The author of Sir Lawrence Alma-Tadema surveys the life and work of James Tissot (1836-1902) and, for the first time in a large format, presents a superb selection of Tissot's finest paintings. Includes a list of his paintings in public collections. 60 illustrations, including 40 in full color.

THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.

"Nancy Rose Marshall and Malcolm Warner explore Tissot's themes and interests and consider the influence on his work of Charles Baudelaite's brilliant essay on the aesthetics of modernity, Le Peintre de la vie moderne. They examine how Tissot dealt with the ways of modern love in Paris and London in the later nineteenth century."--BOOK JACKET.

Artist James Tissot compiled photographs of his work in three albums, which are reproduced in this book.

This monograph surveys the life and work of James Tissot, a stylish and enigmatic 19th-century painter. This book presents a selection of his work from both public and private collections. His paintings of the social lives of prosperous Victorians are acknowledged as being revealing visual documents, conveying the mood, aspirations and sentiment of the era.

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James (actually Jacques-Joseph) Tissot (1836-1902) was an artist between the worlds. During his creative phases in London and Paris, he produced a wide variety of works, ranging from caricatures to family portraits, Parisian depictions of women, and Bible illustrations.

Engaging, sophisticated, and witty, French-born artist James Joseph Tissot (1836-1902) painted for many years in London before returning to Paris in the 1880s. His works not only document contemporary fashion, manners, and mores, but also the paradoxes and anxieties of his age. In this book, ten contributors approach Tissot and his art from a variety of theoretical positions and disciplines to arrive at fresh and often startling insights. Looking both at and beneath Tissot’s seductive surfaces, the authors attempt to identify and decode the artist’s subtexts - issues of gender, class, and such ancillary topics as voyeurism, exhibitionism, fetishism, kitsch, and spiritualism.