Volume 2. The second of three volumes of essays that engage Japanese philosophers as intercultural thinkers, this collection critically probes seminal works for their historical significance and contemporary relevance. It shows how the relational ethics of Watsuji Tetsurō serves as a resource for new conceptions of trust, dignity, and human rights; how forgiveness empowers the repentance and the sense of responsibility advocated by Tanabe Hajime, and how Kuki Shūzō’s philosophy of contingency puts a fortuitous twist on normative ethics. The author also re-examines the controversy about Kyoto School wartime writings so as to uncover the covert side of today’s empires, and reflects on the hidden consequences of seeing nature as the non-human world. Underlying these investigations is a consistent style that interrogates philosophers for what lies undisclosed and that exposes decisive questions that arise between us and them.

This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.

Places the phenomenologies of Merleau-Ponty and Nishida in dialogue and uncovers a demand for a motor-perceptual form of faith in both philosophers’ meditations on artistic expression. In Merleau-Ponty and Nishida, Adam Loughnane initiates a fascinating new dialogue between two of the twentieth century’s most important phenomenologists of the Eastern and Western philosophical worlds. Throughout the book, the reader is guided among the intricacies and innovations of Merleau-Ponty’s and Nishida’s ontological approaches to artistic expression with a focused look at a rarely explored connection between faith and negation in their philosophies. Exploring the intertwining of these concepts in their broader ontologies invokes a reappraisal of the ambiguous status of religion and art in the writings of both thinkers. Measuring these ambiguities, the ontologies of Flesh and Basho are read in-depth alongside great artworks and the motor-perceptual practices of seminal landscape artists such as Cézanne, Sesshū, Taiga, and Hasegawa, as well as other major figures of European, Chinese, and Japanese art history. Loughnane studies these artists’ bodily practices, focusing on the intimate relations realized with the landscapes they paint, and illuminating a valence of their expressive disciplines as a motor-perceptual form of faith. Merleau-Ponty and Nishida is an exciting intercultural reading, expanding two philosophers’ projects toward new horizons of research, revealing incitements in their writings that challenge unambiguous distinctions between art, philosophy, faith, and ultimately philosophy East and West. “Loughnane illuminates the ambiguous, chiasmatic, and dynamic relationality between the body and the world, providing concrete examples from art history East and West. He not only skillfully explains Nishida’s and Merleau-Ponty’s ontological notions, but also puts their philosophy to the test of art works, proving that their thinking reveals an important truth of art.” — Takeshi Kimoto, Chukyo University

Nishida Kitaro is widely considered as the first original philosopher in modern Japan. Addressing this claim, Richard Stone critically examines Nishida's relation to his contemporary philosophers in the Meiji era (1868-1912), highlighting the continuity, difference and relationships between them. Stone reassesses the notion that Nishida's An Inquiry into the Good (1911) was substantially more philosophically worthwhile than any preceding attempts at philosophy in Japan, whilst demonstrating how his early ideas were heavily influenced by the work of thinkers such as Inoue Enryo, Onishi Hajime and Miyake Setsurei. He argues that original philosophy in Japan did not suddenly start with Nishida. Instead, it developed within a process of methodological refinement, wherein ideas starting from early Meiji philosophers were gradually given more rigorous treatment over the course of the era, eventually culminating in Nishida's early philosophy. Providing an in-depth analysis of Nishida's work that brings it into dialogue with his predecessors, The Origins of Modern Japanese Philosophy offers both an engaging insight into the Meiji Period as the background of Nishida's philosophical formation and also a clear account of how several core themes in modern Japanese philosophy evolved over the course of an era.

The volume introduces the central themes in and the main figures of Japanese Buddhist philosophy. It will have two sections, one that discusses general topics relevant to Japanese Buddhist philosophy and one that reads the work of the main Japanese Buddhist philosophers in the context of comparative philosophy. It combines basic information with cutting edge scholarship considering recent publications in Japanese, Chinese, English, and other European languages. As such, it will be an invaluable tool for professors teaching courses in Asian and global philosophy, undergraduate and graduate students, as well as the people generally interested in philosophy and/or Buddhism.

