This lavishly illustrated book is the catalogue for an exhibition of the works of Jan Steen, coorganized by the National Gallery of Art, Washington, and the Rijksmuseum, Amsterdam.

In The Drawing Lesson, Jan Steen celebrates the art of the painter as teacher, placing his subjects in a familiar Dutch interior. This fascinating study of the painting - a masterpiece of the Museum's collection - examines the individual parts and larger patterns of the work and also recounts Steen's career and a history of the picture itself.

This publication includes six fictive conversations on the dynamism and processes that are at the basis of the actor's dramaturgy. These conversations never really took place - or at least not outside the author's own thinking process. The interlocutors are not based on real people. They are not psychologically realistic characters, but 'voices' that speak and argue from the perspective of their specific functions within the field of theatre. They are perspectives and functions that the author himself has experienced and through which he has reasoned throughout his whole professional life, being an actor, a director, a teacher and still considering himself to be a student. The dialogue format offers an opportunity to engage in a dynamic and open 'conversation' with these different functions and with the reader of the text, without any hierarchy among them. Complementary to the text, there are photos and a DVD with images of the author's work.

Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.

The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.

An Inner World, the exhibition co-curated by Lara Yeager-Crasselt of the Leiden Collection and Heather Gibson Moqtaderi, Assistant Director and Associate Curator of the Arthur Ross Gallery, features exceptional paintings by seventeenth-century Dutch artists working in or near the city of Leiden, including nine paintings from the Leiden Collection (New York) and one painting from the Clark Art Institute (Williamstown, MA). Ten rare seventeenth-century books drawn from the collection of University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts expand the intellectual and cultural contexts of the exhibition. Works by Gerrit Dou, Gabriel Metsu, Domenicus van Tol, Willem van Mieris, and Jacob Toorenvliet demonstrate how these artists developed a sustained interest in an inner world—figures in interior spaces, and in moments of contemplation or quiet exchange, achieved through their meticulous technique of fine painting. In this lavishly illustrated catalogue, essays penned by specialists in the field of early modern Dutch painting illuminate the exhibition's themes and lesser known artists, and shed new light on the fijnschilders, or fine painters, of Leiden. Yeager-Crasselt's essay explores the central themes of An Inner World through the lens of Leiden as a university city and Dutch artists' interests in the illusionism of space, candlelight, and painted surfaces. Shira Brisman examines the use of candlelight in seventeenth-century paintings and its role as a source of illumination as well as an indicator of the larger issue of the wax trade and the "outer world" of commerce. Last, Eric Jorink reflects on the confluence of art, science, and religion in the Dutch Golden Age.

Published to accompany an exhibition held in Sept. 2002 by the Albany Institute of History and Art.

The statics and mechanics of structures form a core aspect of civil engineering. This book provides an introduction to the subject, starting from classic hand-calculation types of analysis and gradually advancing to a systematic form suitable for computer implementation. It starts with statically determinate structures in the form of trusses, beams and frames. Instability is discussed in the form of the column problem - both the ideal column and the imperfect column used in actual column design. The theory of statically indeterminate structures is then introduced, and the force and deformation methods are explained and illustrated. An important aspect of the book’s approach is the systematic development of the theory in a form suitable for computer implementation using finite elements. This development is supported by two small computer programs, MiniTruss and MiniFrame, which permit static analysis of trusses and frames, as well as linearized stability analysis. The book’s final section presents related strength of materials subjects in greater detail; these include stress and strain, failure criteria, and normal and shear stresses in general beam flexure and in beam torsion. The book is well-suited as a textbook for a two-semester introductory course on structures.