Keter Yerushalayim, the Jerusalem Crown, is the first edition of the Aleppo Codex as a printed Bible. This codex is the oldest known complete manuscript of the Hebrew Bible. The famous grammarian and scribe Aaron ben Asher inserted the vocalization signs, accentuation marks and the Masorah. Because he also proofread the manuscript several times over, it became the authoritative text due to its accepted accuracy. After a long odyssey the codex found its way to Jerusalem in 1958, with unfortunately a major portion missing. In 1976 a facsimile of the manuscript was published and inspired the book edition closely resembling the original text. Thanks to the painstaking work of the renowned Scholar Rabbi Mordechai Breuer, the lost parts - almost the entire Pentateuch - could be reconstructed. To emulate the original, the Jerusalem Crown is laid out in three columns and employs a unique typeface re-creating the calligraphy of the Aleppo Codex. The census for the chapters and verses as well as the names of the weekly torah portions and their divisions for the synagogal reading were added. A short appendix explains the principles of the text recreation and lists the deviations from the standard Leningrad Codex. Dr. Mordechai Glatzer, a globally recognized expert in the history of printing, edited the companion volume. It contains contributions on various aspects of the manuscript's significance and an in-depth description of its history. Notably, Dr. Yosef Ofer's introduction to the Masorah clarifies from where the codex's authority stems and why its text can be regarded as nearly error free. The documentation folder of the Keter Yerushalayim contains an original set of pages, the Book of Ruth, and the original decorative front page with its gold printed title as a sample booklet, complete with an embossed cover of heavy crimson paper. There is also a sample chapter of the companion volume included in the set which is presented in a gold-embossed dark-blue folder of raw silk. The charge for the documentation kit will be credited if a copy of the numbered Special Edition is ordered subsequently.

Winner of the 2014 Sami Rohr Prize for Jewish Literature A thousand years ago, the most perfect copy of the Hebrew Bible was written. It was kept safe through one upheaval after another in the Middle East, and by the 1940s it was housed in a dark grotto in Aleppo, Syria, and had become known around the world as the Aleppo Codex. Journalist Matti Friedman’s true-life detective story traces how this precious manuscript was smuggled from its hiding place in Syria into the newly founded state of Israel and how and why many of its most sacred and valuable pages went missing. It’s a tale that involves grizzled secret agents, pious clergymen, shrewd antiquities collectors, and highly placed national figures who, as it turns out, would do anything to get their hands on an ancient, decaying book. What it reveals are uncomfortable truths about greed, state cover-ups, and the fascinating role of historical treasures in creating a national identity.

"In Crown of Aleppo, Hayim Tawil and Bernard Schneider tell the incredible story of the survival, against all odds, of the Aleppo Codex—one of the most authoritative and accurate traditional Masoretic texts of the Bible. Completed circa 939 in Tiberias, the Crown was created by exacting Tiberian scribes who copied the entire Bible into book form, adding annotations, vowel and cantillation marks, and precise commentary. Praised by Torah scholars for centuries after its writing, the Crown passed through history until the 15th century when it was housed in the Great Synagogue of Aleppo, Syria. When the synagogue was burned in the 1947 pogrom, the codex was thought to be destroyed, lost forever. That is where its great mystery begins. Miraculously, a significant portion of the Crown of Aleppo survived the fire and was smuggled from the synagogue ruins to an unknown location— presumably within the Aleppan Jewish community. Ten years later, the surviving pages of the codex were secretly brought to Israel and finally moved to their current location in the Israel Museum in Jerusalem. "

A scholar of law and religion uncovers a surprising origin story behind the idea of the separation of powers. The separation of powers is a bedrock of modern constitutionalism, but striking antecedents were developed centuries earlier, by Jewish scholars and rabbis of antiquity. Attending carefully to their seminal works and the historical milieu, David Flatto shows how a foundation of democratic rule was contemplated and justified long before liberal democracy was born. During the formative Second Temple and early rabbinic eras (the fourth century BCE to the third century CE), Jewish thinkers had to confront the nature of legal authority from the standpoint of the disempowered. Jews struggled against the idea that a legal authority stemming from God could reside in the hands of an imperious ruler (even a hypothetical Judaic monarch). Instead scholars and rabbis argued that such authority lay with independent courts and the law itself. Over time, they proposed various permutations of this ideal. Many of these envisioned distinct juridical and political powers, with a supreme law demarcating the respective jurisdictions of each sphere. Flatto explores key Second Temple and rabbinic writings—the Qumran scrolls; the philosophy and history of Philo and Josephus; the Mishnah, Tosefta, Midrash, and Talmud—to uncover these transformative notions of governance. The Crown and the Courts argues that by proclaiming the supremacy of law in the absence of power, postbiblical thinkers emphasized the centrality of law in the people’s covenant with God, helping to revitalize Jewish life and establish allegiance to legal order. These scholars proved not only creative but also prescient. Their profound ideas about the autonomy of law reverberate to this day.

