'Across the diaspora, young progressive Jews look at the institutions that run their communities and ask: How did they become morally corrupt? Max Kaiser answers that question for Australia. But, even more importantly, he excavates a lost anti-fascist past from which a younger Jewish generation can draw inspiration as it battles the resurgent fascism of our age.' - Peter Beinart, editor-at-large, Jewish Currents 'Jewish anti-fascism of the 1940s is a missing but important chapter in the history of Jews in Australia, as well as the history of the Left and Australian intellectuals' attitudes to settler colonialism and Australia's Indigenous population. Now Max Kaiser has written it in a sympathetic, erudite and readable narrative that brings back to life such colourful figures as the writer Judah Waten, artist Yosl Bergner and activists Norman and Evelyn Rothfield.' - Sheila Fitzpatrick, Australian Catholic University This book takes a timely look at histories of radical Jewish movements, their modes of Holocaust memorialisation, and their relationships with broader anti-colonial and anti-racist struggles. Its primary focus is Australia, where Jewish antifascism was a major political and cultural force in Jewish communities in the 1940s and early 1950s. This cultural and intellectual history of Jewish antifascism utilises a transnational lens to provide an exploration of a Jewish antifascist ideology that took hold in the middle of the twentieth century across Jewish communities worldwide. It argues that Jewish antifascism offered an alternate path for Jewish politics that was foreclosed by mutually reinforcing ideologies of settler colonialism, both in Palestine and Australia. Max Kaiser lives on the land of the Wurundjeri people of the Kulin nation. He completed his PhD at the University of Melbourne, Australia.

This book takes a timely look at histories of radical Jewish movements, their modes of Holocaust memorialisation, and their relationships with broader anti-colonial and anti-racist struggles. Its primary focus is Australia, where Jewish antifascism was a major political and cultural force in Jewish communities in the 1940s and early 1950s. This cultural and intellectual history of Jewish antifascism utilises a transnational lens to provide an exploration of a Jewish antifascist ideology that took hold in the middle of the twentieth century across Jewish communities worldwide. It argues that Jewish antifascism offered an alternate path for Jewish politics that was foreclosed by mutually reinforcing ideologies of settler colonialism, both in Palestine and Australia.

Providing an international reference work written solely by Aboriginal and Torres Strait Islander authors, this book offers a powerful overview of emergent and topical research in the field of global Indigenous studies. It addresses current concerns of Australian Indigenous peoples of today, and explores opportunities to develop, and support the development of, Indigenous resilience and solidarity to create a fairer, safer, more inclusive future. Divided into three sections, this book explores: • What futures for Aboriginal and/or Torres Strait Islander peoples might look like, and how institutions, structures and systems can be transformed to such a future; • The complexity of Aboriginal and Torres Strait Island life and identity, and the possibilities for Australian Indigenous futures; and • The many and varied ways in which Aboriginal and Torres Strait Islander peoples use technology, and how it is transforming their lives. This book documents a turning point in global Indigenous history: the disintermediation of Indigenous voices and the promotion of opportunities for Indigenous peoples to map their own futures. It is a valuable resource for students and scholars of Indigenous studies, as well as gender and sexuality studies, education studies, ethnicity and identity studies, and decolonising development studies.

Russians in Cold War Australia explores the time during the Cold War when Russian displaced persons, including former Soviet citizens, were amongst the hundreds of thousands of immigrants given assisted passage to Australia and other Western countries in the wake of the Second World War. With the Soviet Union and Australia as enemies, skepticism surrounding the immigrants’ avowed anti-communism introduced new hardships and challenges. This book examines Russian immigration to Australia in the late 1940s and 1950s, both through their own eyes and those of Australia's security service (ASIO), to whom all Russian speakers were persons of interest.

After the khurbn (destruction) perpetrated by Nazi Germany, its allies, and collaborators, the Yiddish communities in Eastern Europe were shattered and largely decimated. For most survivors, the old homeland in the East was a lost place of longing and a place of mere transit to the centers of the reconfiguring ‘West’: in North America, the global South, and the young state of Israel. Research has for the most part ignored the cultural activities, the political engagement, and the diverse visions of those cultural activists who remained in Eastern Europe in their thousands. This volume examines their activities as well as the role of and language policy regarding Yiddish in various socialist states, as well as trans-socialist and cross-bloc dialogues during the "Yiddish Cold War." How did the actors position themselves within socialist narratives of the past, present, and future and vis-à-vis the Jewish diasporas? What were their visions for Yiddishlands in the new world of really-existing socialism and how did they attempt to implement them? In this volume, case studies on Poland, the Soviet Union, the German Democratic Republic, and Romania uncover diverse cultural reconstruction initiatives and cross-bloc entanglements with ‘Western’ countries, such as Great Britain, the United States, Argentina, and Israel.

This book looks at the post-Holocaust experience with emphasis on aspects of its impact on popular culture.

The Aesthetics of Hate examines the writings of a motley collection of interwar far-right intellectuals, showing that they defined Frenchness in racial, gendered, and sexual terms. A broad, ambitious cultural and intellectual history, the book offers a provocative reinterpretation of a topic that has long been the subject of controversy. In works infused with rhetorics of abjection, disgust, and dissolution, such writers as Maulnier, Brasillach, Céline, and Blanchot imagined the nation through figures deemed illegitimate or inferior—Jews, colonial subjects, homosexuals, women. Sanos argues that these intellectuals offered an "aesthetics of hate," reinventing a language of far-right nationalism by appealing to the realm of beauty and the sublime for political solutions. By acknowledging the constitutive relationship of antisemitism and colonial racism at the heart of these canonical writers' nationalism, this book makes us rethink how aesthetics and politics function, how race is imagined and defined, how gender structured far-right thought, and how we conceive of French intellectualism and fascism.

The twentieth century saw a proliferation of media discourses on colonialism and, later, decolonisation. Newspapers, periodicals, films, radio and TV broadcasts contributed to the construction of the image of the African “Other” across the colonial world. In recent years, a growing body of literature has explored the role of these media in many colonial societies. As regards the Italian context, however, although several works have been published about the links between colonial culture and national identity, none have addressed the specific role of the media and their impact on collective memory (or lack thereof). This book fills that gap, providing a review of images and themes that have surfaced and resurfaced over time. The volume is divided into two sections, each organised around an underlying theme: while the first deals with visual memory and images from the cinema, radio, television and new media, the second addresses the role of the printed press, graphic novels and comics, photography and trading cards.

A striking new interpretation of colonial policing and political violence in three empires between the two world wars.