Iconic British fashion designer, Jean Muir (1928-1995) doyenne of dressmaking, will be forever associated with 'the little black dress'. Her signature style married a distinctive purity of line with a soft fluidity on the body, to create the sensuous deceptively simple clothes that became her trademark, epitomised by her work in matte jersey, and in particular her jersey dresses, which brought her legendary status in an internationally-renowned career that spanned four decades. Working with a range of fabrics, which apart from her matte jersey included wools, silks, suedes, leather, and fine cashmere, she was the first designer on the international stage to apply couture quality and craftsmanship in her collections. Whilst the French accorded her the title, 'la nouvelle Reine de la Robe', the actress Joanna Lumley, a Jean Muir house model in the 70s, who has worn Muir designs ever since, famously stated that, "every woman should have a Jean Muir in her wardrobe". Her designs were constant favourites with artistic, literary, and dramatic personalities drawn to the discreet luxe and timeless femininity of her clothes: Dame Judi Dench, Dame Maggie Smith, Lady Olivier, Charlotte Rampling, Lauren Bacall, Barbra Streisand, Bridget Riley, Dame Elisabeth Frink, Lady Antonia Fraser, and Dame Diana Rigg, whose actress daughter, Rachael Stirling now wears Muir. This beautifully illustrated book highlights the variety and appeal of a career that covered every aspect of the fashion world, and includes many of Muir's sketches, as well as photography by Norman Parkinson, David Bailey, Eric Boman, Deborah Turbeville and Arthur Elgort. It has written contributions from Lady Antonia Fraser, Sir Roy Strong, Bridget Riley, Suzy Menkes, Fashion Editor of "The International Herald Tribune", and Alexandra Shulman, Editor-in-Chief of "British Vogue", amongst others. 132 colour & 68 b/w illustrated

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Six years before she wrote Little Women, Louisa May Alcott, in financial straits, entered "Pauline's Passion and Punishment," a novelette, in a newspaper contest. Not only did it win the $100 prize, but, published anonymously, it marked the first in the series of "blood & thunder tales" that would be her livelihood for years. In Behind a Mask, editor Madeleine Stern introduces four Alcott thrillers: "Pauline's Passion and Punishment," "The Mysterious Key," "The Abbot's Ghost," and the title story, "Behind a Mask." First published in one volume in 1975, they are regarded as Alcott's finest work in this genre.

Literature and Gender combines an introduction to and an anthology of literary texts which powerfully demonstrate the relevance of gender issues to the study of literature. The volume covers all three major literary genres - poetry, fiction and drama - and closely examines a wide range of themes, including: feminity versus creativity in women's lives and writing the construction of female characters autobiography and fiction the gendering of language the interaction of race, class and gender within writing, reading and interpretation. Literature and Gender is also a superb resource of primary texts, and includes writing by: Sappho Emily Dickinson Sylvia Plath Tennyson Elizabeth Bishop Louisa May Alcott Virginia Woolf Jamaica Kincaid Charlotte Perkins Gilman Susan Glaspell Also reproduced are essential essays by, amoung others, Maya Angelou, Sandra Gilbert and Susan Gubar, Toni Morrison, Elaine Showalter, and Alice Walker. No other book on this subject provides an anthology, introduction and critical reader in one volume. Literature and Gender is the ideal guide for any student new to this field.

Jane Eyre's American Daughters is about the influence of Charlotte Bronte's romance on North American writers, including Susan Warner, Louisa May Alcott, Martha Finley, Frances Hodgson Burnett, Kate Douglas Wiggin, Jean Webster, Eleanor Porter, and L M Montgomery. John Seelye demonstrates that the reception of Bronte's Gothic romance in America was filtered through Elizabeth Gaskell's biography of the author, published shortly after her friend's death in 1855. A sentimental classic in its day, Gaskell's book promoted an image of Charlotte as a long-suffering creative genius with high moral standards. Her biography necessarily overlooked Bronte's obsessive love for her Belgian professor. Constantin Heger, an older and married man. Though Heger did not return Charlotte's affection, he was the model for the lovers in Bronte's novels, including the passionate, adulterous Edward Rochester, who inspired censorious reviews questioning the moral character of the author when Jane Eyre was published in 1847, a reputation that Gaskell's biography successfully countered.

The work at hand is the only comprehensive history of Anson County, spanning over 225 years of the county's growth from a vast wilderness to a thriving industrial and agricultural community. The first third of the volume traces politics in the county. The middle portion covers Anson's social history, including education, religion, agriculture and industry, social and cultural life, etc. The final third of the book provides biographical sketches of scores of Anson "Men and Women of Note" and a number of source record collections of great import to genealogists.

Her grand adventure turned into a nightmare. After skiing 200 miles along California's John Muir Trail, Jean faces death from a mountaineering accident on Mount Whitney. Broken and bleeding on the highest peak in the continental United States, she vows to realize her greatest dreams if she lives until morning. Her escape from the Sierra Nevada Mountains turns into a five-day ordeal for survival. Jean's recovery is equally daunting. Her journey spans three decades and takes her from the depths of despair and chronic pain to the heights of the Himalayas. When the specter of Mount Whitney continues to shatter her world, Jean befriends Tibetan lamas. Their ancient wisdom guides her on a path beyond her wildest dreams.

A selecton of four thrillers that illuminate Alcott's feminist convictions, featuring colorful, passionate heroines who, ranging from thwarted and abused victims to triumphant conquerors, will beguile a new audience of modern readers.

In 1929 The Goldbergs debuted on the air, introducing Gertrude Berg—and her radio alter ego, Bronx housewife Molly Goldberg—to the nation. The show would become one of the most beloved and enduring sitcoms of Golden Age radio, and early TV. At the helm was Berg who, as creator, star, writer, and producer, became a force to be reckoned with. This multi-faceted biography provides a penetrating look at how Gertrude Berg carved a special place for herself in the annals of broadcast history. Decades before Lucille Ball, Berg triumphed as a woman of commercial and creative consequence in what was essentially a male-dominated arena. For over three decades, Berg’s “Molly” fluttered about and hung out her kitchen window dispensing motherly advice laced with engaging malapropisms, insights, and lots of “schmaltz”. The show offered a warmly comedic look at the lives and dreams of working-class American Jews, and subtle insights into the nature of assimilation. While Molly, husband Jake, and Uncle David represent Old World Jewish stereotypes, children Rosalie and Sammy are as American as apple pie. Berg makes it clear that the only thing separating shtetl and middle-class new world values is style. Drawing on Gertrude Berg’s papers at Syracuse University’s Bird Library, and rare interviews with her family and colleagues, the author reveals her as shrewd, creative, and forthright. Unlike “Molly,” Berg was a cultivated woman and a Columbia graduate. A pioneer in the concept of product tie-in, she parlayed the show’s popularity into a movie, short stories, and even a cookbook. In 1951 she stood up to the blacklist by refusing to fire longtime co-star Philip Loeb who was under fire by the House un-American Committee. The book also chronicles Berg’s accomplishments in theater, film, and literature.