Seventeenth-century Amsterdam was a cosmopolitan carnival of nations: French Huguenots, North African merchants, Spanish Moriscos--and Iberian New Christians, formerly Jewish families forcibly converted to Catholicism, now fleeing the Inquisition and rediscovering their ancestral faith. This is the extraordinary tale of Amsterdam's prosperous Sephardi community during the Dutch Golden Age. Trading, writing, publishing, staging plays and being painted by Rembrandt, this Nação (Nation) of formerly wandering Jews not only settled but thrived, enjoying high status and unparalleled freedom. At a time when Dutch Catholics were repressed and Jews elsewhere were confined to the ghetto, this community dared to nurture the 'Hope of Israel', sowing the seeds of Zionism. Lipika Pelham charts the captivating history of Amsterdam's Jews, from their integral role in the Dutch economic miracle and the Enlightenment to a somber coda in 1942, when the Nazis herded them into the Jewish Theater for deportation to the camps. But this was not the death of the resilient Nação--Pelham also seeks out its descendants in present-day Amsterdam, offering poignant reflection on the meaning of nationhood, the Holocaust and what remains of Jerusalem on the Amstel.

She found that the processing of practically every interview, every "fact," involved a struggle between reality, distortion, and myth.

A cultural and architectural history of Judaism as it expanded and took root in the Atlantic world Jewish Sanctuary in the Atlantic World is a unique blend of cultural and architectural history that considers Jewish heritage as it expanded among the continents and islands linked by the Atlantic Ocean between the mid-fifteenth and early nineteenth centuries. Barry L. Stiefel achieves a powerful synthesis of material culture research and traditional historical research in his examination of the early modern Jewish diaspora in the New World. Through this generously illustrated work, Stiefel examines forty-six synagogues built in Europe, South America, the Caribbean Islands, colonial and antebellum North America, and Gibraltar to discover what liturgies, construction methods, and architectural styles were transported from the Old World to the New World. Some are famous—Touro in Newport, Rhode Island; Bevis Marks in London; and Mikve Israel in Curaçao—while others had short-lived congregations whose buildings were lost. The two great traditions of Judaism—Sephardic and Ashkenazic—found homes in the Atlantic World. Examining buildings and congregations that survive, Stiefel offers valuable insights on their connections and commonalities. If both the congregations and buildings are gone, the author re-creates them by using modern heritage preservation tools that have expanded the heuristic repertoire, tools from such diverse sources as architectural studies, archaeology, computer modeling and rendering, and geographic information systems. When combined these bring a richer understanding of the past than incomplete, uncertain traditional historical resources. Buildings figure as key indicators in Stiefel's analysis of Jewish life and social experience, while the author's immersion in the faith and practice of Judaism invigorates every aspect of his work.

The reputed wealth and benevolence of the Portuguese Jews of early modern Amsterdam attracted many impoverished people to the city, both ex-Conversos from the Iberian peninsula and Jews from many other countries. In describing the consequences of that migration in terms of demography, admission policy, charitable institutions—public and private—philanthropy and daily life, and the dynamics of the relationship between the rich and the poor, Tirtsah Levie Bernfeld adds a nuanced new dimension to the understanding of Jewish life in the early modern period.

The Encyclopedia of Modern Jewish Culture is an extensively updated revision of the very successful Companion to Jewish Culture published in 1989 and has now been updated throughout. Experts from all over the world contribute entries ranging from 200 to 1000 words broadly, covering the humanities, arts, social sciences, sport and popular culture, and 5000-word essays contextualize the shorter entries, and provide overviews to aspects of culture in the Jewish world. Ideal for student and general readers, the articles and biographies have been written by scholars and academics, musicians, artists and writers, and the book now contains up-to-date bibliographies, suggestions for further reading, comprehensive cross referencing, and a full index. This is a resource, no student of Jewish history will want to go without.

When The Hope of Israel was translated into English in 1652, its argument from Scripture that messianic redemption would not come to the Jewish people until they were scattered in all the corners of the Earth aroused great interest and played an instrumental part in the discussions in the Commonwealth under Cromwell which eventually led to the readmission of the Jews in 1656. This edition of that English text includes an introduction and notes which place the work in the intellectual context of its time.

“Elon powerfully evokes the obscurity of the past and its hold on the present as we stumble through revelation after revelation with Yoel. As we accompany him on his journey…we share in his loss, surprise, and grief, right up to the novel’s shocking conclusion.” —The New York Times Book Review In the tradition of The Invisible Bridge and The Weight of Ink, “a vibrant, page-turning family mystery” (Jennifer Cody Epstein, author of Wunderland) about a writer who discovers the truth about his mother’s wartime years in Amsterdam, unearthing a shocking secret that becomes the subject of his magnum opus. Renowned author Yoel Blum reluctantly agrees to visit his birthplace of Amsterdam to promote his books, despite promising his late mother that he would never return to that city. While touring the Jewish Historical Museum with his wife, Yoel stumbles upon footage portraying prewar Dutch Jewry and is astonished to see the youthful face of his beloved mother staring back at him, posing with his father, his older sister…and an infant he doesn’t recognize. This unsettling discovery launches him into a fervent search for the truth, shining a light on Amsterdam’s dark wartime history—the underground networks that hid Jewish children away from danger and those who betrayed their own for the sake of survival. The deeper into the past Yoel digs up, the better he understands his mother’s silence, and the more urgent the question that has unconsciously haunted him for a lifetime—Who am I?—becomes. Part family mystery, part wartime drama, House on Endless Waters is “a rewarding meditation on survival” (Kirkus Reviews, starred review) and a “deeply immersive achievement that brings to life stories that must never be forgotten” (USA TODAY).

There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries. Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance. Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.