"I have often wondered for what good end the sensations of Grief could be intended." -- Thomas Jefferson Thomas Jefferson suffered during his life from periodic bouts of dejection and despair, shadowed intervals during which he was full of "gloomy forebodings" about what lay ahead. Not long before he composed the Declaration of Independence, the young Jefferson lay for six weeks in idleness and ill health at Monticello, paralyzed by a mysterious "malady." Similar lapses were to recur during anxious periods in his life, often accompanied by violent headaches. In Jefferson's Demons, Michael Knox Beran illuminates an optimistic man's darker side -- Jefferson as we have rarely seen him before. The worst of these moments came after his wife died in 1782. But two years later, after being dispatched to Europe, Jefferson recovered nerve and spirit in the salons of Paris, where he fell in love with a beautiful young artist, Maria Cosway. When their affair ended, Jefferson's health again broke down. He set out for the palms and temples of southern Europe, and though he did not know where the therapeutic journey would take him or where it would end, his encounter with the old civilizations of the Mediterranean was transformative. The Greeks and Romans taught him that a man could make productive use of his demons. Jefferson's immersion in the mystic truths of the Old World gave him insights into mysteries of life and art that Enlightenment philosophy had failed to supply. Beran skillfully shows how Jefferson drew on the esoteric lore he encountered to transform anxiety into action. On his return to America, Jefferson entered the most productive period of his life: He created a new political party, was elected president, and doubled the size of the country. His private labors were no less momentous...among them, the artistry of Monticello and the University of Virginia. Jefferson's Demons is an elegantly composed account of the strangeness and originality of one Founder's genius. Michael Knox Beran uncovers the maps Jefferson used to find his way out of dejection and to forge a new democratic culture for America. Here is a Jefferson who, with all his failings, remains one of his country's greatest teachers and prophets.

It was a contest of titans: John Adams and Thomas Jefferson, two heroes of the Revolutionary era, once intimate friends, now icy antagonists locked in a fierce battle for the future of the United States. The election of 1800 was a thunderous clash of a campaign that climaxed in a deadlock in the Electoral College and led to a crisis in which the young republic teetered on the edge of collapse. Adams vs. Jefferson is the gripping account of a turning point in American history, a dramatic struggle between two parties with profoundly different visions of how the nation should be governed. The Federalists, led by Adams, were conservatives who favored a strong central government. The Republicans, led by Jefferson, were more egalitarian and believed that the Federalists had betrayed the Revolution of 1776 and were backsliding toward monarchy. The campaign itself was a barroom brawl every bit as ruthless as any modern contest, with mud-slinging, scare tactics, and backstabbing. The low point came when Alexander Hamilton printed a devastating attack on Adams, the head of his own party, in "fifty-four pages of unremitting vilification." The stalemate in the Electoral College dragged on through dozens of ballots. Tensions ran so high that the Republicans threatened civil war if the Federalists denied Jefferson the presidency. Finally a secret deal that changed a single vote gave Jefferson the White House. A devastated Adams left Washington before dawn on Inauguration Day, too embittered even to shake his rival's hand. With magisterial command, Ferling brings to life both the outsize personalities and the hotly contested political questions at stake. He shows not just why this moment was a milestone in U.S. history, but how strongly the issues--and the passions--of 1800 resonate with our own time.

This culinary biography tells the incredible true story of how a Founding Father and his slave introduced French Cuisine to America—perfect for history buffs, foodies, and Francophiles alike In 1784, Thomas Jefferson struck a deal with his slave, James Hemings. The Founding Father was traveling to Paris and wanted to bring James along “for a particular purpose”— to master the art of French cooking. In exchange for James’s cooperation, Jefferson would grant his freedom. So began one of the strangest partnerships in United States history. As Hemings apprenticed under master French chefs, Jefferson studied the cultivation of French crops (especially grapes for wine-making) so they might be replicated in American agriculture. The two men returned home with such marvels as pasta, French fries, Champagne, macaroni and cheese, crème brûlée, and a host of other treats. This narrative history tells the story of their remarkable adventure—and even includes a few of their favorite recipes!

