Danish/German artist Jeppe Hein (born 1974) explores the theme of happiness in sculptures, drawings and installations. A Smile for You includes responses to five questions on the theme posed by Hein, and essays on happiness in art.

A unique exploration of the culinary imagination and creativity of a stellar array of international contemporary artists - a host of intriguing personal recipes shown through the artists' own words and images Creativity doesn't stop at an artist's studio door - for many, it continues into the kitchen. For the first time, more than 70 artists, including Ghada Amer, Jimmie Durham, Studio Olafur Eliasson, Subodh Gupta, Nikolai Haas, Jeppe Hein, Carsten Höller, Dorothy Iannone, Ragnar Kjartansson, John Lyons, Philippe Parreno, Nicolas Party, Zina Saro-Wiwa, Tiffany Sia, and Rirkrit Tiravanija, and others, have been invited to share and illustrate a recipe of their own. These are either the best culinary concoctions they have ever invented, or an especially meaningful dish. The result is an exciting range of contributions spanning all manner of meals and drinks, both savory and sweet, from around the globe, brilliantly brought to life by a wealth of sketches, photographs, collages, paintings, and personal snaps. Many of the culinary creations included are achievable by adventurous home cooks, but the pages include an incredibly diverse array of dishes from the conceptual to the personal, the elaborate to the simple, the sweet to the savory, and from the serious to the funny to the downright bizarre. With an introduction by the globally celebrated chef and art enthusiast Massimo Bottura, this is an intriguing and entertaining gift for food lovers and contemporary art enthusiasts alike.

The World as a Stage presents a key group of international contemporary artists--Pavel Althamer, Catherine Sullivan, Tino Sehgal, and others--who reinvigorate the rich historical relationship between visual art and theater. Challenging negative associations made between the notion of "theatricality" and the realm of visual art in recent decades, the artists in this book make visible the extent to which a sense of theater, or spectacle, now permeates the spectator's role in the museum or gallery and how this carries through to their experience of the contemporary urban environment. Considering a variety of media including installation, sculpture, performance, participatory works, and events, this book deals with issues such as the framing of human presence in the experience of art.

On the personal narratives that exist alongside architecture Cities are full of stories--running in parallel, contradictory, overlapping and inseparably linked. Such stories are told in Living the City, referencing various projects from architecture, art and urban planning. The book aims to show processes and possibilities for action in cities based on more than 50 projects from all over Europe. The publication first looks at urbanites before expanding into emotionally and poetically charged stories that consider basic activities such as loving, living, moving, working, learning, playing, dreaming, and participating in the city. The book is published in conjunction with the exhibition of the same name at the former airport in Tempelhof, Berlin. Contributors include: Assemble, ateliermob, Ila Bêka & Louise Lemoine, Civic Architects, Crimson Historians and Urbanists, Eutropian, Larissa Fassler, Jeppe Hein, Thomas Hirschhorn, Lacaton & Vassal, No Shade, Olalekan Jeyifous, Ahmet Ögüt, Planbude, raumlaborberlin, Rotor DC, The Black Archives, White Arkitekter and Zones Urbaines Sensibles.

The art of the 24 artists from or based in Germany presented in this major group exhibition provokes a reassessment of the 19th-century ideal of the Gesamtkunstwerk, which can be translated as a total, universal art work, or a synthesis of different art forms into one all-embracing unique genre.

Space Shifters features 20 leading international artists whose work addresses the intersections of perception, sculptural space and architecture.Beginning with the pioneering use of innovative sculptural materials in the 1960s, the exhibition (and this accompanying catalogue) explore the ways in which artworks engage or alter the viewer's perception of the surrounding architecture.The development of these concerns is traced over the course of the past four decades and concludes with artworks from the present day.Artists include: Jeppe Hein, Alicja Kwade, Roni Horn, Richard Wilson, Anish Kapoor, Yayoi Kusama, and Felix Gonzalez-Torres, among others.Published on the occasion of the exhibition, Space Shifters at Hayward Gallery, London (26 September 2018 - 1 June 2019).

Since the Renaissance, at least, the medium of sculpture has been associated explicitly with the sense of touch. Sculptors, philosophers and art historians have all linked the two, often in strikingly different ways. In spite of this long running interest in touch and tactility, it is vision and visuality which have tended to dominate art historical research in recent decades. This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals with fresh insights who are working in disciplines beyond art history. The collection brings together a rich and diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum environment, and from the phenomenology of touch in recent philosophy to the experimental findings of scientific study. It is the first volume on this subject to take such a broad approach and, as such, seeks to set the agenda for future research and collaboration in this area.