Born in Naples, he spent his childhood in various Italian cities since his father was a banker. In Bologna he began to attend intellectual circles at Roberto Roversi 's renowned Palma Verde bookstore. It was in one of the magazines published by this cultural center that the first part of "James Joyce, Rome & Other Stories" was first published. He later worked for various radio producers, especially Radio Capodistria and the Italian Swiss Radio so he moved to Tuscany. Finally he was able to devote himself to reading and to pursue his literary work. His main literary influence was Calvin, author of extraordinary literary intellectual subtlety and intelligence. Giuseppe Cafiero continuously reads Borges, another great sublime, inimitable author who also worshiped Joyce. Yes, Joyce is intriguing, beautiful, but Borges ... Giuseppe Cafiero has written renditions, free adaptations, reductions for the radio, translations from French. The spectrum of names is extensive, from Shakespeare to O'Neill, from Raspe to Daudet, from Toller to Brecht. But his strongest point is the "bio-fiction," as this book about Joyce in Rome, another published in 2008 about Vincent van Gogh, and one about Monsieur Gustave Flaubert in 2010. The three characters were revolutionary in their own field. Van Gogh, with his extraordinarily beautiful explosion of colors. Joyce, who broke with the literary realism of the 1800's. Hence, his books boast a great command of his characters' voice thanks to his experience writing for the radio. Giuseppe Cafiero wrote such a program called "James Joyce in una notte in Valpurga" in 1990 and after that he finished the fictionalized story about Joyce's stay in Rome in 1906 and 1907. Giuseppe Cafiero lives in the Tuscan countryside, in Lucignano, Italy.

That James Joyce’s “The Dead” forms an extraordinary conclusion to his collection Dubliners, there can be no doubt. But as many have pointed out, “The Dead” may equally well be read as a novella—arguably, one of the finest novellas ever written. “The Dead,” a “story of public life,” as Joyce categorized it, was written more than a year after Joyce had finished the other stories in the collection, and was meant to redress what he felt was their “unnecessary harsh[ness].” Set on the feast of the epiphany, it is a haunting tale of connection and of alienation, reflecting, in the words of Stanislaus Joyce (James’s brother and confidant), “the nostalgic love of a rejected exile.” The present volume highlights “The Dead” for readers who wish to focus on that great work in a concise volume—and for university courses in which it is not possible to cover all of Dubliners. But it also gives a strong sense of how that story is part of a larger whole. Stories from each of the other sections of Dubliners have been included, and a wide range of background materials is included as well, providing a vivid sense of the literary and historical context out of which the work emerged.

Named one of the best books of historical fiction by the New York Times Acclaimed Irish novelist Nuala O’Connor’s bold reimagining of the life of James Joyce’s wife, muse, and the model for Molly Bloom in Ulysses is a “lively and loving paean to the indomitable Nora Barnacle” (Edna O’Brien). Dublin, 1904. Nora Joseph Barnacle is a twenty-year-old from Galway working as a maid at Finn’s Hotel. She enjoys the liveliness of her adopted city and on June 16—Bloomsday—her life is changed when she meets Dubliner James Joyce, a fateful encounter that turns into a lifelong love. Despite his hesitation to marry, Nora follows Joyce in pursuit of a life beyond Ireland, and they surround themselves with a buoyant group of friends that grows to include Samuel Beckett, Peggy Guggenheim, and Sylvia Beach. But as their life unfolds, Nora finds herself in conflict between their intense desire for each other and the constant anxiety of living in poverty throughout Europe. She desperately wants literary success for Jim, believing in his singular gift and knowing that he thrives on being the toast of the town, and it eventually provides her with a security long lacking in her life and his work. So even when Jim writes, drinks, and gambles his way to literary acclaim, Nora provides unflinching support and inspiration, but at a cost to her own happiness and that of their children. With gorgeous and emotionally resonant prose, Nora is a heartfelt portrayal of love, ambition, and the quiet power of an ordinary woman who was, in fact, extraordinary.

Recipient of the 2015 PEN New England Award for Nonfiction “The arrival of a significant young nonfiction writer . . . A measured yet bravura performance.” —Dwight Garner, The New York Times James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to the book’s landmark federal obscenity trial in 1933. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say Yes to Ulysses.

Offering an audacious new take on Joyce's classic modern novel "Ulysses," Kiberd argues the novel is not an esoteric tome for the scholarly few but rather a work written both about and for the common person, and explains how it can teach readers to live better lives.

An Irish Catholic neighborhood of the 1960s on Chicagos Southside that nurtured camaraderie, religion and racial fury; the frequently illegal antics of teenaged boys; the broadening experiences of college and the Army; an assortment of jobs from brutally boring factory work, to business in foreign embassies, to fighting fires; people met and befriended from the super rich to inept Korean golfers who feared tigers; religion, and how confusing it can be.

With an essay by J. I. M. Stewart. 'Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears ... But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work' From a child grappling with the death of a fallen priest, to a young woman's dilemma over whether to elope to Argentina with her lover, to the dance party at which a man discovers just how little he really knows about his wife, these fifteen stories bring the gritty realism of existence in Joyce's native Dublin to life. With Dubliners, James Joyce reinvented the art of fiction, using a scrupulous, deadpan realism to convey truths that were at once blasphemous and sacramental. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.