In this innovative book, historian Matthew Crow unpacks the legal and political thought of Thomas Jefferson as a tool for thinking about constitutional transformation, settler colonialism, and race and civic identity in the era of the American Revolution. Thomas Jefferson's practices of reading, writing, and collecting legal history grew out of broader histories of early modern empire and political thought. As a result of the peculiar ways in which he theorized and experienced the imperial crisis and revolutionary constitutionalism, Jefferson came to understand a republican constitution as requiring a textual, material culture of law shared by citizens with the cultivated capacity to participate in such a culture. At the center of the story in Thomas Jefferson, Legal History, and the Art of Recollection, Crow concludes, we find legal history as a mode of organizing and governing collective memory, and as a way of instituting a particular form of legal subjectivity.

Thomas Jefferson: Inquiry History for Daring Delvers contains multiple questions which are reactions to presentations the author has made about The Others At Monticello. The new work reflects a continuation of extensive reading and other pertinent research. Esther Franklin is a retired educator who taught from kindergarten to university. Early in her career she wrote Understanding World Neighbors in the Elementary Classroom which was predictive of her long interest and involvement in earth citizenship education. More recently she wrote script and worked with university students on the CD, "Are You A Global Citizen?" For those of us in the field of education who study the past to understand the present, this book guides the way to Thomas Jefferson's contributions to our thinking and institutions. Pertinent quotes lead the reader to explore the most fruitful research literature. This is extremely useful for teachers who look for ways to direct and support their students' research – especially those who seek answers about Jefferson's beliefs on their own. The many questions posed by this author are designed to expand the thinking and direction of the Delvers and, consequently, make the search for Jefferson's views on education even more enticing. Sharon Alexander, PhD Professor Emeritus California State University Sacramento Book ID 99970 In Chapter Eight of her newest book, Esther Franklin spells out how Jefferson was unsuccessful in his effort to promote the idea of a "National Library." Subsequently, when the British burned our Capitol during the War of 1812, he immediately offered his personal collection at Monticello - 6,487 volumes - and our nation's library arose from the ashes. The political machinations behind the scenes, the lengthy historical infighting in the Congress, and the overview of our fledgling government struggling with little money and large ambitions all come together. Few of us have learned in "traditional" history classes about the breadth of Jefferson's collection - from literary classics to garden equipment - or do they know the extent to which he was in debt. Students (maybe their professor's?) will learn about the sale. It was not a gift? This is "must" reading for all individuals who continue to use - in multiple ways - today's amazing Library of Congress. Donald Junkins Professor Emeritus University of Massachusetts, Amherst If you are interested in medicine and healthy living, Chapter 11 is for you. Or you could be musician - even an aspiring musician, Jefferson's story is an inspiration as well as a resource. If you are a writer, the discussion of Jefferson's many writings, including his 20,000 letters will illuminate the era. Finally, did Jefferson live up to his title of "Founder of the Nation" or was he just another flawed human being? You decide. Pat Geyer California Council for the Social Studies Board, California Retired Teachers Association Author, CCSS: The History and the People Who Made It

