An extraordinary documentation through photographs of the evolution of this yearly festival that in New Orleans has become a seasonal ritual comparable only to the revelry of Mardi Gras. Photographs.

Tallinn ’67 Jazz Festival: Myths and Memories explores the legendary 1967 jazz gathering that centered Tallinn, Estonia as the jazz capital of the USSR and marked both the pinnacle of a Soviet jazz awakening as well as the end of a long series of evolutionary jazz festivals in Estonia. This study offers new insights into what was the largest Soviet jazz festival of its time through an abundance of collected materials – including thousands of pages of archival documents, more than a hundred hours of interviews and countless media reviews and photographs – while grappling with the constellation of myths integral to jazz discourse in an attempt to illuminate ‘how it really was’. Accounts from musicians, jazz fans, organisers and listeners bring renewed life to this transcultural event from more than half a century ago, framed by scholarly discussions contextualizing the festival within the closed conditions of the Cold War. Tallinn ’67 Jazz Festival details the lasting international importance of this confluence of Estonian, Soviet and American jazz and the ripple effects it spread throughout the world.

SUPERANNO The first full history of the New Orleans Jazz & Heritage Festival, with over 400 photographs, many in full color. Includes quotes from musicians with a listing of bands and the times and stages on which they performed. The colorful history of WWOZ-radio, chapters on the bountiful food and crafts heritage, and how the posters, and T-shirt

As the first organic overview of the history of jazz in Europe and covering the subject from its inception to the present day, the volume provides a unique, authoritative addition to the musicological literature.

AN INTERACTIVE, SWING-ALONG PICTURE BOOK—WITH 12 SOUND CHIPS! Are you ready to swing? Discover the wonders of jazz: How to get in the groove, what it means to play a solo, and the joy of singing along in a call-and-response. In this interactive swing-along picture book with 12 sound chips, you’ll hear the instruments of jazz—the rhythm section with its banjo, drums, and tuba, and the leads, like the clarinet, trumpet, and trombone. And you’ll hear singers scat, improvising melodies with nonsense syllables like be-bop and doo-we-ah! Along the way, you’ll learn how this unique African American art form started in New Orleans, and how jazz changed over time as innovative musicians like King Oliver, Louis Armstrong, Duke Ellington, and Billie Holiday added their own ideas to it. Press the buttons to hear the band, the rhythms, and the singer calling out: “OH WHEN THE SAINTS—oh when the saints…”

Columbus has long been known for its musicians. Unlike New York, San Francisco, Kansas City, Nashville, or even Cincinnati, however, it has never had a definable scene. Still, some truly remarkable music has been made in this musical crossroads by the many outstanding musicians who have called it home. Since 1900, Columbus has grown from the 28th- to the 15th-largest city in the United States. During this period, it has developed into a musically vibrant community that has nurtured the talents of such artists as Elsie Janis, Ted Lewis, Nancy Wilson, Rahsaan Roland Kirk, Dwight Yoakam, Bow Wow, and Rascal Flatts. But, in many instances, those who chose to remain at home were as good and, perhaps, even better.

"Economy Hall: The Hidden History of a Free Black Brotherhood tells the story of the Sociâetâe d'Economie et d'Assistance Mutuelle, a New Orleans mutual aid society founded by free men of color in 1836. The group was one of the most important multiethnic, intellectual communities in the US South: educators, world-traveling merchants, soldiers, tradesmen, and poets who rejected racism and colorism to fight for suffrage and education rights for all. The author drew on the meeting minutes of the Sociâetâe d'Economie as well as census and civil records, newspapers, and numerous archival sources to write a narrative stretching from the Haitian Revolution through the early jazz age"--

Most jazz historians give short shrift to the Buckeye state, regarding as a go-through rather than a go-to place. However, the fact is jazz has been practiced in Ohio and with a vengeance. For 30 years, these authors have been researching and documenting the history of music, particularly jazz in Ohio. Their 1999 exhibit at the Ohio Historical Society, Jazz Ohio " ran for twelve months before portions of it moved to the Rock and Roll Hall of Fame. The exhibit inspired the book, and much of what you will read here has never been brought together in one place before and it may well change the way you think about jazz. And Ohio."

Draws on interviews with some of the most recognizable names in the jam band scene to trace the genre's origins and evolution, offering insight into key musical influences, songwriting styles, and tour experiences.