subjects of the Russian crown. He skillfully argues the phrase itself implies the singular nature of Jews as a group of people whose religion, culture, and occupational make-up prevent them from fitting into predominantly Christian societies. The book then expounds how other characteristics were associated with the group over time: in particular, debates about rights of citizenship, the impact of industrialization, the emergence of the nation-state, and the proliferation of new political ideologies and movements contributed to the changing nature of the 'Jewish Question'. Its content may have not remained static, but its purpose consistently questions whether or not Jews pose a threat to the stability and well-being of the societies in which they live and this, in a specifically Russian context, is what Weinberg examines so expertly.

Tracing the evolving nature of popular and official beliefs about the purported nature of the Jews from the 18th century onwards, Russia and the Jewish Question explores how perceptions of Jews in late Imperial Russia and the Soviet Union shaped the regimes' policies toward them. In so doing Robert Weinberg provides a fruitful lens through which to investigate the social, economic, political, and cultural developments of modern Russia. Here, Weinberg reveals that the 'Jewish Question' – and, by extension anti-Semitism – emerged at the end of the 18th century when the partitions of Poland made hundreds of thousands of Jews subjects of the Russian crown. He skillfully argues the phrase itself implies the singular nature of Jews as a group of people whose religion, culture, and occupational make-up prevent them from fitting into predominantly Christian societies. The book then expounds how other characteristics were associated with the group over time: in particular, debates about rights of citizenship, the impact of industrialization, the emergence of the nation-state, and the proliferation of new political ideologies and movements contributed to the changing nature of the 'Jewish Question'. Its content may have not remained static, but its purpose consistently questions whether or not Jews pose a threat to the stability and well-being of the societies in which they live and this, in a specifically Russian context, is what Weinberg examines so expertly.

FINALIST FOR THE NATIONAL JEWISH BOOK AWARD * SHORTLISTED FOR THE LIONEL GELBER PRIZE “The mass killings of Jews from 1918 to 1921 are a bridge between local pogroms and the extermination of the Holocaust. No history of that Jewish catastrophe comes close to the virtuosity of research, clarity of prose, and power of analysis of this extraordinary book. As the horror of events yields to empathetic understanding, the reader is grateful to Veidlinger for reminding us what history can do.” —Timothy Snyder, author of Bloodlands Between 1918 and 1921, over a hundred thousand Jews were murdered in Ukraine by peasants, townsmen, and soldiers who blamed the Jews for the turmoil of the Russian Revolution. In hundreds of separate incidents, ordinary people robbed their Jewish neighbors with impunity, burned down their houses, ripped apart their Torah scrolls, sexually assaulted them, and killed them. Largely forgotten today, these pogroms—ethnic riots—dominated headlines and international affairs in their time. Aid workers warned that six million Jews were in danger of complete extermination. Twenty years later, these dire predictions would come true. Drawing upon long-neglected archival materials, including thousands of newly discovered witness testimonies, trial records, and official orders, acclaimed historian Jeffrey Veidlinger shows for the first time how this wave of genocidal violence created the conditions for the Holocaust. Through stories of survivors, perpetrators, aid workers, and governmental officials, he explains how so many different groups of people came to the same conclusion: that killing Jews was an acceptable response to their various problems. In riveting prose, In the Midst of Civilized Europe repositions the pogroms as a defining moment of the twentieth century.

The grandson of a Jew, whose Jewish relatives converted to Christianity, whose allies played down his Jewish origins just as fervently as his enemies played them up, V.I. Lenin makes for a fascinating case study of the many complexities associated with 'Jewish question' in Russia.

This book explores regional variations in civilians' attitudes toward the Jewish population in Romania and the occupied Soviet Union.

In this multidisciplinary volume, leading historians provide new understanding of a time that sent shockwaves through Jewish communities in and beyond the Russian Empire and transformed the way Jews thought about the politics of ethnic and national identity.

In 1919, at the height of the anti-leftist Palmer Raids conducted by the Wilson administration, the anarchist activist and writer Emma Goldman was deported to the nascent Soviet Union. Despite initial plans to fight the deportation order in court, Goldman eventually acquiesced in order to take part in the new revolutionary Russia herself. While initially supportive of the Bolsheviks, with some reservations, Goldman’s firsthand experiences with Bolshevik oppression and corruption prompted her titular disillusionment and eventual emigration to Germany. In My Disillusionment in Russia, Goldman records her travels throughout Russia as part of a revolutionary museum commission, and her interactions with a variety of political and literary figures like Vladimir Lenin, Maxim Gorky, John Reed, and Peter Kropotkin. Goldman concludes her account with a critique of the Bolshevik ideology in which she asserts that revolutionary change in institutions cannot take place without corresponding changes in values. My Disillusionment in Russia had a troubled publication history, since the first American printing in 1923 omitted the last twelve chapters of what was supposed to be a thirty-three chapter book. (Somehow, the last chapters failed to reach the publisher, who did not suspect the book to be incomplete.) The situation was remedied with the publication of the remaining chapters in 1924 as part of a volume titled My Further Disillusionment in Russia. This Standard Ebooks edition compiles both volumes into a single volume, following the intent of the original manuscript. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

This volume provides new, groundbreaking views of Jewish life in the pro-Soviet bloc from the end of the Second World War until the collapse of Communism in late 1989 by recovering and analyzing the agency of Jews and their creativity in Communist Europe after the Holocaust.

In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee’s (HUAC’s) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls “comic cosmopolitanism,” an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the “uncooperative” witnesses as a crime against an American identity based on self-repudiation and the willingness to “name names.” Litvak proposes that sycophancy was (and continues to be) the price exacted for assimilation into mainstream American culture, not just for Jews, but also for homosexuals, immigrants, and other groups deemed threatening to American rectitude. Litvak traces the outlines of comic cosmopolitanism in a series of performances in film and theater and before HUAC, performances by Jewish artists and intellectuals such as Zero Mostel, Judy Holliday, and Abraham Polonsky. At the same time, through an uncompromising analysis of work by informers including Jerome Robbins, Elia Kazan, and Budd Schulberg, he explains the triumph of a stoolpigeon culture that still thrives in the America of the early twenty-first century.