It can never be wrong to live with someone you are fond of. 5-year-old Jenny lives happily with her dad Martin and his partner Eric. From celebrating birthdays and eating breakfast in bed to playing board games and reading bedtime stories, their weekends are spent the same way as everyone else's. Well-received in Denmark, ́Jenny Lives with Eric and Martin ́ sparked a major debate when it was published in Britain two years later, resulting in a ban that prohibited teaching school children about homosexuality. Therefore, it is the ideal book for early readers as it serves as great educational material for those interested in learning about family structures that differ from their own. A beautiful story celebrating diversity and difference, ́Jenny Lives with Eric and Martin ́ is a perfect starting point for conversations about various family structures. Susanne Bösche (b. 1953), a self-taught writer, has been writing ever since she discovered that letters make words and words make stories. Her writing often aims to celebrate differences and the idea that you shouldn't be afraid of the unknown. This is present in her first books, ́Nede i Anitas kælder ́ ( ́Anita's Basement ́) and ́Er vi venner eller hvad ́ ( ́Are We Friends or Not ́), which centre around the themes of youth, sexuality, and friendships. In 1981 she published the picture book ́Mette bor hos Morten og Erik ́ (Mette Lives with Eric and Martin ́) which caused great controversy in Britain after its release.

Jenny is a 5-year-old girl who lives in Denmark with her father and his lover. This photobook tells of a weekend in their lives, shopping, laundry, cooking, playing, a birthday party, and a friendly visit with Jenny's mother.

The #1 New York Times bestselling (mostly true) memoir from the hilarious author of Furiously Happy. “Gaspingly funny and wonderfully inappropriate.”—O, The Oprah Magazine When Jenny Lawson was little, all she ever wanted was to fit in. That dream was cut short by her fantastically unbalanced father and a morbidly eccentric childhood. It did, however, open up an opportunity for Lawson to find the humor in the strange shame-spiral that is her life, and we are all the better for it. In the irreverent Let’s Pretend This Never Happened, Lawson’s long-suffering husband and sweet daughter help her uncover the surprising discovery that the most terribly human moments—the ones we want to pretend never happened—are the very same moments that make us the people we are today. For every intellectual misfit who thought they were the only ones to think the things that Lawson dares to say out loud, this is a poignant and hysterical look at the dark, disturbing, yet wonderful moments of our lives. Readers Guide Inside

Candlewick relaunches a modern classic for this generation with a beautifully illustrated edition. Heather’s favorite number is two. She has two arms, two legs, and two pets. And she also has two mommies. When Heather goes to school for the first time, someone asks her about her daddy, but Heather doesn’t have a daddy. Then something interesting happens. When Heather and her classmates all draw pictures of their families, not one drawing is the same. It doesn’t matter who makes up a family, the teacher says, because “the most important thing about a family is that all the people in it love one another.” This delightful edition for a new generation of young readers features fresh illustrations by Laura Cornell and an updated story by Lesléa Newman.

The 1980s heralded many challenges for LGBT people around the world and Colin Clews examines these in his new book. These included the rise of the New Right in the USA, Section 28 which prohibited the promotion of homosexuality; the trial of Gay’s the Word bookshop in the UK and the continuing criminalisation of homosexuality in the majority of Australian states. Underpinning all of this was the unfolding of the AIDS crisis: a time when LGBT people realised that they were no longer simply fighting for their rights but, quite literally, fighting for their lives. But it wasn’t all doom and gloom; by the end of the eighties there had been some very real progress. Major political parties had LGBT rights in their manifestos, trades unions increasingly took up the cause and regional legislators introduced anti-discrimination laws and policies. LGBT people became more prolific in film, television, music and literature and the LGBT community grew significantly. The book also examines the dynamics behind these changes; some the result of prolonged campaigns, others stemming from the growing influence of the ‘pink pound/dollar’, others still a consequence of the growing anger at government intransigence to the AIDS crisis. Gay in the 80s examines a number of the events and issues in the UK, USA and Australia, giving a comprehensive perspective of LGBT reality during this decade The book covers the broad political context of the 1980s and takes a comparative approach to events in the three countries where Colin either lived or spent large amounts of time. Colin Clews’ debut book offers a unique perspective on a pivotal era in LGBT history. It will appeal to readers that want to learn more about the LGBT experience in the 1980s. Its publication also coincides with the 50th anniversary of the 1967 Sexual Offences Act, which partially decriminalised homosexuality, and the 30th anniversary of the ‘Don’t Die of Ignorance’ AIDS awareness campaign. A number of film and television events are planned to commemorate both anniversaries and Colin will be contributing to some of them.

Renowned educator Christine King Farris, older sister of the late Dr. Martin Luther King Jr., joins with celebrated illustrator Chris Soentpiet to tell this inspirational story of how one boyhood experience inspired a movement. Mother Dear, one day I'm going to turn this world upside down. Long before he became a world-famous dreamer, Martin Luther King Jr. was a little boy who played jokes and practiced the piano and made friends without considering race. But growing up in the segregated south of the 1930s taught young Martin a bitter lesson--little white children and little black children were not to play with one another. Martin decided then and there that something had to be done. And so he began the journey that would change the course of American history.

The Necessity of Sculpture brings together a selection of articles on sculpture and sculptors from Eric Gibson’s nearly four-decade career as an art critic. It covers subjects as diverse as Mesopotamian cylinder seals, war memorials, and the art of the American West; stylistic periods such as the Hellenistic in Ancient Greece and Kamakura in medieval Japan; Michelangelo, Gian Lorenzo Bernini, Augustus Saint-Gaudens, and other historical figures; modernists like Auguste Rodin, Pablo Picasso, and Alberto Giacometti; and contemporary artists including Richard Serra, Rachel Whiteread, and Jeff Koons. Organized chronologically by artist and period, this collection is as much a synoptic history of sculpture as it is an art chronicle. At the same time, it is an illuminating introduction to the subject for anyone coming to it for the first time.

Jo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo's sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh. This debut novel from critically acclaimed artist and musician Jenny Hval presents a heady and hyper-sensual portrayal of sexual awakening and queer desire.

This book came into this world October 18, 2014. It was a difficult story to tell because of the shifting moods of the characters and situations. To go from And there was my grandmother, the very definition of misery. The apartment she lived in was given to her by my uncle, her son, but she took us in when we had no place to live. She had her own story: To go to; Because we were so poor there was no money for toys. My uncle Jess bought me a red fire truck, the kind you sit in and peddle. I was not allowed to take it into the street so I drove it on the roof of that garage next door, our private playground going round and round. I loved that truck as it was the only toy I had. Boy, poverty sucks but has its advantages: you learn to live without things and it makes you strive for more, willing to do anything to get out of poverty. Everything this book is, is to relay the total experience of the piece, the happiness, the sadness, and most of all the fear. With situations like; When they got to me they wrapped me up in a quilt and hung me out of the window with only the pressure of the window holding me up. Erics family lived on the eighth floor of their building so if I fell I would most assuredly be dead from the fall. I could see down as my head was partially hanging out of the quilt, a crowd started to gather below. It is also meant to be a tribute to the Brave men and women in the Armed Forces and Law Enforcement. I try to bombard your senses with strong feelings of what life was like for these people with involvements such as; I thought to myself this is a murder assignment and I was right! We were there for one reason and one reason only: to eliminate the enemy, to win this war by attrition. The book is for the reader to get completely involved with each situations gravity. Thank You Adrien Martin Watch now The Boy From Brooklyn's book trailer: https://www.youtube.com/watch?v=uu1UGCK4h90&feature=youtu.be