In the summer of 1985, the Winston clan – Virginia and Robert and their children Sonny and Cassius – move from the Southside of St. Louis to the city’s Northside and take up space on a street famously known as James Cool. The family’s resolve is tested immediately after Virginia befriends a neighborhood tough-guy; Robert gives in to the traps of success; and the two boys are targeted by the posse of thugs that terrorizes the street. James Cool, a classic American novel by Toriano Porter featuring Rory L. Watkins

A visionary of the Greenwich Village nightlife scene in the 1950s and 60s, photographer Robert James Campbell vigorously documented New York's jazz era, and its metamorphosis into the beat and folk movements. Despite Campbell's artistic prowess--evident in his arresting images of the people who would shape the American cultural landscape for generations to come--Campbell died alone in a homeless shelter in Burlington, Vermont in 2002. His identity, and former life as an esteemed photojournalist for The Village Voice and Downbeat Magazine, would only be revealed by the unlikely discovery by a young college graduate of his ephemera and personal belongings within a trove of cardboard boxes. Rebirth of the Cool is the story of Robert James Campbell as reconstructed by Jessica Ferber, and born from tragedy; Campbell, once a wildly talented artist, but wrought by mental demons, financial hardship, and health failure, had to give up his passionate work at what should have been the prime years of his career, having succumbed to his deteriorating body and mind. Campbell left New York for LA and then disappeared into New England with little hope, but resolute to keep and care for his art he managed to diligently transport his negatives and images with him throughout his turbulent life, and ultimately with him into homelessness. At the height of his photographic career Campbell captured the likes of John Coltrane, The Modern Jazz Quartet, Philly Joe Jones, Count Basie, Bud Powell, Richie Havens, Chuck Berry, and more. Shot onstage and off, the intimacy of the photos is moving and prescient. Rebirth of the Cool collects the best of Campbell's work, shot at legendary clubs like Birdland, The Village Vanguard, and The Gaslight Cafe, as well as street photography, international work from his time spent in Germany, and tour photography. The era in which Campbell photographed was brief and precious, and the content he left behind represents a time capsule--a rebirth and regeneration--of a moment that was flashpoint for the culture and heritage of New York, and the nation as a whole.

Timeless wisdom on controlling anger in personal life and politics from the Roman Stoic philosopher and statesman Seneca In his essay “On Anger” (De Ira), the Roman Stoic thinker Seneca (c. 4 BC–65 AD) argues that anger is the most destructive passion: “No plague has cost the human race more dear.” This was proved by his own life, which he barely preserved under one wrathful emperor, Caligula, and lost under a second, Nero. This splendid new translation of essential selections from “On Anger,” presented with an enlightening introduction and the original Latin on facing pages, offers readers a timeless guide to avoiding and managing anger. It vividly illustrates why the emotion is so dangerous and why controlling it would bring vast benefits to individuals and society. Drawing on his great arsenal of rhetoric, including historical examples (especially from Caligula’s horrific reign), anecdotes, quips, and soaring flights of eloquence, Seneca builds his case against anger with mounting intensity. Like a fire-and-brimstone preacher, he paints a grim picture of the moral perils to which anger exposes us, tracing nearly all the world’s evils to this one toxic source. But he then uplifts us with a beatific vision of the alternate path, a path of forgiveness and compassion that resonates with Christian and Buddhist ethics. Seneca’s thoughts on anger have never been more relevant than today, when uncivil discourse has increasingly infected public debate. Whether seeking personal growth or political renewal, readers will find, in Seneca’s wisdom, a valuable antidote to the ills of an angry age.

The ï¬?rst full biography of the star Negro Leaguer and Hall of Famer James “Cool Papa” Bell (1903–1991) was a legend in black baseball, a lightning fast switch hitter elected to the National Baseball Hall of Fame in 1974. Bell’s speed was extraordinary; as Satchel Paige famously quipped, he was so fast he could flip a light switch and be in bed before the room got dark. In The Bona Fide Legend of Cool Papa Bell, experienced baseball writer and historian Lonnie Wheeler recounts the life of this extraordinary player, a key member of some of the greatest Negro League teams in history. Born to sharecroppers in Mississippi, Bell was part of the Great Migration, and in St. Louis, baseball saved Bell from a life working in slaughterhouses. Wheeler charts Bell’s ups and downs in life and in baseball, in the United States, the Dominican Republic, and Mexico, where he went to escape American racism and MLB’s color line. Rich in context and suffused in myth, this is a treat for fans of baseball history.

