A passionate young woman of high courage... IN THIS SEQUEL TO JANE EYRE, young Janet Rochester is consigned to Highcrest Manor and the guardianship of the strict Colonel Dent while her parents journey to the West Indies. As Janet struggles to make a life for herself, guided by the ideals of her parents, she finds herself caught up in the mysteries of Highcrest. Why is the East Wing forbidden to her? What lies behind locked gates? And what is the source of the voices she hears in the night? Can she trust the enigmatic Roderick Landless, or should she transfer her allegiance to the suave and charming Sir Hugo Calendar? Whether riding her mare on the Yorkshire moors, holding her own with Colonel Dent, or waltzing at her first ball, Janet is strong, sympathetic, and courageous. After all, she is her mother's daughter. "The very first scene pulled me in and the suspense continued to build to the very end. I'm very impressed."—Historical-Fiction.com

Jane Eyre's American Daughters is about the influence of Charlotte Bronte's romance on North American writers, including Susan Warner, Louisa May Alcott, Martha Finley, Frances Hodgson Burnett, Kate Douglas Wiggin, Jean Webster, Eleanor Porter, and L M Montgomery. John Seelye demonstrates that the reception of Bronte's Gothic romance in America was filtered through Elizabeth Gaskell's biography of the author, published shortly after her friend's death in 1855. A sentimental classic in its day, Gaskell's book promoted an image of Charlotte as a long-suffering creative genius with high moral standards. Her biography necessarily overlooked Bronte's obsessive love for her Belgian professor. Constantin Heger, an older and married man. Though Heger did not return Charlotte's affection, he was the model for the lovers in Bronte's novels, including the passionate, adulterous Edward Rochester, who inspired censorious reviews questioning the moral character of the author when Jane Eyre was published in 1847, a reputation that Gaskell's biography successfully countered.

Initially published under the pseudonym Currer Bell in 1847, Charlotte Brontë's Jane Eyreerupted onto the English literary scene, immediately winning the devotion of many of the world's most renowned writers, including William Makepeace Thackeray, who declared it a work "of great genius." Widely regarded as a revolutionary novel, Brontë's masterpiece introduced the world to a radical new type of heroine, one whose defiant virtue and moral courage departed sharply from the more acquiescent and malleable female characters of the day. Passionate, dramatic, and surprisingly modern, Jane Eyre endures as one of the world's most beloved novels.

The daughter of the celebrated Parisian actress Céline Varens, Adèle is a homesick, forlorn eight-year-old when she is first brought to Thornfield Hall by Edward Fairfax Rochester, her mother's former lover and -- though the grand estate's brooding lord refuses to acknowledge it -- quite possibly Adèle's father. Lonely and ill at ease in the cold, unfamiliar English countryside, the sad, precocious child longs to return to the glitter of Paris ... and to the arms of the mother who has been lost to her. But a small ray of sunshine brightens her eternal gloom when a stranger arrives to school and care for her: a mousy and serious yet intensely loving young governess named Jane Eyre. As the years pass, Adèle watches with wonder as an unexpected romance blossoms between her governess and her guardian -- even as her curiosity leads her deeper into the shadowy manor, toward the dark and terrible secret that is locked away in a high garret. And on Jane and Rochester's planned wedding day, it is Adèle who is instrumental in bringing about the fiery catastrophe that shatters her "family" and sends her fleeing, frightened and alone, back to France. But Paris is no longer the glamorous ideal she remembers. Intent on finding her mother, Adèle is soon lost in a world of sham sparkle and ruthless exploiters. Yet her will remains strong as she grows and learns, determined to follow her solitary odyssey to its inevitable conclusion, as she -- like Jane Eyre and the tormented Edward Rochester -- searches for salvation and love amid the ruins of misfortune. A novel of wondrous imagination and vivid intensity, Emma Tennant's Adèle brilliantly captures the nuances and spirit of the cherished classic that inspired it, while being a bold and original literary work that stands firmly and gloriously on its own.

The reimagining of Jane Eyre as a gutsy, heroic serial killer that The New York Times Book Review calls “wonderfully entertaining” and USA Today describes as “sheer mayhem meets Victorian propriety”—nominated for the 2017 Edgar Award for Best Novel. “Reader, I murdered him.” A sensitive orphan, Jane Steele suffers first at the hands of her spiteful aunt and predatory cousin, then at a grim school where she fights for her very life until escaping to London, leaving the corpses of her tormentors behind her. After years of hiding from the law while penning macabre “last confessions” of the recently hanged, Jane thrills at discovering an advertisement. Her aunt has died and her childhood home has a new master: Mr. Charles Thornfield, who seeks a governess. Burning to know whether she is in fact the rightful heir, Jane takes the position incognito and learns that Highgate House is full of marvelously strange new residents—the fascinating but caustic Mr. Thornfield, an army doctor returned from the Sikh Wars, and the gracious Sikh butler Mr. Sardar Singh, whose history with Mr. Thornfield appears far deeper and darker than they pretend. As Jane catches ominous glimpses of the pair’s violent history and falls in love with the gruffly tragic Mr. Thornfield, she faces a terrible dilemma: Can she possess him—body, soul, and secrets—without revealing her own murderous past? “A thrill ride of a novel. A must read for lovers of Jane Eyre, dark humor, and mystery.”—PopSugar.com

Between the 1780s and the end of the nineteenth century, an army of sad women took up residence in other people's homes, part and yet not part of the family, not servants, yet not equals. To become a governess, observed Jane Austen in Emma, was to "retire from all the pleasures of life, of rational intercourse, equal society, peace and hope, to penance and mortification for ever." However, in an ironic paradox, the governess, so marginal to her society, was central to its fiction-partly because governessing was the fate of some exceptionally talented women who later wrote novels based on their experiences. But personal experience was only one source, and writers like Wilkie Collins, William Makepeace Thackeray, Henry James, and Jane Austen all recognized that the governess's solitary figure, adrift in the world, offered more novelistic scope than did the constrained and respectable wife. Ruth Brandon weaves literary and social history with details from the lives of actual governesses, drawn from their letters and journals, to craft a rare portrait of real women whose lives were in stark contrast to the romantic tales of their fictional counterparts. Governess will resonate with the many fans of Jane Austen and the Brontës, whose novels continue to inspire films and books, as well as fans of The Nanny Diaries and other books that explore the longstanding tension between mothers and the women they hire to raise their children.