Contemporary Christian musiccommonly referred to by the acronym CCMis a catchall term that describes a wide range of types of music, encompassing work produced in the late 1960s to the 21st century, and incorporating rock and folk music influences. Contemporary Christian music enjoys widespread popularity, despite being unfamiliar to many modern music listeners; in recent years, sales of CCM have exceeded other more mainstream categories like jazz, Latin, and classical. This book tells the story of contemporary Christian music over the course of more than half a century--a parallel music universe that the average person knows little about, but whose worldwide impact cannot be overemphasized. Christian theology has had a tremendous impact and influence on world civilization in the 20th and 21st centuries, and music has often acted as a catalyst in the evolution of the culture and religious thought of Western civilization. Similarly, contemporary Christian music has shaped other seemingly unrelated forums of modern music, and thereby influenced our society at large. Jesus Rocks the World: The Definitive History of Contemporary Christian Music is organized chronologically, beginning in the 1960s and concluding with present-day developments in CCM. The core of the book is formed around the author's 40 years of direct experience with CCM, condensed into cultural and musical histories that explore every aspect of the genre, including the key artists, CCM-specific record companies, epic concerts and unforgettable festivals, groundbreaking albums, and its underlying philosophy and theology. Special attention is also paid to the intersection of contemporary Christian music with general market pop music, making mention of top artists such as Bob Dylan, Amy Grant, and U2. Bob Gersztyn has been a freelance photojournalist and writer since 1994. He was previously an ordained minister who became involved in the Jesus movement in Los Angeles, CA, in 1971.Publisher's note.

Contemporary Christian musiccommonly referred to by the acronym CCMis a catchall term that describes a wide range of types of music, encompassing work produced in the late 1960s to the 21st century, and incorporating rock and folk music influences. Contemporary Christian music enjoys widespread popularity, despite being unfamiliar to many modern music listeners; in recent years, sales of CCM have exceeded other more mainstream categories like jazz, Latin, and classical. This book tells the story of contemporary Christian music over the course of more than half a century--a parallel music universe that the average person knows little about, but whose worldwide impact cannot be overemphasized. Christian theology has had a tremendous impact and influence on world civilization in the 20th and 21st centuries, and music has often acted as a catalyst in the evolution of the culture and religious thought of Western civilization. Similarly, contemporary Christian music has shaped other seemingly unrelated forums of modern music, and thereby influenced our society at large. Jesus Rocks the World: The Definitive History of Contemporary Christian Music is organized chronologically, beginning in the 1960s and concluding with present-day developments in CCM. The core of the book is formed around the author's 40 years of direct experience with CCM, condensed into cultural and musical histories that explore every aspect of the genre, including the key artists, CCM-specific record companies, epic concerts and unforgettable festivals, groundbreaking albums, and its underlying philosophy and theology. Special attention is also paid to the intersection of contemporary Christian music with general market pop music, making mention of top artists such as Bob Dylan, Amy Grant, and U2. Bob Gersztyn has been a freelance photojournalist and writer since 1994. He was previously an ordained minister who became involved in the Jesus movement in Los Angeles, CA, in 1971.Publisher's note.

This is part 2 of the Gerald Masseys work about the comparisons between the Judeo-Christian religion and the Egyptian religion. No one ever understood the mythology and ritual of Ancient Egypt so well as Gerald Massey since the time of the Ancient Philosophers of Egypt. This book is one of the best of its kind and a must-have for every student of Egyptian mythology and history.

This volume contains children, youth and adult world with stories, cartoons, poems, plays, messages, articles, Bible studies, seminars and Christian education materials. The headings include "The Child Atheist", "A Critical Debate Between An Atheist Professor And His Christian Student", "Going Haywire", "The Belief In Reincarnation", "The Game", "The Children Of God And The Slaves", "A Product Of Evangelism", "Cheap And Expensive Lies", "The Woman With Four Lovers", "Encounter With A Demon From The Grave", "The Life That Saves All" and a host of others.

This volume contains children, youth and adult world with stories, cartoons, poems, plays, messages, articles, Bible studies, seminars and Christian education materials. The headings include "The Child Atheist", "A Critical Debate Between An Atheist Professor And His Christian Student", "Going Haywire", "The Belief In Reincarnation", "The Game", "The Children Of God And The Slaves", "A Product Of Evangelism", "Cheap And Expensive Lies", "The Woman With Four Lovers", "Encounter With A Demon From The Grave", "The Life That Saves All" and a host of others.

Accessible commentary on Daniel offers insights into history and its message of how to live for God in ungodly times.

Primarily a collection of personal Biblical notes, this book helps us to understand the true heart of Jonathan Edwards. As he went through the process of discovering the truth of God's word he kept meticulous notes so that we could all understand how he made his thoughts and conclusions. This volume finishes with a serious of sermons that Edwards gave at various services and events in his career.

Asserts that among all God's gifts to us the Bible is the greatest and that loving and obeying it brings true happiness.

A historian who has been an actor in the events which he narrates, has peculiar advantages and disadvantages. He can write with more minuteness of detail, and with a fresher and more life-like coloring. He can write with more confidence, and, drawing from his own experience and observation, is in this respect more trustworthy. On the other hand, he is more liable to be warped by prejudice, to see only the excellences and none of the defects of those with whom he has been identified, and only the defects and none of the excellences of those to whom he has been opposed, to be a partizan rather than a judge, and to make his narration little more than the reflection of his personal opinions or his personal sympathy and affection, hostility and spite. The Church History of Isaac Backus has all the above-named excellences. To a large extent he was an eye-witness of that which he describes; and where not an eye-witness, he placed himself in closest possible connection with it by personal acquaintance with the actors, and by immediate and most diligent and thorough examination of records and other evidence. While it may be too much to say that he absolutely avoided the defects above named, yet his sound judgment, his natural candor and honesty and his elevated Christian principle, have made him as nearly free from them as perhaps any author who has written in similar circumstances. --from the Editor's Preface