In every part of the world and in every era, philosophers have reflected on the meaning of culture and its philosophical significance. Japanese Philosophers on Society and Culture:Nishida Kitarō, Watsuji Tetsurō, and Kuki Shūzō explores how three of Japan's preeminent philosophers of the twentieth century—Nishida Kitarō, Watsuji Tetsurō and Kuki Shūzō—defined culture and analyzed what it tells us about social relations. Graham Mayeda also explores little-known aspects of the work of each philosopher, including a philosophical analysis of Watsuji's travel diary, Pilgrimages to the Ancient Temples in Nara, the place of intuition in Kuki's ethics of otherness, and the role of culture in realizing Nishida's concept of reality as the historical world. Each of these three philosophers adapted philosophical methodologies such as phenomenology, hermeneutics, and dialectical logic to studying the traditional sources of Japanese culture: Confucianism, Buddhism, Bushidō and Shintō. This book focuses on the way that Nishida, Watsuji and Kuki critiqued the methodologies that they adopted from European philosophy and modified them to reflect the values that form the basis of their own cultural tradition. Finally, Mayeda engages with the problem of cultural essentialism by identifying the progressive and conservative elements of each philosopher's characterization of Japanese culture.

Each discussion contributes to a portrait of these three composers as musical storytellers, each in his own way simulating the structure of lived experience in works of art."--BOOK JACKET.

This volume addresses the impact of the introduction of phenomenology in Japan and its interaction with Japanese philosophy. It is well known that phenomenology was introduced at a very early stage in Japan. Furthermore, phenomenology still constitutes one of the main currents of thought in Japan. However, the specific way in which phenomenology has interacted with the indigenous Japanese tradition of thought and Japanese culture has until now not been addressed in great detail. This volume fills that gap. It discusses in detail the encounter and the interaction between Japanese thought and phenomenological reflection, with special regards to the topics of awareness and the self, the experience of otherness, ethics, and metaphysical issues. The book shows how phenomenology has served, and still serves, Japan to re-comprehend its “own” tradition and its specific form(s) of culture. At the same time, it offers an example of how different cultures and traditions can be both preserved and developed in their reciprocal action. More in general, it advances the philosophical debate beyond cultural enclosures and beyond mere scholasticism. The phenomenological tradition has always been open to new and alien ideas. An encounter with Japanese philosophy can offer a new challenge to actual phenomenological thinking.

Nishida Kitarō (1870-1945) is considered Japan’s greatest modern philosopher. As the founder of the Kyoto School, he initiated a rigorous philosophical engagement with Western philosophy, including the work of Karl Marx. Bradley Kaye explores the political aspects of Nishida’s thought, placing his work in connection with Marxism and Zen. Developing concepts of self-awareness, Basho, dialectical materialism, circulation, will, nothingness, and the state. Nishida’s thought offers an ethics of personal will that radical awakening that offers clarity in a seemingly hopeless world.

Providing a comprehensive engagement with the work of Hans-Herbert Kögler, this is the first volume to expand upon and critique his distinctive approach to critical theory: critical hermeneutics. In the current climate of crisis, the relevance and fruitfulness of Kögler's work has never been greater, as he fuses the philosophies of Michel Foucault, Hans Georg Gadamer, and his mentor, Jürgen Habermas, to respond to critical international issues surrounding politics, agency, and society. Working towards a truly non-ethno-centric and global conception of intercultural dialogue, an essential aspect of Kögler's critical hermeneutics is his account of selfhood as reflexive: socially situated, embodied, and linguistically articulated, permeated by power, but yet critical and creative. Leading international scholars, representing a variety of disciplinary backgrounds, build upon Kögler's approach in this volume and explore the methodological, theoretical, and applicative scope of critical hermeneutics beyond the Frankfurt School. In doing so, they address some of the most pressing issues facing global society today, from multilingual education to the urgent need for interreligious and intercultural understanding. Closing with a response from Kögler himself, Hans-Herbert Kögler's Critical Hermeneutics also offers an exclusive account of the philosopher's contemporary re-appraisal of the core tenets of critical hermeneutics.