Although many observers have assumed that pluralism prevailed in American political life from the start, inherited ideals of civic virtue and moral unity proved stubbornly persistent and influential. The tension between these conceptions of public life was especially evident in the young nation's burgeoning cities. Exploiting a wide range of sources, including novels, cartoons, memoirs, and journalistic accounts, James J. Connolly traces efforts to reconcile democracy and diversity in the industrializing cities of the United States from the antebellum period through the Progressive Era. The necessity of redesigning civic institutions and practices to suit city life triggered enduring disagreements centered on what came to be called machine politics. Featuring plebian leadership, a sharp masculinity, party discipline, and frank acknowledgment of social differences, this new political formula first arose in eastern cities during the mid-nineteenth century and became a subject of national discussion after the Civil War. During the Gilded Age and Progressive Era, business leaders, workers, and women proposed alternative understandings of how urban democracy might work. Some tried to create venues for deliberation that built common ground among citizens of all classes, faiths, ethnicities, and political persuasions. But accommodating such differences proved difficult, and a vision of politics as the businesslike management of a contentious modern society took precedence. As Connolly makes clear, machine politics offered at best a quasi-democratic way to organize urban public life. Where unity proved elusive, machine politics provided a viable, if imperfect, alternative.

Songs of Freedom is the name of the 1907 songbook edited by the Irish revolutionary socialist James Connolly. For the first time in nearly 100 years, readers will find all of his original songs. Both are reproduced exactly as they originally appeared, providing a fascinating glimpse of the workers' struggle in the early 1900s. To complete the picture, the book includes the James Connolly Songbook of 1972, which contains the most complete selection of Connolly's lyrics and historical background essential to understanding the context in which the songs were written.

James Connolly (1868-1916) became a leading Irish socialist and revolutionary, and was one of the leaders of Ireland's rebellion in 1916. As a youth he had served in the British army in Ireland and, seeing how they treated the local population, became hugely disillusioned with the British Army. He became involved in socialism in Scotland and was the driving force behind the creation of Ireland's trade union movement. He was Commandant of the Dublin Brigade in the Easter Rising and, too injured to stand before the firing squad, was executed tied to a chair. Written in an entertaining, educational and assessible style, this biography is an accurate and well-researched portrayal of the man behind the uprising. Including the latest archival evidence, James Connolly is part of the Sixteen Lives series which looks at the events, lives and deeds of the sixteen men executed for their role in Ireland's Easter 1916 Rising.

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Dealing with Connolly's activities as soldier, agitator, propagandist, orator, socialist organiser, pamphleteer, trade union leader and insurgent, and tracing the evolution of his political thinking, this biography is largely based on his writings in 27 journals and 200 letters.

Revolutionary, unionist and socialist James Connolly is best known for his part in organizing the bloody Easter Rising of 1916. Yet the Rising was just one defining event in a career devoted to peaceful activism for Irish independence, social justice for the working class, and the rights of women. This biography traces the political life of an unassuming advocate for nonviolent social change at the ballot box, who later helped lead a violent insurrection to establish an Irish Republic and was executed by a British firing squad.