Sir James Stirling was arguably the greatest British architect of the twentieth century. This book provides the most comprehensive critical survey of Stirling's work to date, charting the development of his ideas from his formative years, through his partnership with James Gowan, on to his period in practice as sole partner; and finally, his partnership with Michael Wilford. Using archival material, extensive interviews with his partners and others who worked for him, together with analytical examination of key buildings, this detailed critical examination explains his philosophy, working method and design strategy. In doing so, it sheds new light on the atelier structure of his office and who did what on his major buildings. Geoffrey Baker is the first to analyse in depth the articulation systems used in major projects undertaken by Stirling. He confirms that the Staatsgalerie complex at Stuttgart does not demonstrate Stirling's interest in post modernism but rather an enhanced sensitivity towards context informed by his growing allegiance to the classical canon. Baker explains how this important development in his work, powerfully influenced by Karl Friedrich Schinkel, is consummated in perhaps the finest of Stirling's uncompleted works, the extension to London's National Gallery. In a discussion of his mature works, Baker explains how Stirling's work can be understood in terms of several interconnected ideas. These include surrealism, historicism, myth and metaphor, inconsistency and ambiguity, bi-lateral symmetry, the garden, rusticity and arcadia, and the archetype, seen as the repository of the collective architectural memory. As well as discussing his interests and those who influenced Stirling, the book compares his oeuvre with that of the pioneers of modern architecture, Mies van der Rohe, Frank Lloyd Wright, Alvar Aalto and Le Corbusier. This book charts a remarkable career, and offers invaluable insights not only into the masterly, timeless architecture, but also into the man himself: charismatic, irreverent, courageous, serious; sometimes rude, often stubborn, belligerent, yet gentle. He was endlessly inventive and deeply dedicated to his art, producing buildings that reflect all of the above, buildings that are magnificent and ultimately humane.

The British architect James Frazer Stirling (1924–1992) stimulated impassioned responses among both supporters and detractors, and he continues to be the subject of fierce debate. He earned international renown through such innovative—and frequently controversial—projects as the Leicester University Engineering Building (1959–63); the History Faculty building at Cambridge University (1964–67); the Neue Staatsgalerie, Stuttgart (1977–84); the Clore Gallery at Tate Britain (1984); and the Arthur M. Sackler Museum at Harvard University (1979–84). Stirling was also a visiting professor at the Yale School of Architecture, where he trained and influenced many of the current leaders in the field. Fully illustrated with previously unpublished documents and new photography from the James Stirling/Michael Wilford Archive at the Canadian Centre for Architecture, Montreal, this book allows for a close examination of design drawings, photographs, and models spanning Stirling’s entire career. These materials deepen our understanding of the influences, early formation, approach, and process of an architect whose work resists labeling. Filled with in-depth analytical and critical presentations of exemplary projects and their reception, the volume reveals Stirling to be a remarkably informed and consistent thinker and writer on architecture.

"Born in 1923, graduating from the School of Architecture at Liverpool University in 1950, James Stirling ranks as one of the most interesting figures to emerge in Britain in the second half of the twentieth century. His activity lasted from 1950 until 1992, the year of his death. His work exemplified a continuous and undogmatic research, in which modern architecture is constantly redefined through the attention given to its social content and its physical context."--BOOK JACKET.

James Stirling and Michael Wilford realised a significant body of work during their partnership. Considered one of the most important international architectural practices of the twentieth century, Stirling and Wilford made an exceptional contribution to contemporary architecture. Young, radical and eccentric, their work rejected the prevalent orthodoxy of the International Style, revisiting instead the early masters of heroic Modernism and achieving legendary status amongst a younger generation of architects. With early work in the UK and then Europe, from the late 1970s the practice designed buildings at four American Universities: Harvard, Rice, Cornell and UC Irvine, as well as a number of unbuilt projects. The Arthur M Sackler Museum at Harvard University, 1984, retains an iconic status, and straddles the postmodern and classical vocabulary that Stirling and Wilford employed at the Neue Staatsgalerie in Stuttgart, 1984, and No 1 Poultry, completed in 1997, after Stirling's death in 1992. Yet, despite the significance of these projects, until now, the contribution of the practice's work in the United States to the development of late twentieth century architecture has never been fully appraised. Through texts by eminent contributors including Kenneth Frampton, Robert Maxwell and Anthony Vidler, Stirling and Wilford American Buildings reassesses the importance of this body of work, establishing the legacy of the later American work of one of the twentieth century's most influential architectural practices.

Previously unpublished writings by and about James Stirling (1924-1992), arguably the most influential and controversial post-war British architect.

In 1987, Berlin as a whole became a laboratory for architecture. A wide range of notable buildings with a unique density was created in the East and the West in connection with the city?s 750th anniversary. While the buildings were vilified at the time, they now appear as important witnesses to a ?postmodern? era of building, which called the traditional architecture of the modern living environment into question. Today, the buildings have disappeared, been modified, or are threatened with demolition. For the first time, the exhibition and publication examine the significance of the architectural visions developed in East and West Berlin in the final decade before the fall of the Berlin Wall.00Exhibition: Berlinische Galerie ? Landesmuseum für Moderne Kunst, Fotografie und Architektur, Berlin, Germany (30.10.2020 - 22.03.2021).

Reality Modeled After Images: Architecture and Aesthetics after the Digital Image explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment. For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.

James Stirling (1920-1992) was one of the most influential figures of contemporary architecture. From the 1950s on - later in cooperation with his partner Michael Wilford, born in 1938 - Stirling conceived numerous projects in which a historic sensibility was combined with a creative architectural vocabulary. The practice achieved wide renown with the designs for the Stuttgart State Gallery, The London Tate Gallery extension, and the Braun Headquarters in Melsungen. In 1981, Stirling was awarded the Pritzker Prize. Since Michael Wilford's heading of the practice, projects like Temasek Polytechnic in Singapore or the British Embassy in Berlin have drawn considerable attention. This monograph offers a comprehensive survey of the oeuvre of both architects.

The partnership of James Stirling Michael Wilford and Associates became over a 30 year period one of the most internationally renowned architectural practices. The projects shown in this book exemplify the design philosophy of the firm