Reprint of the original, first published in 1880.

In 1836 the United States government received a strange and unprecedented gift - a bequest of 104,960 gold sovereigns (then worth half a million dollars) to establish a foundation in Washington 'for the increase and diffusion of knowledge among men'. The Smithsonian Institution, as it would eventually be called, grew into the largest museum and research complex in the world. Yet it owes its existence to an Englishman who never set foot in the United States, and who has remained a shadowy figure for more than a hundred and fifty years. Smithson lived a restless life in the capitals of Europe during the turbulent years of the French Revolution and the Napoleonic Wars; at one time he was trailed by the French secret police, and later languished as a prisoner of war in Denmark for four long years. Yet despite a certain a penchant for gambling and fine living, he had, by the time of his death in Paris in 1829, amassed a financial fortune and a wealth of scientific papers that he left to the new democracy America. Spurned by his natural father and his country, he would be acknowledged for his own achievements in the New World. Drawing on unpublished diaries and letters from archives all over Europe and the United States, Heather Ewing tells the full and compelling story for the first time, revealing a life lived at the heart of the English Enlightenment and illuminating the mind that sparked the creation of America's greatest museum.

Excerpt from James Smithson and His Bequest The materials for a biography of James Smithson are exceedingly scanty, and no life of him has ever been published. Efforts have several times been made by the Smithsonian Institution to procure facts and incidents relative to its founder, and during the present year unusual exertions were put forth for this purpose. Nothing new has been elicited however from these recent inquiries, and Mr. Rhees has collected all the information likely to be obtained and presents it, for the first time, as an authentic account of the distinguished man who was no less noted for his own scientific attainments than for his remarkable bequest. The following pages include a sketch of his life, list of his writings, notices of his death, and tributes to his memory. It also gives a concise account of the manner in which the legacy was obtained by the United States, of the legislation of Congress in relation to its acceptance and disposition, and of the final passage of the "Act to establish the Smithsonian Institution." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"After Smithson's death, nineteenth-century American politicans were given the task of securing his half-million dollars - the equivalent today of fifty million - and then trying to determine how to increase and diffuse knowledge from the muddy, brawling new city of Washington. Burleigh discloses how Smithson's bequest was nearly lost due to fierce battles among many clashing Americans - Southern slavers, state's rights advocates, nation-builders, corrupt frontiersmen, and Anglophobes who argued over whether a gift from an Englishman should even be accepted. She also reveals the efforts of the unsung heroes, mainly former president John Quincy Adams, whose tireless efforts finally saw Smithson's curious notion realized in 1846, with a castle housing the United States' first and greatest cultural and scientific establishment."--BOOK JACKET.

The Smithsonian Institution is America's largest, most important, and most beloved repository for the objects that define our common heritage. Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States. Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history. Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right.

Reprint of the original, first published in 1880.

"From an insider's perspective, Robert C. Post ... offers insight into the politics of display and the interpretation of history. Never before has a book about the Smithsonian detailed the recent and dramatic shift from collection-driven shows, with artifacts meant to speak for themselves, to concept-driven exhibitions, in which objects aim to tell a story, displayed like illustrations in a book"--Dust jacket flap.