From rugged Japanese firemen's ceremonial robes and austere rural work-wear to colorful, delicately-patterned cotton kimonos, this lavishly illustrated volume explores Japan's rich tradition of textiles. Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid 20th century. The Thomas Murray collection featured in this book includes daily dress, work-wear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly colored cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan's complex textile history as well as inspiration for today's designers and artists. This volume explores the range and artistry of the country's tradition of fiber arts and is an essential resource for anyone captivated by the Japanese aesthetic.

"Named with a word meaning 'cloth', NUNO is a Japanese textile-design company. Founded in 1984 by Junichi Arai and the company's current director, Reiko Sudo, NUNO is known for its innovations in textile production. NUNO designers are inspired by the past, present and future, integrating elements, such as paper or feathers or aluminium, with industrial methods, such as spatter-plating and chemical etching. All NUNO textiles - more than 2,500 have been created - are produced in Japan and are usually the handiwork of an individual craftsperson. Each bolt of cloth has a story to tell. Though their textiles appear regularly in books, textile exhibitions and museum collections, a comprehensive NUNO monograph has not existed - until now. Featuring influential or experimental fabrics, the book is organized into seven chapters, each based on a theme deriving from the onomatopoeic coupling in Japanese that defines a family of fabrics. For example, 'Shima Shima', meaning 'striped', presents striped designs ranging from bold and contrasting like zebra to subtly variegated like a tabby cat. Based on interviews, archival research and factory visits, the texts are illustrated with specially commissioned photos and drawings. Interspersed are essays by a wide range of contributors, from writer Haruki Murakami and architect Toyo Ito to curator Anna Jackson."--

"This illustrated volume presents highlights from the Victoria & Albert Museum's extensive collection of Japanese textiles and dress." "Ranging from embroidered kimono and woven actor's robes to the indigo-dyed textiles of rural Japan, this book explores the various patterning techniques that have been employed by Japanese textile artists from the seventeenth century to the present day. The richness and variety of the textiles are conveyed by the specially commissioned photographs, which include images of garments, bedding covers, gift covers, doorway curtains, decorative hangings, fabric lengths and samples." "Offering a wealth of inspiration to contemporary designers, this book provides an introduction to a vibrant cultural tradition, and should appeal to anyone interested in textiles or Japanese art and design." --Book Jacket.

History -- Yukata-cotton robes -- Nagajuban-undergarments -- Women's kimono -- Tomesode-kimono for formal occasions -- The obi and accessories -- Women's haori-short silk jackets -- Michiyuki-overcoats -- Men's apparel -- Uchikake and furisode -- Children's kimono -- Furoshiki & fukusa-ceremonial cloths -- Religious & ceremonial wear -- Fragments into finery-Japanese textiles renewed

Describes the strategies and technologies that have propelled Japan to the forefront of apparel textile innovation. Practically every facet of the industry is covered -- from technological advances in fiber and yarn mfg., fabric making, apparel design and prod., and the development of related equip. to the economics of offshore production and the role of gov't. Presents an overview of the bus. environment and a perspective on the potential impact of offshore moves on the future; and attempts to predict the focus of research on the future and the effects of an increasingly cost-conscious domestic consumer and overseas mfg. operations. Tables, diagrams and photos.

Fall in love with boro & sashiko stitching 30+ authentic stitch patterns, 9 projects. Combine hand stitches to create dramatic, unique designs and learn to embrace imperfection, admiring the utilitarian beauty of every stitch. “Shibaguyz” Shannon and Jason Mullett-Bowlsby invite you to try your hand at boro, the traditional Japanese art of mending and quilting, and more than 30 authentic sashiko designs. Stitching lessons are true to tradition, inspired by historical works by Japanese masters. This guide in sashiko and boro includes patterns, stitch how-tos, and needle-threading and knotting tips. Put your handwork to good use with 9 contemporary projects like a sashiko sampler wallhanging, reversible knot bag, or a kimono-inspired jacket! With step-by-step instructions, even beginners can embrace the art of visible mending. Hand sew 30+ authentic sashiko patterns with best-selling authors the Shibaguyz Recreate the traditional art of boro (mending textiles) with 9 useful projects from jackets and bags to home decor Read stitch charts, mark fabrics, and thread your needle with tips from the pros

A collection of boro-inspired projects and techniques which celebrates this traditional Japanese textile and its relevance to the modern sewer and quilter. Learn about the history of boro and how it is being revived for a new audience using contemporary fabrics including denim, linen and shibori tie dye as well as sashiko and other embroidery stitches. The word boro comes from the Japanese boroboro meaning something tattered or repaired. It refers to textiles that have been mended or patched together for utilitarian, not decorative, purposes to make the fabric stronger and warmer, and to mend torn and threadbare areas. The techniques section includes a short stitch directory with traditional stitches (running stitch and applique) and contemporary stitches (herringbone stitch, blanket stitch, chain stitch and whipped running stitch). Other techniques include instructions on improvisational patchwork; applique: raw, turned edge and reverse; darning techniques and methods for distressing and ageing fabrics to achieve an authentic boro finish.

Serizawa Keisuke (1895-1984) was one of the greatest artists of 20th-century Japan. This book presents Serizawa's artistic biography in detail using the finest examples of his work from leading Japanese collections.