Perfect for fans of Rain Reign, this middle-grade novel The Brave is about a boy with an undiagnosed anxiety issue and his move to a reservation to live with his biological mother. Collin can't help himself—he has a mental health condition that finds him counting every letter spoken to him. It's a quirk that makes him a prime target for bullies, and frustrates the adults around him, including his father. When Collin asked to leave yet another school, his dad decides to send him to live in Minnesota with the mother he's never met. She is Ojibwe, and lives on a reservation. Collin arrives in Duluth with his loyal dog, Seven, and quickly finds his mom and his new home to be warm, welcoming, and accepting of his disability. Collin’s quirk is matched by that of his neighbor, Orenda, a girl who lives mostly in her treehouse and believes she is turning into a butterfly. With Orenda’s help, Collin works hard to learn the best ways to manage his anxiety disorder. His real test comes when he must step up for his new friend and trust his new family.

Author's first novel. Thriller. CIA-agent-gone-bad Mike Culley is sent to track down KGB defector and counterfeit rackateer, John Malik, also known as T̀he mix-n-match killer'.

The Pride of Park Avenue Combining cool, reflective narrative, free-flowing prose and authentic character dialogue, The Pride of Park Avenue is a collection of emotionally charged personal essays about life, loss and pain, character-driven flash fiction passages of love and betrayal, action-helmed coming of age short stories centered on the pursuit of the American Dream, painstaking, tragedy-filled poetry and insanely written gonzo blog entries that form one of the more daring works of the last quarter century.

Cool. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. The Origins of Cool in Postwar America uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among Jean-Paul Sartre, Simone de Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white Negro" and black cool. We come to understand how the cool worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches nuanced definitions of cool that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be cool is not to be hip and to be hot is definitely not to be cool. This is the first work to trace the history of cool during the Cold War by exploring the intersections of film noir, jazz, existential literature, Method acting, blues, and rock and roll. Dinerstein reveals that they came together to create something completely new—and that something is cool.

Put on your dancing shoes—Pete is ready to boogie! Pete is learning a new dance—the Cool Cat Boogie! When he hears a groovy beat, he’s full of happy in his feet. But when Grumpy Toad tells him, “Pete, you dance all wrong!” Pete is determined to become a better dancer. With the help of his friends and some wise words from Owl, Pete learns that he’s his grooviest when he’s being himself. Includes step-by-step dance moves so readers can dance along with Pete! Join Pete the Cat in this groovy story from New York Times bestselling author-illustrator team James and Kimberly Dean! Don't miss Pete's other adventures, including Pete the Cat: I Love My White Shoes, Pete the Cat: Rocking in My School Shoes, Pete the Cat and His Four Groovy Buttons, Pete the Cat Saves Christmas, Pete the Cat and His Magic Sunglasses, Pete the Cat and the Bedtime Blues, Pete the Cat and the New Guy, Pete the Cat and the Missing Cupcakes, Pete the Cat and the Perfect Pizza Party, Pete the Cat: Crayons Rock!, Pete the Cat's Groovy Imagination, and Pete the Cat Plays Hide-and-Seek.

At his induction into the Baseball Hall of Fame, former Negro League player Buck Leonard said, "Now, we in the Negro Leagues felt like we were contributing something to baseball, too, when we were playing.... We loved the game.... But we thought that we should have and could have made the major leagues." The Negro Leagues had some of the best talent in baseball but from their earliest days the players were segregated from those leagues that received all the recognition. This history of the Negro Leagues begins with the second half of the 19th century and the early attempts by African American players to be allowed to play with white teammates, and progresses through the "Gentleman's Agreement" in the 1890s which kept baseball segregated. The establishment of the first successful Negro League in 1920 is covered and various aspects of the game for the players discussed (lodgings, travel accommodations, families, difficulties because of race, off-season jobs, play and life in Latin America). In 1960, the Birmingham Black Barons went out of business and took the Negro Leagues with them. There are many stories of individual players, owners, umpires, and others involved with the Negro Leagues in the U.S. and Latin America, along with photos, appendices, notes, bibliography and index.