‘This book is here to take you inside the daily realities of Westminster. I don’t mean that it’s going to bore you to death with a blow by blow account of what it’s like to sit on the Statutory Instrument Debate on Naval regulations 1968-2020 – but to demystify the places and practice of politics.’ From agonising decisions on foreign air strikes to making headlines about orgasms, from sitting in on history-making moments at the UN to eating McCain potato smiles at a black-tie banquet in China, the life of a politician is never dull. And it’s also never been more important. But politics is far bigger than Westminster, and in this book Jess Phillips makes the compelling case for why now, more than ever, we all need to be a part of it. With trademark humour and honesty, Jess Phillips lifts the lid on what a career in politics is really like and why it matters – to all of us. This is the inside story of what’s really going on.

SHORTLISTED FOR THE PARLIAMENTARY BOOK AWARDS ‘Jess Phillips writes like she talks: brilliantly. Her humour and passion shine through every page. Loved it.’ ROBERT WEBB _____________________ If you’re thinking, ‘Jess who?’ then I’m glad that there was something about ‘Everywoman’ and ‘truth’ that caught your eye. Or you might already know me as that gobby MP who has a tendency to shout about the stuff I care about. Because I’m a woman with a cause, I have been called a feminazi witch, a murderer and threatened with rape. The internet attracts a classy crowd. So, speaking the truth isn’t always easy but I believe it’s worth it. And I want you to believe it too. The truth can be empowering, the truth can lead to greater equality, and the world would be incredibly boring if we let all of those people who allegedly know everything, say everything. By demanding to be heard, by dealing with our imposter syndrome, by being cheerleaders, doers not sayers, creating our own networks and by daring to believe that we can make a difference, we can. We’re women and we’re kick-ass. And that’s the truth. _____________________ 'Joyfully candid and very funny.' Guardian 'Jess Phillips knows the truth . . . and here she shows how scary and sad as well as joyful and liberating the answers can be.' Damian Barr 'Everywoman has all the laughs [of Lena Dunham and Caitlin Moran] with a backbone of real glinting anger . . .there were so many funny and wise things on each page that whittling them down into a review seemed impossible.' Julie Birchill, Spectator 'As fresh as mountain air amid the Westminster tumbleweed.' Metro 'Arresting.' Observer _____________________ This title now has a new cover and there is a chance that you may receive the edition with the old cover instead of the cover displayed here.

The most telling expression of the politics of a novel, Rosemarie Bodenheimer asserts, lies not in its proclaimed social intent, its continuity with nonfictional discourse, or its truth to class experience, but in the models of social movement and transformation traced out in the thread of its narrative. The Politics of Story in Victorian Social Fiction explores the story patterns and other narrative conventions through which the industrial or social-problem novel gives fictional shape to questions that were experienced as new, unpredictable, and troubling in the Victorian age. Bodenheimer considers novels explicitly linked with the condition of England debates that preoccupied public-minded Victorians, narratives that confront such topics as the factory system, industrial and rural poverty, working-class politics, and the plight of women. Grouping well-known novels with less frequently read works according to shared narrative patterns, Bodenheimer delineates lines of influence, argument, and development within the subgenre of social fiction. Among the works she discusses are Charlotte Bronte's Shirley, Elizabeth Gaskell's North and South, two novels by Frances Trollope, Geraldine Jewsbury's Marian Withers, George Eliot's Felix Holt the Radical, Charles Dickens's Oliver Twist, and Benjamin Disraeli's Sybil.

First published in 1979. This book studies the social outlook which historians today call paternalism. It was an ideology which informed social attitudes at all levels of society and expressed itself in countless ways. In this work, David Roberts provides a comprehensive examination of the revival, amplification, and transformation of the ideals of paternalism as a social remedy in the Early Victorian Period. This title will be of interest to students of history.

The Victorians worried about many things, prominent among their worries being the 'condition' of England and the 'question' of its women. Sex, Crime and Literature in Victorian England revisits these particular anxieties, concentrating more closely upon four 'crimes' which generated especial concern amongst contemporaries: adultery, bigamy, infanticide and prostitution. Each engaged questions of sexuality and its regulation, legal, moral and cultural, for which reason each attracted the considerable interest not just of lawyers and parliamentarians, but also novelists and poets and perhaps most importantly those who, in ever-larger numbers, liked to pass their leisure hours reading about sex and crime. Alongside statutes such as the 1857 Matrimonial Causes Act and the 1864 Contagious Diseases Act, Sex, Crime and Literature in Victorian England contemplates those texts which shaped Victorian attitudes towards England's 'condition' and the 'question' of its women: the novels of Dickens, Thackeray and Eliot, the works of sensationalists such as Ellen Wood and Mary Braddon, and the poetry of Gabriel and Christina Rossetti. Sex, Crime and Literature in Victorian England is a richly contextual commentary on a critical period in the evolution of modern legal and cultural attitudes to the relation of crime, sexuality and the family.