The text of Finnegans Wake is not as monolithic as it might seem. It grew out of a set of short vignettes, sections and fragments. Several of these sections, which James Joyce confidently claimed would "fuse of themselves", are still recognizable in the text of Finnegans Wake. And while they are undeniably integrated very skillfully, they also function separately. In this publication history, Dirk Van Hulle examines the interaction between the private composition process and the public life of Joyce's 'Work in Progress', from the creation of the separate sections through their publication in periodicals and as separately published sections. Van Hulle highlights the beautifully crafted editions published by fine arts presses and Joyce's encouragement of his daughter's creative talents, even as his own creative process was slowing down in the 1930s. All of these pre-book publications were "alive" in both bibliographic and textual terms, as Joyce continually changed the texts in order to prepare the book publication of Finnegans Wake. Van Hulle's book offers a fresh perspective on these texts, showing that they are not just preparatory versions of Finnegans Wake but a 'Work in Progress' in their own right.

Work in Progress contains a separate essay on each of Joyce’s major works (Dubliners, A Por­trait of the Artist as a Young Man, Ulysses, and Finnegans Wake), with recognized Joyce schol­ars examining in each a central critical problem. Morris Beja examines Dubliners from the perspective of the “epiphany,” a concept for­mulated by the young Joyce. Richard Peter­son finds a rhythmic flow in A Portrait that helps us see its narrative structuring more clearly. Shari and Bernard Benstock explore Ulysses to discern how movement and spa­tiality function in its narrative. Patrick Mc­Carthy considers how Finnegans Wake and its audience are necessarily symbiotic partners. In the second grouping of essays Edmund Epstein and Fritz Senn each investigate how Joyce handles—or manipulates—language. Looking at three decades of criticism, Mar­garet Church demonstrates where the study of the Viconian cycle and stream-of-con­sciousness has led toward an understanding of the role of time in Joyce’s fiction. Sheldon Brivic adduces a Joycean psychology from the works that offers an additional dimension to the study of the texts. Suzette Henke traces the growing maturity of Joyce’s atti­tude toward women. Completing the collec­tion, Father Robert Boyle examines the reli­gious ethos present in Joyce’s work.

This eBook features the unabridged text of ‘Finnegans Wake’ from the bestselling edition of ‘The Complete Works of James Joyce’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Joyce includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Finnegans Wake’ * Beautifully illustrated with images related to Joyce’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Publisher description

As James Joyce was working on Finnegans Wake, he asked his friend T.S. Eliot to shepherd an early extract, simply known as 'Work in Progress' into print. This celebrated episode, Anna Livia Plurabelle, was the first part of Joyce's extraordinary text to be published in England, printed in pamphlet form in 1930. It became the best-known section of Finnegans Wake, and one of Joyce's favourites; revised and published independently more times than any other piece. This new edition in the Faber Modern Classics series includes a new foreword by Edna O'Brien. 'His writing is not about something; it is that something itself.' Samuel Beckett

Since its publication in 1939, countless would-be readers of "Finnegans Wake" - James Joyce's masterwork, which consumed a third of his life - have given up after a few pages, dismissing it as a "perverse triumph of the unintelligible." In 1944, a young professor of mythology and literature named Joseph Campbell, working with Henry Morton Robinson, wrote the first "key" or guide to entering the fascinating, disturbing, marvelously rich world of "Finnegans Wake." The authors break down Joyce's "unintelligible" book page by page, stripping the text of much of its obscurity and serving up thoughtful interpretations via footnotes and bracketed commentary. They outline the book's basic action, and then simplify -- and clarify -- its complex web of images and allusions. "A Skeleton Key to Finnegans Wake" is the latest addition to the "Collected Works of Joseph Campbell" series.

The New Cambridge Companion to Samuel Beckett offers an accessible introduction to issues animating the field of Beckett studies today.

"Our Exagmination Round His Factification for Incamination of Work in Progress," a collection of twelve essays and two "letters of protest" from writers such as Beckett, Gilbert, Jolas, McAlmon, and Carlos Williams was orchestrated by Joyce ten years before the publication of Finnegan's Wake. This new collection of essays by fourteen outstanding Joycean scholars offers one essay in response to each of the original Exagmination contributions. From philosophically informed exegeses and new conceptions of international modernism to considerations of dance, film, and the flourishing field of genetic studies, these essays together exemplify an interdisciplinary criticism that is also a lively and ongoing conversation.