Why do girls love pink toys, and boys love blue ones? The fi ne arts photographer Jeongmee Yoon (*1969, Seoul) poses this question in her work, The Pink and Blue Project, for which she began photographing Korean and American girls and boys in their rooms in 2005. The gender-specifi c color schemes quickly established themselves as an overarching phenomenon, independent of cultural or ethnic background. Yoon's impressive portraits, for which she spent hours carefully arranging pink or blue objects, question these color codes and the consumer habits of both parents and children. They reveal the connections linking gender identity and social norms, consumer culture, and media. She continued this project by visiting the children years later and capturing how their favorite colors had changed. Jeongmee Yoon was awarded the ILWOO Foundation Prize for her project.

"Presents the latest developments in Korean photography with a survey of works by forty leading contemporary photographers, two essays, artists' biographies, and a chronology"--Résumé de l'éditeur.

Peggy Orenstein, acclaimed author of the groundbreaking New York Times bestsellers Girls & Sex and Schoolgirls, offers a radical, timely wake-up call for parents, revealing the dark side of a pretty and pink culture confronting girls at every turn as they grow into adults. Sweet and sassy or predatory and hardened, sexualized girlhood influences our daughters from infancy onward, telling them that how a girl looks matters more than who she is. Somewhere between the exhilarating rise of Girl Power in the 1990s and today, the pursuit of physical perfection has been recast as the source of female empowerment. And commercialization has spread the message faster and farther, reaching girls at ever-younger ages. But how dangerous is pink and pretty, anyway? Being a princess is just make-believe; eventually they grow out of it . . . or do they? In search of answers, Peggy Orenstein visited Disneyland, trolled American Girl Place, and met parents of beauty-pageant preschoolers tricked out like Vegas showgirls. The stakes turn out to be higher than she ever imagined. From premature sexualization to the risk of depression to rising rates of narcissism, the potential negative impact of this new girlie-girl culture is undeniable—yet armed with awareness and recognition, parents can effectively counterbalance its influence in their daughters' lives.

Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.

With contributions from a wide array of scholars and activists, including leading Chicana feminists from the period, this groundbreaking anthology is the first collection of scholarly essays and testimonios that focuses on Chicana organizing, activism, and leadership in the movement years. The essays in Chicana Movidas: New Narratives of Activisim and Feminism in the Movement Era demonstrate how Chicanas enacted a new kind of politica at the intersection of race, class, gender, and sexuality, and developed innovative concepts, tactics, and methodologies that in turn generated new theories, art forms, organizational spaces, and strategies of alliance. These are the technologies of resistance documented in Chicana Movidas, a volume that brings together critical biographies of Chicana activists and their bodies of work; essays that focus on understudied organizations, mobilizations, regions, and subjects; examinations of emergent Chicana archives and the politics of collection; and scholarly approaches that challenge the temporal, political, heteronormative, and spatial limits of established Chicano movement narratives. Charting the rise of a field of knowledge that crosses the boundaries of Chicano studies, feminist theory, and queer theory, Chicana Movidas: New Narratives of Activisim and Feminism in the Movement Era offers a transgenerational perspective on the intellectual and political legacies of early Chicana feminism.

This beautifully illustrated volume explores the cultural history, especially in fashion, of the color pink from the 18th century to today.

Dread and Delight features the work of contemporary artists using canonical fairy tales to examine the complexities of postmodern life.

Drawn from the secret diaries and journals of novelist, poet, and university professor Samuel M. Steward, this is a reconstruction of one of the more extraordinary hidden lives of the twentieth century. An intimate friend of Gertrude Stein, Alice B. Toklas, and Thornton Wilder, Steward maintained a secret sex life from childhood on, documenting his experiences in vivid (and often very funny) detail. After leaving academe to become tattoo artist Phil Sparrow, Steward worked closely with Alfred Kinsey on his landmark sex research. During the early 1960s, Steward changed his identity once again, this time to write exceptionally literate, upbeat homosexual pornography as Phil Andros. An archive of his papers, lost since his death in 1993, has provided biographer Justin Spring with the material for an illuminating life-and-times biography. More than merely the story of one remarkable man, this is a moving portrait of gay life long before gay liberation.--From publisher description.

The poems in Landscape with Sex and Violence explore what it means to be a woman, a sexual being, and a trauma survivor in contemporary America.

Whether fierce, cuddly, startling, mysterious, or some indefinable combination of all of the above, nocturnal animals never fail to fascinate. In Nocturne: Creatures of the Night, celebrated animal photographer Traer Scott takes the viewer on a journey through nighttime in the animal kingdom, revealing some of nature's most elusive creatures. Bats, big cats, flying squirrels, tarantula, owls, kangaroo mice, giant moths, sloth, several species of snakes, and a Madagascar hissing cockroach are only a few of the animals illuminated in these lushly detailed portraits. Seventy-five full-color photographs of forty different species are accompanied by informed but accessible descriptions of each animal's habits and habitats, and an introduction provides personal insight into how Scott captures her astonishing images. Nocturne is a compelling view of the rarely seen darkness dwellers who populate the night.