After Hitler brought Ante Pavelic to power in 1941, Pavelic created 34 "summary" courts throughout Croatia. He empowered every Croatian to arrest and kill Serbians without being charged with a crime. Any Croat could sit on these "courts," including former convicts who issued arrest warrants and passed out death sentences. Mobile courts roamed the countryside in which Serbs were arrested, tried, convicted and hanged-within hours of their capture. Numerous photographs of this period show thousands of victims hanging from trees and lamp posts throughout Croatia and Bosnia. Not a single person was brought to justice for these crimes against humanity. While the crimes of Jasenovac have finally, after 55 years, become the subject of discussion at an American college, it is paramount that we do not over-emphasize Jasenovac, as the vast majority of Serbian victims in the Holocaust were eliminated without being prisoners of any death camp, and were spared the grotesque deaths at camps like Jasenovac where victims were bludgeoned to death to save bullets, or worse, slowly dismembered to the pleasure of their tormentors.This book is the presentation of William Dorich at the First International Conference and Exhibition on the Jasenovac Concentration Camp sponsored by the Holocaust Resource Center at Kingsborough Community College, C.U.N.Y., New York. Its 60 pages reveal first person testimonies of some of the worse crimes of the 20th century including a partial list of 430 Roman Catholic priests who participated in the slaughters of tens of thousands of Serbs, then fled to Argentina with false passports created inside the "Vatican Ratline."

In The Death Camps of Croatia, Raphael Israeli shows that throughout Yugoslavia during World War II, anti-semitism was both deeply rooted and widespread. This book traces the circumstances and the historical context in which the pro-Nazi Ustasha state, encompassing Croatia and Bosnia, erected the Jadovno and Jasenovac death camps. Israeli distills fact and historical record from accusation and grievance, noting that seventy years later, the gap in research and the collection of data, memoirs, and oral histories has become almost irreparable. This volume meets the challenge, basing its conclusions on evidence from participants from the period. The battle between the Serbs and the Croats is not likely to be settled any time soon. Both sides have accused the other of the wrongdoings that everyone knows occurred. While the German Nazis, Croat Ustasha, Serbian collaborators, Cetnicks, and Bosnian Hanjar recruits are often seen as the wrongdoers, there were individuals who helped the Jews, hid them at great risk, and enabled them to survive. These people absorbed the Jews in their own ranks, and gave them the means to fight; they were the only people who helped the Jews. This volume is not about judging one side or the other; it is about acknowledging the evil all sides inflicted upon the Jewish minority in their midst. Serbs, Muslims, and Croats continue to dominate the ex-Yugoslavian scene. It has been their arena of battle for centuries, while the flourishing Jewish minority culture in that area has all but come to a historical standstill and has almost completely vanished. Yet the struggle over the historical record continues.

The true story of a boys experiences in the Jasenovac concentration camp in World War IIs Nazi puppet state of Croatia. Hidden history, unknown to Western audiences, the Jasenovac concentration camp, the so-called Balkan Auschwitz, was a place of torture and death for hundreds of thousands of Serbs, Jews, and Gypsies.

The Ustasha camp in Jasenovac is a sensitive historical theme, which still provokes strong political conflicts more than 70 years after the closure of the camp. During the time of the second Yugoslavia, the camp was made into a myth and one of the main levers for disciplining the society of the time. The Communist Party imposed the number of 700,000 victims and an exaggerated view of the alleged crimes and methods of killing inmates. The aim was to present itself as sole guarantor of security, because in the case of its "reigning-in", the fratricidal war would happen again, with Jasenovac as its main symbol. Before 1990, an attempt to point out the absurdity of the 700,000 alleged victims of Jasenovac entailed going to prison or compulsory psychiatric treatment. The documents referenced in this book indicate the need to continue with research of the Jasenovac camp and that in a democratic atmosphere, as far as possible, its realistic historical picture may be reached.

A New York Review Books Original The distinguished Croatian journalist and publisher Slavko Goldstein says, “Writing this book about my family, I have tried not to separate what happened to us from the fates of many other people and of an entire country.” 1941: The Year That Keeps Returning is Goldstein’s astonishing historical memoir of that fateful year—when the Ustasha, the pro-fascist nationalists, were brought to power in Croatia by the Nazi occupiers of Yugoslavia. On April 10, when the German troops marched into Zagreb, the Croatian capital, they were greeted as liberators by the Croats. Three days later, Ante Pavelić, the future leader of the Independent State of Croatia, returned from exile in Italy and Goldstein’s father, the proprietor of a leftist bookstore in Karlovac—a beautiful old city fifty miles from the capital—was arrested along with other local Serbs, communists, and Yugoslav sympathizers. Goldstein was only thirteen years old, and he would never see his father again. More than fifty years later, Goldstein seeks to piece together the facts of his father’s last days. The moving narrative threads stories of family, friends, and other ordinary people who lived through those dark times together with personal memories and an impressive depth of carefully researched historic details. The other central figure in Goldstein’s heartrending tale is his mother—a strong, resourceful woman who understands how to act decisively in a time of terror in order to keep her family alive. From 1941 through 1945 some 32,000 Jews, 40,000 Gypsies, and 350,000 Serbs were slaughtered in Croatia. It is a period in history that is often forgotten, purged, or erased from the history books, which makes Goldstein’s vivid, carefully balanced account so important for us today—for the same atrocities returned to Croatia and Bosnia in the 1990s. And yet Goldstein’s story isn’t confined by geographical boundaries as it speaks to the dangers and madness of ethnic hatred all over the world and the urgent need for mutual understanding.

Balkan Holocausts? compares and contrasts Serbian and Croatian propaganda from 1986 to 1999, analyzing each group's contemporary interpretations of history and current events. It offers a detailed discussion of holocaust imagery and the history of victim-centered writing in nationalism theory, including the links between the comparative genocide debate, the so-called holocaust industry, and Serbian and Croatian nationalism. No studies on Yugoslavia have thus far devoted significant space to such analysis.

A devastating novel about the attrocities of WWII, and the unspeakable things people did to survive, by one of Yugoslavia's great literary voices. Lamian is a survivor, but a survivor of a very special kind. He was a Kapo, a prisoner who served as a camp guard in order to save himself. But has Lamian saved himself? The war over, he resumes life in the Bosnian town of Banja Luka, works in a land-surveying office, rents a room, eats as many hot potatoes as he likes, not even bothering to salt them—the quantity is what matters. If only he could stop looking over his shoulder and flinching on the street in the fear that some stranger will step forward, smack his face, and say in a loud voice, “Here’s one!” If only he could stop worrying about Helena Lifka, who turned out to be a Yugoslav, and Jewish too; one of the women he made come naked into the toolshed where he hid the gold, and sit on his lap in exchange for bread and butter and a little warm milk. She could turn up any day, an old woman now, and point an accusing finger. In this masterful novel, Aleksandar Tišma shows step by step how fear can turn an ordinary human being into a monster.