Here is the tale of Godfrey de Montferrat, a boy who became both a monk and a knight who swore an oath to defend the Kingdom of Jerusalem. It is also the tale of that kingdom, which men called Outremer-The Land Beyond the Sea. With the miraculous success of the First Crusade, all said that the heroic tales of old had come to life in that place. By Godfrey's time-the late 12th century-the Kingdom is dying, chivalry fading, hope growing cold, and foes pressing hard from every side. But Godfrey stands in contradiction to the prevailing rot-a young man striving to live up to the heroic ideal. Surrounded by greed and corruption, Godfrey must determine where his true loyalties lay: to friends? to prince? to love? to God? Around Godfrey swirl the loves, betrayals, triumphs, and disasters of the Kingdom's waning years. Knight of the Temple weaves together an exciting, multi-layered and historically faithful tale of the Land Beyond the Sea. From the desert wastes of Egypt, to the bustling streets of medieval Antioch, to the Holy City of Jerusalem itself, Nathan Sadasivan paints a vivid portrait of the Crusades strewn with unforgettable characters - Amalric, the ill-tempered King of Jerusalem; Malik, the proud young Saracen; Jacques, Godfrey's childhood friend; Tristan, the single-minded swordmaster, and Andronicus, the enigmatic Byzantine prince, among many others Knight of the Temple is the first book in the Crown of the World trilogy.

Nazareth has been cruel to my mother, more cruel than any village ever was. All the village says that my blood father is not the man who married my mother. They have shamed her on the matter all my life. Every woman asks which man of the village is my blood father. Every man scowls and says he was not the one my mother seduced. My mother will not tell who is my blood father. My mother will not speak on the matter. My mother bears her shame in silence. Some righteous man, a prophet, said a word over me when I was a babe in arms. He told how I will redeem Israel when I grow to be a man. Now I have grown to be a man, but I do not know how to redeem Israel. The scriptures do not explain the matter. My people say that the man who redeems Israel must take up the sword and throw off our enemy, Rome, which we call the Great Satan. My family says I must take up the sword. Only I am no man of the sword. I wish with all my heart to redeem Israel, but HaShem, the God of our fathers, must tell me how. Lately, there came a new prophet to Israel, who immerses for repentance at the river Jordan. I went to ask the prophet how I should redeem Israel. He said I am to smite the four Powers. I asked what are the four Powers. He could not say, but he said HaShem will reveal the matter to me. I wish HaShem will reveal the matter, only I am not a prophet. Not yet. But I will be. Here is what I know. Every hour of every day, I feel the Presence of HaShem. I do not know why I should feel the Presence always. My mother does not. My village does not. Even the prophet of HaShem does not. I think the Presence will teach me the way to redeem Israel. But I am afraid to redeem Israel. To redeem Israel is to leave my mother to the scorn of the village. The rage of the village. My mother begs and cries on me to make a justice for her. To make a justice on the village. I do not know how to make a justice on the village. I do not know how to redeem Israel. But HaShem will show me the way. I will learn how to be a prophet of HaShem. I will learn how to redeem Israel. I will learn how to make a justice for my mother. I will smite the first Power. Or I will die in the trying.

In this bestselling series Bodie and Brock Thoene have thrilled readers with an epic tale chronicling the struggle for the world's holiest and most turbulent city. As Jerusalem's Hope opens, strategist Moshe Sachar remains hidden in a secret tunnel beneath the Temple Mount, safely removed from the chaos of Israel's 1948 war of independence, while the funeral of an elder rabbi proceeds above him. Using the instructions the rabbi gave him before his death, Moshe opens another sacred scroll and is once again transported to the dramatic biblical story of a charismatic but mysterious prophet. As word of the miracles performed by this seer spreads, bloody violence erupts, threatening the future of the Roman state and revealing the prophet's surprising identity.

In 1174 Baldwin IV ascended the throne of the Kingdom of Jerusalem. He was thirteen and among the brightest, ablest and most courageous of his generation. And he was about to fall in love. He was also a leper. As the dreaded disease consumed his body and threatened both mind and spirit, Baldwin faced another enemy, equally relentless and just as deadly: Saladin, Lord of Syria and Egypt, absolute ruler of millions surrounding the tiny kingdom. The Great Sultan was sworn to restore the Holy Land to Islam and drive every infidel from its shores. Baldwin would meet him twice, first in peace, then in mortal combat.ª|xHSLEMFy720278zv*:+:!:+:!@ISBN: 978-1-4257-2027-8

Presentations of offerings to the emperor-king on anniversaries of his accession became an important imperial ritual in the court of Franz Joseph I. This book explores for the first time the identity constructions of Orthodox Jewish communities in Jerusalem as expressed in their gifts to the Austro-Hungarian Kaisers at the time of dramatic events. It reveals how the beautiful gifts, their dedications, and their narratives, were perceived by gift-givers and recipients as instruments capable of acting upon various social, cultural and political processes. Lily Arad describes in a captivating manner the historical narratives of the creation and presentation of these gifts. She analyzes the iconography of these gifts as having transformative effect on the self-identification of the Jewish communities and examines their reception by the Kaisers and in the Austrian and the Palestinian Jewish press. This groundbreaking book unveils Jewish cultural and political strategies aimed to create local Eretz-Israel identities, demonstrating distinct positive communal identification which at times expressed national sentiments and at the same time preserved European identification.