Dana E. Katz reveals how Italian Renaissance painting became part of a policy of tolerance that deflected violence from the real world onto a symbolic world. While the rulers upheld toleration legislation governing Christian-Jewish relations, they simultaneously supported artistic commissions that perpetuated violence against Jews.

Traces developments during three thousand years of Jewish cultural, intellectual, and social history

This is the first encyclopedic work to focus exclusively on medieval Jewish civilization, from the fall of the Roman Empire to about 1492. The more than 150 alphabetically organized entries, written by scholars from around the world, include biographies, countries, events, social history, and religious concepts. The coverage is international, presenting people, culture, and events from various countries in Europe, Africa, and the Middle East. For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Medieval Jewish Civilization: An Encyclopedia website.

The Posen Library’s groundbreaking anthology series—called “a feast of Jewish culture, in ten volumes” by the Chronicle of Higher Education—explores in Volume 9 global Jewish responses to the years 1939 to 1973, a time of unprecedented destruction, dislocation, agency, and creativity “An extensive look at Jewish civilization and culture from the eve of World War II to the Yom Kippur War . . . It’s a weighty collection, to be sure, but one that’s consistently engaging . . . An edifying and diverse survey of 20th-century Jewish life.”—Kirkus Reviews, starred review “Readers seeking primary texts, documents, images, and artifacts constituting Jewish culture and civilization will not be disappointed. More important, they might even be inspired. . . . This set will serve to improve teaching and research in Jewish studies at institutions of higher learning and, at the same time, promote, maintain, and improve understanding of the Jewish population and Judaism in general.”—Booklist, starred review The ninth volume of The Posen Library of Jewish Culture and Civilization covers the years 1939 to 1973, a period that editors Kassow and Roskies call “one of the most tragic and dramatic in Jewish history.” Organized geographically and then by genre, this book details Jewish cultural and intellectual resources throughout this era, particularly in political thought, literature, the visual and performing arts, and religion. This volume explores worldwide Jewish perceptions of momentous events that transpired in the mid‑twentieth century and how Jews redefined themselves across regions throughout an era rife with tragedy, displacement, and dispersion. The breadth and depth of this work goes beyond any comparable collection, with detailed insights and sharp focus to accompany its breathtaking scope. A major, ten‑volume anthology project more than a decade in the making, the Posen Library is an ideal reference tool for scholars, teachers, and students at all levels.

Demonstrating that similarities between Jewish and Christian art in the Middle Ages were more than coincidental, Cultural Exchange meticulously combines a wide range of sources to show how Jews and Christians exchanged artistic and material culture. Joseph Shatzmiller focuses on communities in northern Europe, Iberia, and other Mediterranean societies where Jews and Christians coexisted for centuries, and he synthesizes the most current research to describe the daily encounters that enabled both societies to appreciate common artistic values. Detailing the transmission of cultural sensibilities in the medieval money market and the world of Jewish money lenders, this book examines objects pawned by peasants and humble citizens, sacred relics exchanged by the clergy as security for loans, and aesthetic goods given up by the Christian well-to-do who required financial assistance. The work also explores frescoes and decorations likely painted by non-Jews in medieval and early modern Jewish homes located in Germanic lands, and the ways in which Jews hired Christian artists and craftsmen to decorate Hebrew prayer books and create liturgical objects. Conversely, Christians frequently hired Jewish craftsmen to produce liturgical objects used in Christian churches. With rich archival documentation, Cultural Exchange sheds light on the social and economic history of the creation of Jewish and Christian art, and expands the general understanding of cultural exchange in brand-new ways.

In pursuit of an answer to the question of what would constitute a perfect world, author Ken Spiro questioned more than 1,500 people of various backgrounds and religions. His findings revealed six core elements: Respect for human life; peace and harmony; justice and equality; education; family; and social responsibility. He then set off on a journey to find out why these were such common goals across cultural, economic, social and racial lines, and in the process, traced the history of the development of world religions, values and ethics. As a rabbi, he paid particular attention to how Judaism impacted, and was influenced by, the course of these developments. The result is a highly readable and well-documented book about the origins of values and virtues in Western civilization as influenced by the Greeks, Romans, Christians, Muslims and, most significantly, the Jews. The history of religion, presented in Spiro’s highly readable style, is a fascinating and timely subject, especially in today’s volatile religious climate. Spiro divides his book into five engaging parts: Where the Quality of Mercy Was Not Strained: The World of Greece and Rome Against the Grain: The Jewish View A Father to Many Nations: Abraham and the Implications of Monotheism With Sword and Fire: The Rise of Christianity and Islam The New Promised Land: Impact of Judaism on Liberal Democracies Readers of all faiths will find that the elements of a perfect world can only be achieved by a common understanding of our mutual backgrounds and that our diverse religions are all merely branches growing from one single tree.

Zeev Gries’s analysis of what books were being published and where shows the importance of the printed book in disseminating religious and secular ideas, creating a new class of Jewish intellectuals, and making knowledge of the world available to women. This unique perspective on Jewish intellectual history in the eighteenth and nineteenth centuries through the history of book-publishing throws light on many of the key Jewish cultural issues of the time.

The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popular Israeli singer Zehava Ben, the intention of the iconography, as in Ben Shahn's antifascist paintings, or the utopian ideals of the Jewish Palestine Pavilion at the 1939 New York World's Fair, clearly no single formula for defining Jewish art in the diaspora will suffice. The Art of Being Jewish in Modern Times is the first work to analyze modern Jewry's engagement with the arts as a whole, including music, theater, dance, film, museums, architecture, painting, sculpture, and more. Working with a broad conception of what counts as art, the book asks the following questions: What roles have commerce and politics played in shaping Jewish artistic agendas? Who determines the Jewishness of art and for what purposes? What role has aesthetics played in reshaping religious traditions and rituals? This richly illustrated volume illuminates how the arts have helped Jews confront the various challenges of modernity, including cultural adaptation and self-preservation, economic diversification, and ritual transformation. There truly is an art to being Jewish in the modern world—or, alternatively, an art to being modern in the Jewish world—and this collection fully captures its range, diversity, and historical significance.