This vigorous and incisive critique of modernity lights the path to recovering the revitalizing heritage of classical Christianity.

During the seventeenth and eighteenth centuries, modern thinkers came to believe that our notion of truth should be objective, certain, and precise. Mathematics became the model for how truth should be conceptualized, and we sought to eliminate ideas that were vague, ambiguous, or contradictory. The teachings of Jesus, however, are often vague, ambiguous, and even contradictory. Fortunately, a twenty-first century understanding of the human condition has debunked the modern notion of truth, showing it tobe truncated at best. We are now free to rethink our notion of truth in a way that is compatible with the things that Jesus said and did, and equally compatible with what we now know to be our access to truth given the limits of our human condition. Thisvolume sets out to explore these issues in depth and examine what it might mean for us to speak of the truth of the Gospel in a twenty-first century context.

In Jesus in Our Wombs, Rebecca J. Lester takes us behind the walls of a Roman Catholic convent in central Mexico to explore the lives, training, and experiences of a group of postulants--young women in the first stage of religious training as nuns. Lester, who conducted eighteen months of fieldwork in the convent, provides a rich ethnography of these young women's journeys as they wrestle with doubts, fears, ambitions, and setbacks in their struggle to follow what they believe to be the will of God. Gracefully written, finely textured, and theoretically rigorous, this book considers how these aspiring nuns learn to experience God by cultivating an altered experience of their own female bodies, a transformation they view as a political stance against modernity. Lester explains that the Postulants work toward what they see as an "authentic" femininity--one that has been eclipsed by the values of modern society. The outcome of this process has political as well as personal consequences. The Sisters learn to understand their very intimate experiences of "the Call"--and their choices in answering it--as politically relevant declarations of self. Readers become intimately acquainted with the personalities, family backgrounds, friendships, and aspirations of the Postulants as Lester relates the practices and experiences of their daily lives. Combining compassionate, engaged ethnography with an incisive and provocative theoretical analysis of embodied selves, Jesus in Our Wombs delivers a profound analysis of what Lester calls the convent's "technology of embodiment" on multiple levels--from the phenomenological to the political.

While human existence in time is determined by the time of Jesus Christ, by the logic of the incarnation, passion, resurrection, and ascension, the predominant accounts of time in the modern West have proceeded from a very different basis. The implications of these approaches are not just a matter of epistemology, or of abstract doctrinal and philosophical claims. Instead, they have had, and continue to have, concrete ramifications for human life together. They have overwhelmingly been death-dealing rather than life-giving, marked by a series of temporal moral errors that this book hopes to address. As a counterexample, this book reads Soren Kierkegaard alongside Karl Barth to highlight the ways that both figures rejected a Hegelian approach to time that was, and is, not coincidentally intertwined with a racialized account of history and the co-opting of Christianity by the modern Western state.

Believers who wish to thrive in a postmodern world must cling to the joy, truth, and love that comes only from understanding Christ and his ultimate purpose in this world.

In René Girard and Secular Modernity: Christ, Culture, and Crisis, Scott Cowdell provides the first systematic interpretation of René Girard’s controversial approach to secular modernity. Cowdell identifies the scope, development, and implications of Girard’s thought, the centrality of Christ in Girard's thinking, and, in particular, Girard's distinctive take on the uniqueness and finality of Christ in terms of his impact on Western culture. In Girard’s singular vision, according to Cowdell, secular modernity has emerged thanks to the Bible’s exposure of the cathartic violence that is at the root of religious prohibitions, myths, and rituals. In the literature, the psychology, and most recently the military history of modernity, Girard discerns a consistent slide into an apocalypse that challenges modern ideas of romanticism, individualism, and progressivism. In the first three chapters, Cowdell examines the three elements of Girard’s basic intellectual vision (mimesis, sacrifice, biblical hermeneutics) and brings this vision to a constructive interpretation of “secularization” and “modernity,” as these terms are understood in the broadest sense today. Chapter 4 focuses on modern institutions, chiefly the nation state and the market, that function to restrain the outbreak of violence. And finally, Cowdell discusses the apocalyptic dimension of Girard's theory in relation to modern warfare and terrorism. Here, Cowdell engages with the most recent writings of Girard (particularly his Battling to the End) and applies them to further conversations in cultural theology, political science, and philosophy. Cowdell takes up and extends Girard’s own warning concerning an alternative to a future apocalypse: “What sort of conversion must humans undergo, before it is too late?”

The Folly of the Cross is the fourth book in Richard Viladesau's series examining the aesthetics and theology of the cross through Christian history. Previous volumes have brought the story up through the Baroque era. This new book examines the reception of the message of the cross from the European Enlightenment to the turn of the twentieth century. The opening chapters set the stage in the transition from the Baroque to the Classical eras, describing the changing intellectual and cultural paradigms of the time. Viladesau examines the theology of the cross in the eighteenth and nineteenth centuries, and the aesthetic mediation of the cross in music and the visual arts. He shows how in the post-Enlightenment era the aesthetic treatment of the cross widely replaced the dogmatic treatment, and how this thought was translated into popular spirituality, piety, and devotion. The Folly of the Cross shows how classical theology responded to the critiques of modern science, history, Biblical scholarship, and philosophy, and how both classical and modern theology served as the occasions for new forms of representation of Christ's passion in the arts and music.

Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.

This book examines the ways modern Jewish thinkers, writers, and artists appropriated the figure of Jesus as part of the process of creating modern Jewish culture.

The Image of Christ in Modern Art explores the challenges, presented by the radical and rapid changes of artistic style in the 20th century, to artists who wished to relate to traditional Christian imagery. In this highly illustrated book, Richard Harries