No other governor has become so completely identified with Texas and its citizens as Jim Hogg, the first native Texan to hold the state's highest office. His fame was not, however, easily earned. Orphaned at twelve, he worked as farmhand, typesetter, and country editor to finance his study of law, an endeavor that eventually led him into public life. Even before his admission to the bar in 1875 he served as justice of the peace in Wood County. Later, in two terms as district attorney (1881–1885), he proved himself a fearless prosecutor. His growing reputation, with his magnetic personality, brought him the attorney generalship in 1887, and in that office he fulfilled his campaign promises to enforce all laws. During Hogg's tenure, suits brought by his department resulted in the restoration of more than a million acres of state lands held by the railroads. In 1890 Hogg was elected governor. Early the next year he began urging his reform program, the keystone of which was establishment of the Railroad Commission. He also brought about the passage of laws preventing the watering of railroad securities, the indiscriminate issuance of municipal securities, and the establishment of landholding companies. Land ownership by aliens was likewise restricted. Throughout Hogg's public life, from iustice of the peace to governor, he was motivated by his concern for the welfare of the people. Invariably his criterion for evaluation of an issue was the effect of a decision upon the common welfare. In this democratic progressivism he was the Texas version of Thomas Jefferson or Theodore Roosevelt. Molded by his varied experiences, Jim Hogg was a man of many professions—printer, lawyer, politician, statesman, oil magnate. In these relationships he was still a warmly human person, a loving son, brother, husband, father, friend. His ambition to provide abundantly for his family was expansive enough to include all Texans; so his love for "the people" was reiterated in his public benefactions, through which Texans are even today still sharing his wealth. Jim Hogg's varied public life and his heart-warming personal life are dramatically presented in this absorbing biography. In it, the far-sweeping panorama of Texas development in the late nineteenth and early twentieth centuries is shown in relation to his dreams and achievements.

Published anonymously in 1824, this gothic mystery novel was written by Scottish author James Hogg. The Private Memoirs and Confessions of a Justified Sinner was published as if it were the presentation of a century-old document. The unnamed editor offers the reader a long introduction before presenting the document written by the sinner himself.

Texas legend has it that James Stephen Hogg, Governor of Texas from 1890 to 1894, named his daughters Ima and Ura, but that is only half-true: there never was a Ura. Ima had three brothers, Will, Mike, and Tom. Ima Hogg, who was born in 1882 and died in 1975 at age 93, became a legend in her own right, and this book is her story. It is also the story of the extraordinary bond between a father and a daughter. James Stephen Hogg, who worked his way from a hardscrabble life in the piney woods of East Texas to the Governor's Mansion in Austin, was a giant in Texas politics, both literally (standing six feet three inches tall and weighing close to 300 pounds) and figuratively, as the champion of the "little people" against big business in the 1890s. He adored his daughter, and after his wife, Sallie Stinson Hogg, died of tuberculosis in 1895, Ima and her father drew even closer. Jim Hogg, a widower in his 40's with four children--Will, 20; Ima, 13, Mike, 10, and Tom, 8--left politics to practice law in Austin, and Ima became the "sunshine" of her father's household. While Ima attended the University of Texas and then studied music in New York City, ex-Governor Hogg pursued business interests, and was one of the early investors in the Texas oil boom after the Spindletop gusher in 1901. He was not a rich man when he died in 1906, but the old plantation he bought in Brazos County near West Columbia would eventually produce oil that would make Ima and her brothers wealthy. The Hogg children lived well, but they also devoted part of their time and money to the enrichment of the educational and cultural life of Texas. Will gave generously to the University of Texas, his alma mater, and to many other institutions, such as the Museum of Fine Arts, Houston, and the Houston YMCA. “Miss Ima,” as she was known (she never married), founded the Houston Symphony, served on the Houston School Board, established the Hogg Foundation for Mental Health, and restored several historic Texas buildings, including the house at the Varner-Hogg Historic Site, which had been her father's beloved country home. In 1966 she gave her own house, filled with the priceless Early American art and furniture she had collected, as the Bayou Bend Collection of the Museum of Fine Arts, Houston. Thousands of people visit Bayou Bend every year, and this book describes its history, as well as that of an extraordinary Texas woman. Ima Hogg: The Goverrnor's Daughter is number 20 in the Fred Rider Cotten Popular History Series.

A guide devoted to its subject, the book draws on recent breakthroughs in research on Hogg to illuminate the urgent debates and fruitful contexts that helped to shape his writings. Essays written by an international team of scholars provide an indispensab

In 1892 on a Texas ranch, ten-year-old Ima Hogg rides her pet ostrich in a race against her brothers who are on horsback. Includes facts about the real Ima, daughter of Texas Governor James Stephen Hogg.

This handbook helps professionals working with adults withintellectual disabilities to establish the needs of individualsthrough systematic assessment and to monitor and evaluate theeffectiveness of the service they provide. A comprehensive handbook for professionals working with adultswith intellectual disabilities. Enables these professionals to establish the needs ofindividuals Helps them to monitor and evaluate the effectiveness of theservice they provide. Expert contributions include conceptual chapters anddescriptions of selected assessment instruments. Covers the full spectrum of need, including adults with mentalhealth difficulties, behavioural problems, forensic needs andassessment of people with profound intellectual and multipledisabilities, and those suspected of developing dementia.

Circuit Riders for Mental Health explores for the first time the transformation of popular understandings of mental health, the reform of scandal-ridden hospitals and institutions, the emergence of community mental health services, and the extension of mental health services to minority populations around the state of Texas. Author William S. Bush focuses especially on the years between 1940 and 1980 to demonstrate the dramatic, though sometimes halting and conflicted, progress made in Texas to provide mental health services to its people over the second half of the twentieth century. At the story’s center is the Hogg Foundation for Mental Health, a private-public philanthropic organization housed at the University of Texas. For the first three decades of its existence, the Hogg Foundation was the state’s leading source of public information, policy reform, and professional education in mental health. Its staff and allies throughout the state described themselves as “circuit riders” as they traveled around Texas to introduce urban and rural audiences to the concept of mental health, provide consultation for all manner of social services, and sometimes intervene in thorny issues surrounding race, ethnicity, gender, class, region, and social and cultural change.

This biography of James Roberston Justice celebrates the secret life and glittering career of one of British cinema's finest and most recognisable screen personalities. James Robertson Justice made a treasure chest of classic British movies. He is best remembered as the bombastic Sir Lancelot Spratt in Doctor in the House (1954), but also starred in many wonderful films, both comedies and drama, often portrayed as a domineering (if frequently soft-centred) ogre. This book unravels for the first time, through detailed research and original interviews with those close to him, the myriad complexities of one of Britain's finest actors. The book is fully illustrated with many rare photos. A must buy for fans of classic British films. The book features a foreword by Prince Philip.

Responding to the resurgence of interest in the Scottish working-class writer James Hogg, Alker and Nelson offer the first edited collection devoted to a critical examination of his writings. The essays explore the varied and experimental works of Hogg to establish that they deserve a central place in Romantic studies and to demonstrate that they anticipate and address many recent concerns voiced in contemporary discussions of literature.