This title explores the creative works of US President Thomas Jefferson. Works analyzed include the Declaration of Independence, Notes on the State of Virginia, The Life and Morals of Jesus of Nazareth, and The Autobiography of Thomas Jefferson. Clear, comprehensive text gives background biographical information of Jefferson. The "You Critique It" feature invites readers to analyze other creative works on their own. A table of contents, timeline, list of works, resources, source notes, glossary, and an index are also included. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • Entertainment Weekly • The Seattle Times • St. Louis Post-Dispatch • Bloomberg Businessweek In this magnificent biography, the Pulitzer Prize–winning author of American Lion and Franklin and Winston brings vividly to life an extraordinary man and his remarkable times. Thomas Jefferson: The Art of Power gives us Jefferson the politician and president, a great and complex human being forever engaged in the wars of his era. Philosophers think; politicians maneuver. Jefferson’s genius was that he was both and could do both, often simultaneously. Such is the art of power. Thomas Jefferson hated confrontation, and yet his understanding of power and of human nature enabled him to move men and to marshal ideas, to learn from his mistakes, and to prevail. Passionate about many things—women, his family, books, science, architecture, gardens, friends, Monticello, and Paris—Jefferson loved America most, and he strove over and over again, despite fierce opposition, to realize his vision: the creation, survival, and success of popular government in America. Jon Meacham lets us see Jefferson’s world as Jefferson himself saw it, and to appreciate how Jefferson found the means to endure and win in the face of rife partisan division, economic uncertainty, and external threat. Drawing on archives in the United States, England, and France, as well as unpublished Jefferson presidential papers, Meacham presents Jefferson as the most successful political leader of the early republic, and perhaps in all of American history. The father of the ideal of individual liberty, of the Louisiana Purchase, of the Lewis and Clark expedition, and of the settling of the West, Jefferson recognized that the genius of humanity—and the genius of the new nation—lay in the possibility of progress, of discovering the undiscovered and seeking the unknown. From the writing of the Declaration of Independence to elegant dinners in Paris and in the President’s House; from political maneuverings in the boardinghouses and legislative halls of Philadelphia and New York to the infant capital on the Potomac; from his complicated life at Monticello, his breathtaking house and plantation in Virginia, to the creation of the University of Virginia, Jefferson was central to the age. Here too is the personal Jefferson, a man of appetite, sensuality, and passion. The Jefferson story resonates today not least because he led his nation through ferocious partisanship and cultural warfare amid economic change and external threats, and also because he embodies an eternal drama, the struggle of the leadership of a nation to achieve greatness in a difficult and confounding world. Praise for Thomas Jefferson: The Art of Power “This is probably the best single-volume biography of Jefferson ever written.”—Gordon S. Wood “A big, grand, absorbing exploration of not just Jefferson and his role in history but also Jefferson the man, humanized as never before.”—Entertainment Weekly “[Meacham] captures who Jefferson was, not just as a statesman but as a man. . . . By the end of the book . . . the reader is likely to feel as if he is losing a dear friend. . . . [An] absorbing tale.”—The Christian Science Monitor “This terrific book allows us to see the political genius of Thomas Jefferson better than we have ever seen it before. In these endlessly fascinating pages, Jefferson emerges with such vitality that it seems as if he might still be alive today.”—Doris Kearns Goodwin

In recent years, the study and teaching of Native American oral and written art have flourished. During the same period, there has been a growing recognition among historians, anthropologists, and ethnohistorians that Indians must be seen not as the voiceless, nameless, faceless Other but as people who had a powerful impact on the historical development of the United States. Literary critics, however, have continued to overlook Indians as determinants of American—rather than specifically Native American—literature. The notion that the presence of Indian peoples shaped American literature as a whole remains unexplored. In The Demon of the Continent, Joshua David Bellin probes the complex interrelationships among Native American and Euro-American cultures and literatures from the mid-seventeenth to the mid-nineteenth centuries. He asserts that cultural contact is at the heart of American literature. For Bellin, previous studies of Indians in American literature have focused largely on the images Euro-American writers constructed of indigenous peoples, and have thereby only perpetuated those images. Unlike authors of those earlier studies, Bellin refuses to reduce Indians to static antagonists or fodder for a Euro-American imagination. Drawing on works such as Henry David Thoreau's Walden, William Apess' A Son of the Forest, and little known works such as colonial Indian conversion narratives, he explores the ways in which these texts reflect and shape the intercultural world from which they arose. In doing so, Bellin reaches surprising conclusions: that Walden addresses economic clashes and partnerships between Indians and whites; that William Bartram's Travels encodes competing and interpenetrating systems of Indian and white landholding; that Catherine Sedgwick's Hope Leslie enacts the antebellum drama of Indian conversion; that James Fenimore Cooper and Henry Wadsworth Longfellow struggled with Indian authors such as George Copway and David Cusick for physical, ideological, and literary control of the nation. The Demon of the Continent proves Indians to be actors in the dynamic processes in which America and its literature are inescapably embedded. Shifting the focus from textual images to the sites of material, ideological, linguistic, and aesthetic interaction between peoples, Bellin reenvisions American literature as the product of contact, conflict, accommodation, and interchange.

Containing his Autobiography, Notes on Virginia, parliamentary manual, official papers, messages and addresses, and other writings, official and private, now collected and published in their entirety for the first time, including all of the original manuscripts, deposited in the Department of state and published in 1853 by order of the joint committee of Congress; with numerous illustrations and a comprehensive analytical index.