For her five volumes of poetry over the course of her career, Jane Cooper (1924–2007) was deeply admired by her contemporaries, and teaching at Sarah Lawrence College for nearly forty years, she served as a mentor to many aspiring poets. Her elegant, honest, and emotionally and formally precise poems, often addressing the challenges of women’s lives—especially the lives of women in the arts—continue to resonate with a new generation of readers. Martha Collins and Celia Bland bring together several decades’ worth of essential writing on Cooper’s poetry. While some pieces offer close examination of Cooper’s process or thoughtful consideration of the craft of a single poem, the volume also features reviews of her collections, including a previously unpublished piece on her first book, The Weather of Six Mornings (1969), by James Wright, a lifelong champion of her work. Marie Howe, Jan Heller Levi, and Thomas Lux, among others, share personal remembrances of Cooper as a teacher, colleague, and inspiration. L. R. Berger’s moving tribute to Cooper’s final days closes the volume. This book has much to offer for both readers who already love Cooper’s work and new readers, especially among younger poets, just discovering her enduring poems.

Tips on acquiring, setting up, operating, and maintaining a wood-burning stove are followed by recipes for breakfast foods, soups, stews, breads, main dishes, desserts, and other items

Secrets, intrigue, and meddling in love – I Was Jane Austen's Best Friend by Cora Harrison is a historical romantic comedy, perfect for fans of Bridgerton. Jane says that if I am to be the heroine of this story, something will throw a hero in my way . . . I Was Jane Austen's Best Friend is the secret diary of Jenny Cooper, Jane Austen’s teenage friend and confidante. Their evenings are a blur of beautiful dresses, balls, gossip and romance; their days are spent writing about them – Jenny in her diary, Jane in her first attempts at fiction. When Jenny falls utterly in love with a handsome naval officer, obstacles stand in their way. Who better to help her than Jane herself, who already considers herself an expert in love and relationships?

FINALIST FOR THE J. ANTHONY LUKAS BOOK PRIZE NATIONAL BESTSELLER Named One of The Best Books of 2020 by NPR's Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * Bustle A Recommended Book by The New York Times * The Washington Post * Publisher's Weekly * Kirkus Reviews* Booklist * The Boston Globe * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * Shondaland Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men. You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget. 1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.

Burbank and Cooper examine Rome and China from the third century BCE, empires that sustained state power for centuries.

Elizabeth Jane Howard (1923-2014) wrote brilliant novels about what love can do to people, but in her own life the lasting relationship she sought so ardently always eluded her. She grew up yearning to be an actress; but when that ambition was thwarted by marriage and the war, she turned to fiction. Her first novel, The Beautiful Visit, won the John Llewellyn Rhys prize - she went on to write fourteen more, of which the best-loved were the five volumes of The Cazalet Chronicle. Following her divorce from her first husband, the celebrated naturalist Peter Scott, Jane embarked on a string of high-profile affairs with Cecil Day-Lewis, Arthur Koestler and Laurie Lee, which turned her into a literary femme fatale. Yet the image of a sophisticated woman hid a romantic innocence which clouded her emotional judgement. She was nearing the end of a disastrous second marriage when she met Kingsley Amis, and for a few years they were a brilliant and glamorous couple - until that marriage too disintegrated. She settled in Suffolk where she wrote and entertained friends, but her turbulent love life was not over yet. In her early seventies Jane fell for a conman. His unmasking was the final disillusion, and inspired one of her most powerful novels, Falling. Artemis Cooper interviewed Jane several times in Suffolk. She also talked extensively to her family, friends and contemporaries, and had access to all her papers. Her biography explores a woman trying to make sense of her life through her writing, as well as illuminating the literary world in which she lived.

Sometimes you want to write, but you don't know what to write about. Sometimes you know what to write about, but not how to make it work. This book will bring you a year's advice and inspiration to move your writing forward. Each two-page spread opens with learning points and advice, followed by interesting exercises to help you put this into practice. In 365 days you'll learn to: - create believable characters - write realistic dialogue - let your reading improve your writing - use personal experience to inspire fiction find the factors that get a story going - choose the right tense and person for your stories - show, rather than tell - work out which writing rules really matter - and follow them

High in the Andes Mountains, the littlest llama wants to play but his mother, sisters, gran, and aunt are busy, and so he leaves the herd to seek a playmate and finds adventure, instead.

The prominent cultural critic Mieke Bal defines the new discipline of 'art writing' as a fresh mode of criticism, which aims to 'put the art first'. Following this definition, "Site-Writing: The Architecture of Art Criticism" puts the sites of the critic's engagement with art first. The book puts into shape what happens when discussions concerning situatedness and site-specificity enter the writing of art criticism. The sites explored are the material, emotional, political and conceptual settings of the artwork's construction, exhibition and documentation, as well as those remembered, dreamed and imagined. Through five different spatial configurations - both psychic and architectural - "Site-Writing" explores artworks by artists as diverse as Jananne Al-Ani, Elina Brotherus, Nathan Coley, Tracey Emin, Christina Iglesias and Do-Ho Suh, aiming to adapt such psychoanalytic ways of working as free association and conjectural interpretation to art criticism.

JOEY PIGZA SWALLOWED A KEY meets DEAR MR. HENSHAW