In the late nineteenth century in Europe and to some extent in the United States, the Jewish upper middle class--particularly the more affluent families--began to enter the cultural spheres of public life, especially in major cities such as Vienna, Berlin, Paris, New York, and London. While many aspects of society were closed to them, theater, the visual arts, music, and art publication were far more inviting, especially if they involved challenging aspects of modernity that might be less attractive to Gentile society. Jews had far less to lose in embracing new forms of expression, and they were very attracted to what was regarded as the universality of cultural expression. Ultimately, these new cultural ideals had an enormous influence on art institutions and artistic manifestations in America and may explain why Jews have been active in the arts in the twentieth and twenty-first centuries to a degree totally out of proportion to their presence in the US population. Jewish cultural activities and aspirations form the focus of the contributions to this volume. Invited authors include senior figures in the field such as Matthew Baigell and Emily Bilski, alongside authors of a younger generation such as Daniel Magilow and Marcie Kaufman. There is also an essay by noted Los Angeles artist and photographer Bill Aron. The guest editor of the volume, Ruth Weisberg, provides an Introduction that places the individual contributions in context.

A ground-breaking study that gets us closer to solving the mystery of why so many Germans embraced the Nazi regime so enthusiastically and identified so closely with it.

Gender Equality and American Jews studies gender equality in education, labor force participation, and occupational achievement among American Jews, based on the 1990 National Jewish Population Survey. It first focuses on education and training as key "gatekeepers" to roles in the economy, and then on the gender differences in labor force behavior and occupational attainment. To place American Jews in perspective, they are compared to the wider American population, and to Israeli Jews, presenting a multi-dimensional analysis of American Jewishness in the 1990s. The difficulties of comparing Israel and American Jews are discussed, lending insights into the similarities and differences between the two cultures. The authors draw on a solid base of sociological literature, placing American Jews in the wider American context with comparative data. The book discusses the conclusions that can be drawn from the analysis along with some policy implications.

The Cambridge Companion to Judaism and Law provides a conceptual and historical account of the Jewish understanding of law.

This book is the first history of YIVO, an important center for Jewish culture and politics in the early twentieth century.

With the release of Nelson Mandela, the advent of nonracial democracy, and the Truth and Reconciliation Commission, South Africans have found themselves grappling with the legacy of apartheid's racial and cultural divisions. Together with Claudia Bathsheba Braude's path-breaking introduction, the stories collected in this anthology tap silences that were central to apartheid rule and that have particular resonances for South African Jewish history and memory. ø Bringing together the best and most noteworthy of a wide range of contemporary writers who represent the historical specificities and contradictions of South African Jewish life under apartheid, Contemporary Jewish Writing in South Africa makes compellingly clear the depths and complexities of a society in which racial identities, including Jewish whiteness, were deliberately constructed. The contributors include Nobel Prize?winning novelist Nadine Gordimer; well-known writers such as Rose Zwi and Dan Jacobson; exiled ANC activist and constitutional court judge Albie Sachs; satirist Pieter-Dirk Uys, a penetrating critic of apartheid; and actor and writer Matthew Krouse, whose fiction offers a provocative blending of gay and Jewish identities in the postapartheid era. ø The volume traces the construction of memory and racial identity in South African Jewish literary and cultural history. Among the recurring themes in these stories are the selective presentation of certain aspects of Jewish life under apartheid, a reevaluation of identity after its fall, and the conflicting shadow of the Holocaust in a white supremacist society. Giving nuanced voice to questions about history, race, and ethnicity in postapartheid South Africa, these stories will be of broad interest.

On November 9 and 10, 1938, Nazi leadership unleashed an unprecedented orchestrated wave of violence against Jews in Germany, Austria, and the Sudetenland, supposedly in response to the assassination of a Nazi diplomat by a young Polish Jew, but in reality to force the remaining Jews out of the country. During the pogrom, Stormtroopers, Hitler Youth, and ordinary Germans murdered more than a hundred Jews (many more committed suicide) and ransacked and destroyed thousands of Jewish institutions, synagogues, shops, and homes. Thirty thousand Jews were arrested and sent to Nazi concentration camps. Volume 17 of the Casden Annual Review includes a series of articles presented at an international conference titled "New Perspectives on Kristallnacht: After 80 Years, the Nazi Pogrom in Global Comparison." Assessing events 80 years after the violent anti-Jewish pogrom of 1938, contributors to this volume offer new cutting-edge scholarship on the event and its repercussions. Contributors include scholars from the United States, Germany, Israel, and the United Kingdom who represent a wide variety of disciplines, including history, political science, and Jewish and media studies. Their essays discuss reactions to the pogrom by victims and witnesses inside Nazi Germany as well as by foreign journalists, diplomats, Jewish organizations, and Jewish print media. Several contributors to the volume analyze postwar narratives of and global comparisons to Kristallnacht, with the aim of situating this anti-Jewish pogrom in its historical context, as well as its place in world history.

This study introduces a genuine, provocative religious vocabulary into the discourse on Modernist art and literature. Mulman looks at key texts and figures of the Modern period, including Henry Roth, Amedeo Modigliani, James Joyce, and Art Spiegelman, revealing a significant engagement with the rituals of Jewish observance and the structure of Talmudic interpretation. While critics often view the formal experimentation of High Modernism as a radical departure from conventional beliefs, this book shows that these aspects of Modernist art are deeply entwined with, and indebted to, the very traditions that they claim to be writing against. As such, the book offers a unique and truly multidisciplinary approach to Modernist studies and a cogent analysis of the ways in which spirituality informs artistic production.